A Scene From The Finale That They Ended Up Cutting For Time 😝

A Scene From The Finale That They Ended Up Cutting For Time 😝

A scene from the finale that they ended up cutting for time 😝

I used a pose ref made by @/kibbi_the_kibbitzer! I used one of their hard-copy books but will be subscribing to their Patreon page too!

More Posts from Nataliamako and Others

1 year ago
the epic handshake meme between Season 1 Crosshair girlies and Season 3 Wolffe girlies. they are shaking hands in agreement on their man being loyal to the Empire but also irresistably hot as fuck.

the atrocities are part of him and i've decided they're hot


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1 year ago
Fan art of older Hunter, Crosshair, Echo, Tech, and Wrecker from Star Wars: The Bad Batch by lornaka. They are all smiling softly while looking at the viewer, bathed in sunlight, their portraits arranged around each other on the poster.

If you ever need us, we'll be there.

1 year ago
One Of The Best Shot Of Total Solar Eclipse From 08-04-2024.

One of the best shot of Total Solar Eclipse from 08-04-2024.

Via @nasa-official

9 months ago
We Will Forever Miss The Princess From That Far, Far Away Galaxy.

We will forever miss the princess from that far, far away galaxy.

1 year ago

The Tragedy of the CX Troopers and the Missed Opportunity to Teach Us All an Important Lesson

A deeper look into how the CX-Troopers were handled in the Bad Batch and the narrative surrounding them that unfortunately got dropped in season 3

I want to start off by applauding the Bad Batch for the brave attempt to tackle dark topics throughout the series and presenting them in a way that is appropriate for families to watch and discuss with their children. Most of series is successful in being just dark enough to raise tension but to also keep things suitable for a child’s first glimpse into the harsh realities of life. However there still a few places that missed the mark.

The one I wish to cover today is the inconsistent narrative surrounding the CX-Troopers. I’m not here to say it was bad writing per se, but if a dark topic is discussed in a family oriented tv series, it is best to commit adequate time to truly flesh it out so the messaging is clear. Subjective is great in a mature series like Andor, but kids lack the life experience required to read between the lines.

And yes, exposition does make dialogue sound clunky at times, but there is a reason why most cartoons in the 80s had the kind of “The more you know” lesson after each episode. The Bad Batch was no different. Tech’s speech in the Crossing and his encouragement to Omega at the end of Retrieval are perfect examples of this.

In my opinion, there was an opportunity for an important lesson to be learned from the CX Troopers that was brought up but left unfinished. These shadow operatives could have been a way to show the viewer how anyone can be “brainwashed” either by force or by clever manipulation.

One operative in season 2 called himself a “Believer” which seems to evoke he was forcibly submerged into a cult-like indoctrination. It’s also why I prefer to use the phrase “coercive persuasion” or “forced persuasion” instead of brainwashing as they are a more accurate description of the process that has been historically implemented by governments, cults, and captors in order to make good people believe in or do horrible things.

Dr. Hemlock’s use of forced persuasion on select clones to turn them into CX-Troopers is a interesting look into the real world and well-documented cases of brainwashing within fascist regimes; especially in wartime settings. It is common and disturbing tactic implemented in moments of great despair and something that deserves more focus within the narrative if it is to be brought up as a major plot point.

Most of the brainwashing aspects in the Bad Batch were rapidly glossed over probably due to time and budget constraints, and not so much by the dark and disturbing imagery. One can easily get the “idea across” without showing it explicitly. (Like Crosshair having his hand chopped off. We didn’t see it but yeah, we get the gist).

I will say however, that despite the mystery surrounding brainwashing in the CX-Program, one of the more poignant moments was Captain Rex telling a caught CX Trooper that he was still their brother and that they would help him. It was a beautiful show of compassion and introduced new plot element; that the soldiers who undergo forced persuasion could possibly be reached or even saved.

It’s not a stretch to believe that the Bad Batch would take this route given the series had built up “we don’t leave our own behind” as one of the main themes. It would also be safe to say that saving fictional heroes from brainwashing gives us hope that real life survivors can recover from such trauma.

It was one of the many reasons fans were led to believe that the mysterious CX-2 operative could have been Tech or Cody. The focus on this particular shadow operative gave rise to speculation that he was different, that there was something coming to shed light or hope that a lost soldier could be found and rescued; something that would make sense of it were a character we already cared greatly about.

Alas, CX-2 was kept a mystery box that gave no insight to the tragic nature of his existence nor gave us a reason to mourn his death. That is why the battle between the Bad Batch and Hemlock’s Batch of secret operatives felt rushed and incomplete to some viewers. There wasn’t proper time for the story to breathe beyond “One Batch is good, the other Batch is bad.”

There were simply too many dropped narratives throughout the final season that reduced the whole CX Trooper plot to a video game-esque final boss battle. Don’t get me wrong, it was an amazing fight, beautifully animated, terrifying, and intense; but nevertheless, it felt hollow because the build-up went nowhere.

At that’s exactly where the narrative around the tragic nature of brainwashing got lost.

It’s important for you to know that I’m not saying the Bad Batch killing these operatives in the final fight was wrong. I’m also not saying that they should have tried to reach out to save these Shadow Operatives in the middle of of a life and death situation. It’s just unfortunate that we were never given a reason to feel anything other than relief that the CX-Troopers were killed.

And yes, this is a show about the Bad Batch and not brainwashed mystery troopers, but I stress, the writing set up these characters and introduced a very dark and disturbing concept to young viewers. With more time and effort spent on the narrative, it could have been an important lesson that applies to real life.

Coercive Persuasion is not a fantasy concept. It is very very real. Sleep deprivation, isolation, abuse, constant interrogation, drugging, shame, and humiliation, are all various means to break down a person’s will and forcibly persuade them into believing anything.

One can simply look to how many people get forced into false confessions by unethical police practices, or those who end up committing atrocities due to cult leader manipulation. A more common and less obvious example is social media outlets designed to spin conspiracy theories; coercing people into believing anything they want, like like the Earth is flat and microchips were put in Covid vaccines. By preying upon people’s anger and fear, these sites cultivate distrust and can lead one to extremist thinking.

This is real world, dark and scary stuff that needs to be handled with serious care and consideration of bringing it into an animated Star Wars series.

So given more time and budget, how could this lesson be shown through the story of the Bad Batch? How could these brainwashed operatives been presented in a way to that is scary but still gives younger audiences a way to sympathize with them?

Shedding more light on a terrifying process would remind us the CX-Troopers are victims and despite their terrifying nature, they still deserve our compassion and empathy. So giving the operatives more of a backstory is a good start.

For Example:

Showing the transformation of at least one of these operatives before the final battle would provide more emotional impact after their demise. Having kids clearly, and not subjectively, understand that under those cool costumes there used to be good men is such an important lesson. It reinforces the narrative that the real villains aren’t these soldiers but the regime that warped their minds and forced them into mindless monsters.

To be clear, this a a family series and I am in no way implying that a clear visual of lengthy torture would be acceptable. There are already hints through Crosshair’s PTSD and that is enough to get the idea across.

My suggestion would have been to place the sniper clone who eventually became CX-2 in the cell next to Crosshair while on Tantis. The viewer gradually sees these two men go back and forth to their cells after these conditioning sessions and the witness bond that forms between them. Crosshair is forced to see CX-2’s identity slip more and more away after each session until he is no longer the person he once was. The sadness and loss of seeing this man lose his identity not only leaves a mark on Crosshair, but by the viewer as well.

The scene of the shadow operative watching Crosshair on Tantiss and the one shadow operative calling him “brother” would have made more sense in retrospect. In addition, having an emotional and clear connection between Crosshair and the man who became CX-2, would have given their epic fight on top of the waterfall more emotional weight. CX-2’s line “You could have been one of us. You made the wrong choice” would be more resonant to the viewer. CX-2 would literally be a sniper shadow operative that Crosshair could have become verses a subjective mystery box.

To further this narrative and Crosshair’s character arc, making the above change to the story could have also opened the door to Crosshair eventually saving this lost brother. Omega’s determination to never give up on Crosshair could have resulted in Crosshair reaching out to CX-2 and eventually getting through to him before the final battle. It would have been so emotional and fulfilling.

And yet…as lovely as that would have been, I realize the above scenario would require at least one additional episode; which the animation team probably didn’t have the luxury or the budget to do. So I’ll offer another solution:

Adding a few minutes here and there during season 2 and the beginning of season 3 dedicated to Hemlock’s treatment to the CX-Troopers and other Clone prisoners would give the viewer a clearer picture into the nature of the CX Program. The result would be that the feeling of triumph wouldn’t be seeing the shadow operatives lying dead on the floor but knowing that the experimentation on the clones at Tantiss by Dr. Hemlock was finally over.

So in conclusion:

It’s a shame that the shadow operatives were left a mystery and simply became foils and metaphors. The fight at the end was nothing more than the Batch having to kill or be killed and it failed to showcase a serious topic with less black and white thinking.

With more time, the writers could have explored the tragedy of forced coercion. Discussing a difficult subject in a manner fit for young audiences could leave them with awareness when they are faced with a similar real world scenario.

The CX-Trooper plot could have also been a good way for a parent to discuss what coercive persuasion does to people; especially in today’s world where social media is rife with bad people luring in youth and manipulating their anger and fear into extremist thinking.

Think about it.

How does someone get so isolated that they fall prey to extremism and they end up committing acts of terrorism? How does one get indoctrinated into a cult and become so brainwashed that they take their own lives or the lives of others at the behest of a cult leader? How would an innocent person sign a confession of a crime they didn’t commit?

These are all good questions that people often ask after horrendous real life events and can regularly be seen on the daily news and social media. Having a fictional metaphor for scary real world issues that children could easily understand would be exactly the kind of thing Star Wars was created for. It was also created to give children and all of us hope.

So in the end, the lesson should have been that people who fall victim to brainwashing aren’t weak or gullible. They have been put through extreme duress and put through unethical means of isolation and manipulation.

And if there is hope for even one of the CX-Troopers to be saved, we as a society should have empathy and try to reach out to those in our own lives who have been a victim of coercive persuasion before writing them off.

Disclaimer:

One thing I’ve learned in life is that platforms like Twitter are not places for deep discussions and good faith arguments. You have a set number of letters to get your ideas across and interpreting the meaning or tone always leads to misunderstandings.

That is why I’m coming to to Tumblr to discuss my deep dives into season 3 of the Bad Batch. I am the type of person who doesn’t like angry, confrontational sparring over ideas.

My goal is to shed light on a different perspective; not to make anyone agree with me, but just to understand that we can all watch the same show and interpret things differently due to our own life experiences. By explaining my viewpoints, I’m showing you into my thought process. You are certainly free to disagree but I’m not trying to change your feelings on the matter, nor do I wish for anyone to forcibly change mine.

We can all exist in the same space and I encourage anyone who has a different view to write an analysis of their own instead of arguing in anyone’s comment section. Be kind and respectful and most of all, remember this is fiction and subjective interpretation. There are so many things to be really angry about in the world and Star Wars is the least of our worries.

Cheers and as always, May the Force be with you!

The Tragedy Of The CX Troopers And The Missed Opportunity To Teach Us All An Important Lesson
1 year ago

Star Wars: A Tribute to the Clones

FOR THE LOVE OF CLONES!❤️

1 year ago

Then & Now

Read here on Ao3!

ANGST-PRIL 2024 | DAY 3 | PROMPT 3: BROKEN HEARTED 

RATED: T | WORDS: 1109 | SUMMARY: Crosshair tells Omega about Mayday. | CHARACTER FOCUS: Crosshair, Omega

Then & Now

“What happened?” Omega asks. 

Crosshair doesn’t move, doesn’t shift his gaze to the child sitting behind the grate of his cell door. He keeps his focus on the ceiling above him, where the light has a barely discernible flicker. “What do you mean, what happened?” he asks, hoping that the venom in his tone will make her recant the question. 

But he isn’t surprised when she only clarifies, “Why did you turn against the Empire?” 

Omega has been nothing if not persistent these past few weeks, regularly sneaking her way down to talk to him. She does most of the talking, while he pretends he’s not listening, and wonders if she will take the hint and stay away.

To his frustration, Omega takes the hint and blatantly ignores it. 

“It doesn’t matter,” Crosshair growls.

Omega shifts so that she is kneeling in front of the door, facing him full on. “It must’ve been something terrible. You seemed so sure on Kamino.” 

They let him die. The unspoken words taste bitter, so he verbalizes something less distasteful. “It pains me to say that Hunter was right. We are nothing but a number to them. Disposable. You’ve seen the labs here.”

The kid frowns. “Realizing Hunter was right doesn’t put you in a cell,” she observes. 

“I already told you, it doesn’t matter,” Crosshair tells her. 

“It matters to me.” 

“Why?” 

“Because you’re my brother,” Omega states. “What happens to you – what happened to you – matters.”

An infinite number of retorts line up Crosshair’s throat. Awful, horrid things that he is sure will finally drive Omega away, make her hate him the way he deserves. Keep her safe the way she deserves. Safe from him. Safe from attachment and familial duty. 

But not a single one of them comes out. 

“His name was Mayday.” 

Omega is quiet for a moment. “What happened to him?” 

“He died.” 

Another meaningful pause. “The Empire killed him?” 

“They couldn’t waste precious medical supplies on a disposable meat droid,” Crosshair snaps. Blistering rage burns glacial in his veins. “So I killed the officer who stood by and watched him die.” Crosshair turns his head to look at Omega, who stares back with wide eyes. “That’s what happened. That’s why I’m here.” 

He hates the sympathy that washes over Omega’s transparent expression. He does not want her pity or her love. He wants her to leave him alone. 

Funny, isn’t it? How these clones around you keep disappearing?

“Go,” Crosshair says, turning away. “I don’t want you to come back.” 

He can feel Omega watching him, hear that she hasn’t moved away. Finally, she sighs, a long-suffering exhale that sounds too much like Hunter. “I know you think you’re protecting me, but I will come back, Crosshair. I won’t let you be alone again.” 

Crosshair waits until he knows she’s gone before he releases a shaky breath. He rubs harshly at his eyes. He hasn’t cried for Mayday. He won’t cry now. 

<<>><<>><<>><<>><<>><<>>

They’ve been in hyperspace for a couple hours now. 

Crosshair sits on the floor of the main hold, Batcher’s head in his lap while he strokes the hound’s smooth, leathery skin. He listens to the rumble of his brothers’ voices in the cockpit, Omega’s melodic voice occasionally chiming in. He imagines this is what it was like before, when the Batch first got Omega. In all the time he has known her, even before he liked or cared or… loved her, Omega has always had something to say, something to contribute. He remembers it annoyed him, but the emotion attached to the memory feels foreign and ugly. He hates that it used to be that way, but he cannot deny that it was. 

It was the chip, he reminds himself. After that, his own stubbornness butting up against Omega’s persistence. Regret constricts around the muscle in his chest, memories of the cruel and harsh words he’d used on Tantiss to push Omega away. He can’t remember exactly when he’d given up the effort, resigning to be talked at relentlessly until it became something he ached for. When she’d go days without coming to his cell, he began to worry for her, straining to hear the light tread of her footsteps. 

Those familiar light steps approach him now, but Crosshair doesn’t look up at his sister when she stops in front of him. 

“You look comfy,” Omega says. 

“Yeah, the floor of a ship is luxurious,” Crosshair retorts. 

“I was talking to Batcher,” Omega responds, deadpan. 

Crosshair rolls his eyes, but smirks in spite of himself. 

Omega moves to slide down next to him. “You’ve been quiet since we left the base.” 

“Unlike some people, I don’t feel the need to talk constantly.”

“Fine. You’ve been quieter than usual. Happy?” 

“Ecstatic.” 

Omega turns so that she’s leaning her back against his arm, head tipped against his shoulder. “Is that where you met Mayday?” 

Crosshair stiffens, his hand freezing in place on Batcher’s head. He swallows. He could try to lie, or at the very least, brush the question off. Seconds of indecision tick by, Omega patiently waiting Crosshair out. She’ll know if he lies. 

“Yes,” Crosshair mutters at last. 

Omega hums. “I saw the helmets. Hunter said he saw you picking them up.” 

When did he tell you that? Crosshair wants to demand, but the question catches in his throat, giving Omega time to continue uninterrupted. 

“I’m sorry for what happened there,” she says, softly. “It must have been hard to go back.” 

Crosshair shrugs, purposely jostling Omega’s head resting against him, making her huff. “It is what it is,” he tells her. 

“Tell me about him?” The question is gently put, a small voice guarded for rejection. 

Crosshair sighs. “There’s not much to tell. I didn’t know him for long.” 

“Long enough to care about him,” Omega says. 

“Hmmm,” Crosshair concedes. He hesitates a moment before saying, “I guess he reminded me of our brothers...”

Omega nods, head bumping against his arm. 

“There was an avalanche,” Crosshair continues, voice low, throat tight. “We were both injured, but Mayday had the worst of it. He…” Crosshair swallows. “He wanted me to leave him behind, said he wouldn’t make it. He was right, in the end, but I tried anyway. We got to the base, but they wouldn’t help him.”  

Omega reaches back, her fingers finding his hand and wrapping around it. Her grip tightens. He squeezes back. 

“I wish I could have met him,” Omega whispers, and Crosshair knows she means it. 

Blinking back the burning sensation that suddenly impairs his vision, Crosshair mutters, “Me too.”

He hasn’t cried for Mayday. 

He won’t cry now. 

END

Then & Now

Wow! Already to day 3 of Angst-pril, and my time has come to join the collaboration alongside @the-little-moment & @just-here-with-my-thoughts!

(If you haven't already, you NEED to go read their stories for the prompts Homesick and Frozen!!!)

My next prompt is: "This isn't going to work."

✨Let me know if you'd like to be added to my tag list!✨

Tag List: @followthepurrgil @isthereanechoinhere96 @amorfista @mooncommlink @arctrooper69 @nagyanna424 @groguandthebadbatch @proteatook @ezras-left-thumb

7 months ago
Ralph McQuarrie Art For Echo Base On Hoth. From The Empire Strikes Back (1980). In A Bit We’ll See
Ralph McQuarrie Art For Echo Base On Hoth. From The Empire Strikes Back (1980). In A Bit We’ll See
Ralph McQuarrie Art For Echo Base On Hoth. From The Empire Strikes Back (1980). In A Bit We’ll See
Ralph McQuarrie Art For Echo Base On Hoth. From The Empire Strikes Back (1980). In A Bit We’ll See
Ralph McQuarrie Art For Echo Base On Hoth. From The Empire Strikes Back (1980). In A Bit We’ll See
Ralph McQuarrie Art For Echo Base On Hoth. From The Empire Strikes Back (1980). In A Bit We’ll See
Ralph McQuarrie Art For Echo Base On Hoth. From The Empire Strikes Back (1980). In A Bit We’ll See
Ralph McQuarrie Art For Echo Base On Hoth. From The Empire Strikes Back (1980). In A Bit We’ll See
Ralph McQuarrie Art For Echo Base On Hoth. From The Empire Strikes Back (1980). In A Bit We’ll See
Ralph McQuarrie Art For Echo Base On Hoth. From The Empire Strikes Back (1980). In A Bit We’ll See

Ralph McQuarrie art for Echo Base on Hoth. From The Empire Strikes Back (1980). In a bit we’ll see McQuarrie’s designs for the ensuing Battle of Hoth.

1 year ago

Loyalty is everything to Crosshair and Omega has been loyal to him from the very first moment...

Loyalty Is Everything To Crosshair And Omega Has Been Loyal To Him From The Very First Moment...
Loyalty Is Everything To Crosshair And Omega Has Been Loyal To Him From The Very First Moment...

The loyalty of not giving up on him when he already did

9 months ago
My Obsession With Luke Has Yet To End..

My obsession with Luke has yet to end..

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nataliamako - NATALIAMAKO
NATALIAMAKO

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