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The question I've been asking is why Sandra Newman decided to go with Julia instead of Winston Smith's ex-wife Katherine. Julia has the much bigger part in Nineteen Eighty-Four, but I've come to find Katherine interesting precisely because her presence in the story is so minimal. Winston describes her as a conformist who just recites whatever doggerel the Party puts out, but the stridency of this depiction makes me wonder if Winston himself was engaging in his own little bit of historical revisionism and narrative framing. Additionally, while Katherine and Winston are still technically married, by the beginning of the novel they are for all intents and purposes separated, and IIRC Winston's narration makes it fairly clear she was the one who did the separating. Perhaps there's room there for a story of the contradictions, complexities, and compromises of a true believer.

What do we think of the feminist 1984 retelling? Am I being kneejerk eye-rolling for no reason?

Hmm.

Someone on the Super Best Friends Play subreddit talking about Detroit: Become Human blew my mind with this gem:

"...in a game that’s...an allegory to slavery and the Jim Crow era, the two best-written and most universally loved characters are police officers.”

Today I started separating my 2900+ likes into various sideblogs just so I can keep track of them all, and I appear to have accidentally created an architecture sideblog.

This is distressingly on-point. You should share that demo tape with me sometime, @coppermarigolds.

I heard @coppermarigolds wrote an eight verse song about #kuvira ?????

I am so goddamn excited for this, and I eagerly await the return of Punished Akira.

we recorded anime club today. it should be up in the next few days. it’ll be an incredibly raw episode with lots of hollering, and some more, Madiha Lore

I used to think that, but a few years ago an old opinion piece completely changed my mind on the subject. To summarize the piece’s argument (in case the site ever goes down), the key differences between superhero movies and westerns is that:

1. People go to see superhero movies because they like certain characters; people went to see westerns because they like westerns. To put it another way, if you want to see a western, the genre is broad enough that you can see all sorts of different movies. But if you want to see a superhero movie, you usually just want to watch Batman acting like Batman and doing Batman things, or Cap acting like Cap etc...

2. Westerns were small enough and cheap enough to make that directors and writers could experiment widely within the genre; modern superhero movies are so expensive that's there far more pressure to play it safe just so you’ll earn your money back.

3. Great characters usually only have a handful of truly interesting stories. A controversial point, but I think this gets at why superhero films tend to focus on either origin stories or constantly feel like retreads of the same ideas. 4. The actor is the draw of the western, while the character is the draw of the superhero film. With the western you can make different movies that emphasize different aspects of the actor’s persona or even have him play against type, while in a superhero movie the actor is something of an interchangeable widget that takes second place to the character. 5. At the end of the day, the audience doesn’t really want innovation or personal films all that much. This is only a crude summary of the piece’s arguments, so I really recommend reading the linked article above.

Superhero movies are the cowboy movies of our time.

Welp, this is it, the final episode of Selector Infected WIXOSS. Time to ride into the Valley of Death one final time, bottle of Jack in my left hand, loaded gun in my right.

Transmediacrity Anime Club, Ep. 16: Ultimate Fucked Up Lesbian Move

WE REGRET OUR WORDS AND DEEDS.

Topics include: WIXOSS FINALE!; Real anime club experiences; banned from the library for tiddy; legit weeb cred; hashtag blessed; weird shot of Ruuko’s clothed ass; Iona’s reaction to Ruuko emailing her; Yuzuki and Mayu both don’t know shit; incoming Madoka shit; DUBS VS. SUBS; LRIG wish consent; Hitoe the tough weenie; breaking down the Ruuko mom scene; explode with WIXOSS energy; Japanese immigration; Epic Bacon Girl Ruuko; Izanami from Persona 4; Iona’s fan event; the card texts in the Yugioh anime; Ulith’s dub lines; the opening theme of the final episode; killing yourself for your friends is the most beautiful thing; Ruuko Nukes; Ulith and Tama DBZ shit; analyzing the Ulith bloody mouth scene; reinforcing each other’s sexual pathologies; Black Desire; White Hope; should’ve memorized every line of the oath; dueling wishes; battling with you forever; Transmediacrity defeated; Simoun sucks; news stuff.

Ending theme is “Akira” from the Selector Infected WIXOSS OST.

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Dream big, Madiha. In the meantime, take a look at an old Charles Stross called Missile Gap. Something very strange happens to the Earth in the early 1970s and the Soviet Union builds ekranoplans to explore its new neighborhood. He also has an older story called A Colder War, which has no ekranoplans, but the Great Old Ones are weaponized by the superpowers during the Cold War and Oliver North becomes the death of worlds.

someday im gonna write a battle where ekranoplans are the key to victory

I’m not gonna lie; I got a little caught up when I saw that Picard had kept that banner in the Picard trailer.

“Oh, and if you’ve been possessed by a sentient alien being, you’re gonna want to go across the quad to the Dexter Remmick Memorial Medical Center. Victims of energy beings meet up in 512, but if you were bodyjacked by a malevolent parasite you’ll wanna to head down to 337. Benevolent parasites are on 212, God knows why.”

Starfleet Support Groups

The scary thing is that Starfleet probably needs a separate support group for “people who have accidentally lived decades/entire lifetimes in alternate realities until it turned out it was just an hour in the real world.”

What? Oh, no, you’re looking for the “I was caught in a timeloop and went insane” support group. That’s next door.

“Mirror Universe trauma”? Down the hall.

“Dealing With My Duplicate Self” meets on Thursdays.

(O’Brien just attends all of them. If it hasn’t happened, it’s probably going to.)