Collection 02 Campaign
shot by Katherine Goguen
And this girl? She is somewhere between this heart & this knife.
— AL-SADDIQ AL-RADDI ⚜️ My Voice: A Decade of Poems from the Poetry Translation Centre (Ed. Sarah Maguire), transl. by Mark Ford & Hafiz Kheir, (2014)
♱ ⠀⠀… ⠀⠀𝐏𝐈𝐂𝐑𝐄𝐖 ⠀⠀your ⠀⠀𝖒𝖚𝖘𝖊 ⠀⠀.
tagged by ⠀⠀… ⠀⠀@ashbalfour & @stvrmlicht tagging⠀⠀⠀⠀… ⠀⠀@geisterwelt, @heiliqe, @renchoku & @sternleer
" it's a good look on you. you should get covered in blood more often. "
the blood clung to her skin like a second layer, darkening the air around her with its heavy scent. emilia didn’t acknowledge it immediately, but there was a subtle shift in her posture as the words hit her ears.
❝ is that so? ❞
she replied, her voice as even as if she were discussing the weather — too calm for the weight of the moment. her eyes met accalia’s, sʜᴀʀᴘ and ᴄᴀʟᴄᴜʟᴀᴛɪɴɢ, as if measuring the space between them, considering her every word. ❝ you think this is a look? ❞ she added, her hand slowly rubbing the back of her neck. not to clean the blood, but to ground herself in the calm that, for a moment, seemed so out of place. ❝ i’ve worn worse. ᵇˡᵒᵒᵈ'ˢ ʲᵘˢᵗ ᵇˡᵒᵒᵈ. ❞ she took a step forward, not toward accalia, but into the silence that lingered. the weight of her presence settled, heavy and deliberate, like the calm before a storm. ❝ but it’s not a look. ❞ her eyes lingered on accalia’s, colder now. ❝ people forget how easily it can stain you — how it’s never really gone. ❞ her hands, still dark with it, reached for the edge of a nearby table, fingers brushing over the surface, more out of habit than need. she didn’t look back at accalia, but her next words came quietly, almost as an afterthought ❝ and people always think they can handle it. until it’s theirs to wear. ❞ there was a finality in her tone, but no aggression. just an inevitability. a warning, soft but clear.
You break the rules and become a hero. I do it, and I become the enemy.
That doesn’t seem fair.
I be like ''lord'' ''god'' ''jesus christ'' and the mfs dont even mean anything to me
“I was born of song and story, of spell or speech with power of oracle.”
— Kathleen Raine, from The Collected Poems of K. R.; “The Wilderness,” (via alcrepuscolo)
lucrezia guides emilia's bloody hands under a faucet / water source and begins washing them clean.
the water was too warm. it made the blood feel thicker somehow — less like something to be washed away and more like something that had sunk too deep to ever really leave.
emilia didn’t speak. her eyes remained fixed on their hands beneath the faucet, the red swirling down the drain in ghostly ribbons. lucrezia’s touch was steady, reverent even, like a priestess performing a ritual rather than a someone scrubbing sin from skin. ❝ you don’t have to do this, ❞ emilia murmured finally, her voice low, almost hoarse. not from pain. from restraint. ❝ I'm not some frightened girl in ⁿᵉᵉᵈ ᵒᶠ ᵃᵇˢᵒˡᵘᵗᶦᵒⁿ. ❞ but she didn’t pull away. because for all the blood she’d spilled, there was something strangely disarming about lucrezia’s hands — so calm, so sure, as if she’d done this before. maybe she had. maybe that’s why emilia stayed still. why she let her. because only someone with her own share of ʀᴜɪɴ could understand what it meant to do terrible things … and still want to be touched gently after. her gaze finally lifted, meeting lucrezia’s with a quiet defiance — and something else flickering behind it. not regret. never regret. just … weight. ❝ are you always this gentle with ᴍᴏɴsᴛᴇʀs? ❞
Mary’s sorrowful heart in Naples, Italy.
❝ What did you do ? ❞
emilia’s fingers tightened at her sides, but her expression remained unreadable. a flicker of something — ᴅᴇғɪᴀɴᴄᴇ, ᴍᴀʏʙᴇ, ᴏʀ sᴏᴍᴇᴛʜɪɴɢ ᴅᴀʀᴋᴇʀ — passed through her deep brown eyes as she held his gaze. the silence stretched between them, thick with unspoken truths, before she finally spoke.
❝ what I ᴴᴬᴰ to. ❞
there was no apology in her tone, no uoᴉʇɐuɐldxǝ offered. If he was expecting ᴳᵁᴵᴸᵀ, he would find none. whatever she had done, she wasn’t about to justify it — not to him.