Me? I’ve had so many names. Old names that only the wind and the trees can pronounce.
“Magic happens at Las Pozas. Just like in work by Salvador Dalí, at Las Pozas art portrays one thing as another, invents a reality put in place of conventional, official, socially acceptable reality. More than painting a picture or sculpting an object, they produced an atmosphere, a privileged place.” ~ Irene Herner
Nestled in the thick jungles of San Luis Potosí, Mexico, Edward James discovered the perfect setting for staging his life’s masterpiece. A surrealist labyrinth unfolds amid waterfalls and ponds—natural and man-made—that prepare the mind for immersion into a dream world. With buildings that evoke nonsense, doors leading nowhere, stairways to the sky and concrete flowers that sprout beside real ones, one man’s dreams are realized and reality is displaced by fantasy.
Images via text via
ive never really made a tutorial before but i thought i’d try!
all my portrait paintings are done on a 2000-3000 pixel canvas with 300 dpi using the two brushes shown above with varying opacity
(note: a flat steak brush texture can be found in many basic deviantart paint tool sai brush downloads! don’t worry if it’s not the exact one im using, i have several from different sources and they all generally do the same thing with the right settings)
Yatagan Sword from the Court of Süleyman the Magnificent (reigned 1520–66)
Dated: circa 1525–30
Sword maker: Workshop of Ahmed Tekelü (possibly Iranian, active Istanbul, ca. 1520–30)
Geography: Istanbul
Culture: Ottoman, Istanbul
Medium: steel, gold, ivory (walrus), silver, turquoise, pearls, rubies
Measurements: overall length 23 3/8 inches (59.3 cm); blade length 18 3/8 inches (46.7 cm); weight 1 lb. 8 oz. (691 g)
Exquisite workmanship and lavish use of precious materials distinguish this sword as a princely weapon and exemplifies the opulence and refinement of Ottoman luxury arts. Almost identical to a yatagan (now in the Topkapi Palace, Istanbul) made in 1526–27 by the court jeweller Ahmed Tekel, for the Ottoman sultan Süleyman the Magnificent (r. 1520–66), this sword was undoubtedly made in the same imperial workshop.
The gold incrustation on the blade depicts a combat between a dragon and a phoenix against a background of foliage scrolls. These figures, like the gold-inlaid cloud bands and foliage scrolls on the ivory grips, are Chinese in inspiration, and were probably introduced into Ottoman art through contacts with Persia.
This sword is one of the earliest known yatagans, distinctly Turkish weapons characterised by a double-curved blade and a hilt without a guard. Yatagans were commonplace in Turkey and the Balkans in the eighteenth and nineteenth centuries and served as sidearms for the elite troops known as Janissaries.
Source: Copyright © 2016 Metropolitan Museum of Art
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I’m all for eldritch angels. Hope mine doesn’t disappoint.