i don't like to yuck people's yum but i have to say that my least favorite thing to come from the current state of Artists on the Internet is the idea of a sketchbook as something nice and pretty and shareable. like i love me a notebook full of gorgeous art don't get me wrong but that is NOT what a sketchbook is. a sketchbook is my friend who i carry around everywhere like a purse chihuahua. it is the physical manifestation of my notes app. it is the container into which i wring my brain out. it is my therapist. and most of all it is filled with absolutely terrible sketches that should never see the light of day.
Valerie June
this week i want to again highlight faten's fundraiser for her and her family. it's #289 on the vetted gofundme list and faten is on tumblr @fatenfamilygaza. she is only at 25,339 NOK out of the 1,000,000 goal. this fundraiser really needs some momentum!
please mind the conversion rate, $25 is 265 NOK, $50 is 535 NOK, $100 is 1060 NOK
seirously pissed off that to get better at drawing i have to draw
ND culture is all your symptoms being overlooked as a kid if you do good in school
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Folks, friends, y’all…. esk*mo is a slur. I understand a lot of people don’t know that, I don’t want to be a dick about it, but I’ve been seeing it in fics. Wanna write “esk*mo kisses”? Just say “nuzzled noses” or something.
I’m not here to call anybody out, it’s been in multiple fics, I’m not vague posting. This is just a psa. 👍🏻
My name is Osama Almoghani, and I am a humanitarian activist working with "A Sign of Hope," a dedicated team committed to providing essential aid to displaced families in the South of the Gaza Strip. As a non-registered organization, our team operates with limited resources but with an unwavering commitment to supporting those in dire need amidst the ongoing crisis.
The Crisis: A Devastating Displacement
The recent escalation in violence has led to an unprecedented humanitarian disaster. Over 1.5 million people have been forced to flee their homes in the northern Gaza Strip, seeking safety in the south. This mass displacement has left countless individuals and families in precarious situations, having abandoned everything they owned in their desperate bid for safety.
The dire conditions are exacerated by the fact that approximately 390,000 of these displaced individuals have sought refuge in UNRWA schools. The remaining displaced persons, who were unable to secure shelter with relatives or rental accommodations, are left to live in makeshift tents scattered across various locations in the south of Gaza. These individuals face extreme hardships, with basic necessities like food, clothing, and medicine often out of reach.
Our Mission: On-the-Ground Support
At "A Sign of Hope," our mission is to provide immediate relief to those who are suffering the most. We are actively working on the ground to assist families residing in schools and those living in tents, despite the substantial risks involved. Our team is dedicated to making a tangible difference by addressing the most pressing needs of these displaced families.
To this end, we have begun assembling and distributing parcels containing essential supplies, including food, clothing, and medicine. These parcels are a lifeline for many, offering a glimmer of hope amidst the overwhelming challenges they face.
How You Can Help
Our ability to reach more displaced families and provide for their basic needs depends heavily on the support we receive. We are reaching out to individuals and organizations to help us extend our reach and amplify our impact. Your support can make a significant difference in the lives of those who have lost everything and are struggling to survive.
We humbly ask for your assistance in any form—whether through financial contributions, supplies, or spreading the word about our mission. Every bit of support helps us deliver critical aid and sustain our efforts during this challenging time.
Conclusion
The situation in Gaza is dire, and the need for humanitarian aid has never been greater. With your help, "A Sign of Hope" can continue to provide essential support to those who are suffering and help them rebuild their lives amidst the ongoing crisis. Your generosity and solidarity can bring much-needed relief and hope to countless families in their time of need.
A child's smile is worth everything.
Thank you for considering our appeal. Together, we can make a difference and bring a glimmer of hope to those who need it most.
Osama Almoghani
Humanitarian Activist
"A Sign of Hope Team"
"A god should know, where all her dragons are."
I've seen plenty of discussion about how it's shitty of Erzsebet and Drolta to refer to Olrox as a dragon, because Quetzalcoatl isn't really a dragon, but it's like... Extra shitty on other levels?
I mean, this quote is already somethin' because dragon or not, she's referring to him as hers and just making it clear that she does not intend to afford him any agency in this """partnership""".
But I keep Having Thoughts ™ about the role and symbolism of dragons in European folklore.
In the most general sense, they represent power. In a lot of these stories, the dragon is an obstacle between the heroic protagonist and some kind of secret treasure or knowledge (Wealth! Land!). Or the dragon is terrorizing a nearby village (Never mind if the 'dragon' was there first!!). Or the dragon is unfairly hoarding riches it has no use for (don't worry, the colonizers will show the 'primitive savages' how to make the most of their land!! Isn't that nice of them??)
In these stories, it's up to the hero to eliminate this obstacle that's separating them from some resource they feel entitled to, or to 'tame' it and exploit its power for their own purposes. As such, they're pretty on-the-nose colonialist propaganda when viewed under the right lens.
So I wanna talk about The Golden Legend of Saint George and The Dragon, which is one of the most famous of these stories.
Story goes: There's a dragon who's been terrorizing a nearby village. The people start offering the dragon livestock to appease it, and when they run out of livestock, they start holding a regular lotteries to sacrifice one unlucky person to the dragon.
St George shows up before the next person (king's daughter) is about to be eaten, and he doesn't kill the dragon, no. He dominates it:
S. George was upon his horse, and drew out his sword and garnished him with the sign of the cross, and rode hardily against the dragon which came towards him, and smote him with his spear and hurt him sore and threw him to the ground. And after said to the maid: Deliver to me your girdle, and bind it about the neck of the dragon and be not afeard. When she had done so the dragon followed her as it had been a meek beast and debonair.
*(debonair in the archaic sense = gentle)
Erzsebet makes it clear that if she can't be worshipped, being feared is the next best thing. She can't get Olrox to ally with her willingly, so she resorts to force. In the end, she's getting what she really wants: obedience and subservience. For him to follow her like a meek beast.
The Golden Legend doesn't stop there though:
Then she led [the dragon] into the city, and the people fled by mountains and valleys, and said: Alas! alas! we shall be all dead. Then S. George said to them: Ne doubt ye no thing, without more, believe ye in God, Jesu Christ, and do ye to be baptized and I shall slay the dragon. Then the king was baptized and all his people, and S. George slew the dragon and smote off his head, and commanded that he should be thrown in the fields, and they took four carts with oxen that drew him out of the city.
A couple things here that slot right into the themes of colonialism in the show:
The dragon is used used as a way to coerce people into converting to Christianity. Just as Olrox would have watched the Spanish settlers do to his people: under threat of force.
The dragon is feared by the villagers despite no longer being an actual threat, but St George does nothing to dispel those fears—he exploits them. Just as prejudices of all kinds are used to justify settler colonialism as necessary or inevitable.
The dragon is slain and discarded once St George is done with it. Just as Olrox would have watched the Americans betray and displace the Mohican people who allied with them during the revolution.
Erzsebet and Drolta calling Olrox a "Dragon" isn't just ignorant or disrespectful because he's not a dragon. It's downright degrading. They're not just refusing to address him properly—they're telling a man who has survived settler colonization twice over that they intend to use him as a tool with which to do it again.
Olrox spends the season carefully stepping around every appeal Drolta makes for him to pledge loyalty to Erzsebet. And he's damned good at it: never giving up his true intentions by saying no outright, but wiggling out of ever having to say yes by instead asking pointed questions and making cutting observations that always land the ball back in their side of the court.
But then this scene happens, and he can't wiggle out of it this time. They've got their dragon where they want him. He's pinned and 'meek'—and I can think of nothing more infuriating and degrading for a character like Olrox than to be paraded about in his own land to help Erzsebet build her empire across it.
Olrox isn't a dragon, but she's going to make him one.
Btw if you’re sapphic and love to read you should apply for a free membership on queerliberationlibrary.org to access a ton of queer books on Libby 🤍🤍🤍
nia/nrg they/she 23, black, self-taughtlove butches, femmes, and jolly-green giants
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