I Might Just Wait Till There’s Another Tragedy And The Cycle Of “wokeness” Repeats Itself

one thing people in public will do is they will literally stare at you like a pack of vultures like you're an animal carcass in the desert and they're waiting to eat you and suck the marrow out of your bones

Everytime I do this one stretch on my spine I start seeing this blue thing

It’s so funny when I some people try to compare moral Orel to bojack horseman knowingly they’re the exact same with their fanbase. Like u all think the same with seeing bojack/clay as “such complex characters” – they’re just abusers. That’s it. The only difference is that bojack was really just an innocent kid who had both his parents hating him and he gen didn’t deserve any of the treatment he got but clay, he was just fucking annoying and was such a mummy’s body that deserved a slap every now and then.

This world is so fucked up coz why is it so expensive to eat like im tryna gain weight and need to eat but gotta limit myself coz of fucking money

Source: Walter Callens, Frans Devriese, Flickr

P valley is the wokest shit I’ve seen. There’s too much to talk about.

I just want my new pair of glasses already

Tattoos

In a world where memory is porous, how do we recognize the signs of history repeating?

In this week’s new Longreads essay, Aaron Rabinowitz writes about history and memory, Jewish identity, and scars and signs:

Dry-erase ink is not similar to tattoo ink, but it is almost identical to ink from a permanent marker. And if you leave it on a surface for long enough, especially a porous surface, it will remain. The brain is a porous surface. Memory is a porous surface.

Read his essay, “Tattoos,” on Longreads.

Histoires drôles et drôles de gens [1983] directed by. Jean-Pierre Dikongue-Pipa

I’ll keep you my dirty little secret