When I Was A Kid I Used To Respond To The "glass Half Full/half Empty" Question By Asking How The Liquid

dear parents, if your child has "seemed fine this entire time" but is now seeking out diagnoses, mobility aids, medical help, more doctors, and is sharing their pain more. do not fucking shut them down? even if it ends up being nothing, showing them that support through all of that will seriously help them. if it ends up being something and you're a bitch to them, the joke will be on you and that strain on your relationship will never go away because. you didn't listen.

listen to kids. we tell you what we need, it's not that hard.

On November 7, 2024, Denmark used a racist, culturally biased "parenting competency" test to remove a 2 hour old baby, Zammi, from her loving indigenous Greenlandic Inuit mother, Keira, because her native language, which uses minute facial expressions to communicate, will not be able to "[prepare] the child for the social expectations and codes that are necessary to navigate in Danish society." This test had been recommended not to be used at the federal level before this happened but certain municipalities, including the one this happened in, chose to continue to use it regardless. Not only is this blatantly racist but also violates multiple declarations and conventions that Denmark has signed that protect the rights of indigenous people.

Please sign this petition to help Keira to get her baby back.

Change.org

Bring a little girl inuk greenlander ZAMMI BACK HOME

Can you spare a minute to help this campaign?

self-proclaimed radical leftists: in the communist utopia that exists only in my head, everyone will work, by which i mean a full-time job in the post-industrial revolution sense. this is because work is obviously the only way one can contribute to society, and everyone who doesn't work is a parasite that will be eradicated in my Communist Utopia™. i don't even care about the products or purpose of people's labour because, as everyone knows, employment equals morality and so having a job is inherently virtuous and not having a job makes you a lazy leech who doesn't deserve to live. trust me, this is a very communist idea. i'm practically an expert because i read 1.5 tweets about marx.

what? omg why are you making this about disability, i was obviously talking about normal people 🙄 if you're disabled, you have an excuse to be a useless waste of resources who can't contribute anything 😊 in my ✨ Communist Utopia ✨, you don't have to work if you're not able to. don't worry, we'll have rigorous and dehumanising tests to determine if you're disabled enough or if you're just a lazy faker! this process is infallible and has no drawbacks whatsoever for disabled people. have you considered that maybe you're the real ableist for criticising me? 🤔 anyway, have i mentioned how much i love employment and also the taste of boot leather

Ways to solve the Why Can’t They Use Magic To Fix Everything problem:

•Magic has a cost. The more powerful the spell, the more it drains the caster’s life.

•’We tried that ages ago.The gods grew angry at our arrogance and stripped most of our powers away.’

•Magic is tied to the stars and planets. Its full potential can only manifest on certain astrological events.(And these are once-in-a-millennia type events)

•Only one will a pure heart and selfless intentions can use their full power.

•All magic users are descendants of a (god/spirit). As the years have gone by, the blood has become more diluted, and magic has grown weaker as a result.

•Spell casters can only cast (finite number of spells). They end up using their gift on trivial matters.

•’After the war, we realized the dangers that magic presented. And so we sealed it away, lest it destroy the world.’

•Everyone has magic. Trying to solve one problem is futile as it can be easily undone(often violently and with much destruction)

•inverse of the above: everyone has magic, but their powers are limited and (mostly) harmless.

•Individual, company, or nation has a monopoly on the only substance that can negate magic. As they rule the world, they have installed anti-magic devices everywhere.

•Individual, group, company, or nation has a monopoly on magic. To insure their grip on power, all magic users that do not submit to them are killed.

•An act of good will spawn one of evil. The use of fire will cause somewhere to grow cold and dark. And to save a life, one must sacrifice another.

•The only magic people have access to is Chaos Magic. No one uses it, for obvious reasons.

—••• •• ——• ——• • ••• —•• •• —•—• —•— ••— •••

Because it is the anniversary of his death, I wanted to share a small story about my grandfather.

Before I knew that I was intersex, I identified as a trans man. And I went the way any trans man has to go if he wants to transition in my country. My parents thankfully were supportive but I was afraid to tell my grandparents. My grandparents were German and lived/were raised during the third reich. While both of them never said or acted in a way that suggested that they had fascist views (my grandfather was until he died part of a leftwing political party), but there still was this fear in me. "They are old, they grew up surrounded by abhorrent beliefs...". And then there was my aunt. Who would constantly claim that my grandfather was homophobic.

The problem was, back then, there were no openly out gay people in our area, so I never got the chance to see my grandfather interact with someone who was queer. So I just believed her. Because she was so insistent on it. And because it confirmed my fears and my brain loves to be constantly afraid.

But I knew I wanted to come out. I had to, eventually, because I had stopped my estrogen treatment (back then, I did not know that I got that because I was intersex) and went on testosterone instead and first physical changes began to show. We all lived in one big house, so my grandparents would eventually notice.

I was so afraid that my father at some point offered to talk to his parents. I waited outside in the hallway that led to their kitchen and listened.

My father explained, easy to understand, that I was going to transition from female to male because I felt terrible in my body. My grandfather asked, "Is that why the child* is so depressed all this time?" I had been in and out of multiple clinics for manic depression at that point. My father gave a yes. And my grandmother made the incredibly selfish comment, "Can't that wait until I am dead?"

Before I even got time to be upset, my grandfather slammed his fist down on the table. I had never seen or heard him do anything like that before. He was a very calm and collected man who preferred to leave the room before he got too angry. "No, it can't wait. The child gets to get well now. And if that is what is going to help, then it needs to be done."

From that day on, he never used my deadname again or used the wrong pronouns for me. Sometimes, he would stop in a sentence to think and remind himself, but he did always address me correctly.

He celebrated with me when my name was legally changed. He built the bed frame for me and my boyfriend's bed when we moved in together, just like he had built the first adult sized bedframe for me when I outgrew my small bed. He drove my boyfriend to his chemo sessions because my grandfather also had cancer and knew how terrifying it was to go alone.

Did he fully understand what it means to be intersex? To transition? No. But he understood that one of his loved ones was suffering and that he could help to alleviate that pain. And so he did.

He taught me calligraphy. He taught me how to sew. He taught me bookbinding. He gave me many gifts.

But the biggest gift he gave me was, that when someone hated me for what I am, I could stomach it. Because this man was willing to unlearn the bigotry he had been taught for decades so he could love me for who I am.

*in my grandpa's dialect it was normal to refer to children as just 'the child' (genderless)

EDIT

I was blown away by how many people have reblogged this post. I believe my grandfather would be very happy to see that he can give some hope and love to others even now.

I do not want him to stay faceless; so here is a piece of art I made for his obituary, with a slightly altered quote added now.

Dahlias were his favorite flowers. Orange ones especially. They reminded him of the home he had to flee from as a child.

listen. aging into your thirties rocks. yes your joints get a little creaky. yes you can’t sleep in a pretzel on the floor anymore after a concert or a convention. and you lose some friends. but the thing is that you sort out who your real friends are and you sort out who you really are. and you get to see your friends settling into careers they like, and adopt new dogs and cats, and you find a job you can stand, and get really good at arts and crafts, and maybe that book you loved as a kid gets a movie deal and it doesn’t suck, and you learn to like new food and bake your own bread, and you realize that the great portfolio of self harm scars you all used to curate are going white with age and not updated, and half your friends are a different gender now and so much happier and maybe you are too, and you know who you are, and that it’s a journey and not a revelation. it’s a direction you’re headed, and you’re enjoying the trip.

reaching your 30′s rocks. and i’m hearing good things about what comes next, too.

I want you to remember:

The fascists hate you too and they just will pretend otherwise until after they've killed the rest of us, before they turn on you.

Words for Skin Tone | How to Describe Skin Color

We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of “So, if food’s not an option, what can I use?” Well, I was just getting to that!

This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions we’ve received on this topic.

Standard Description

Basic Colors

Pictured above: Black, Brown, Beige, White, Pink.

“She had brown skin.”

This is a perfectly fine description that, while not providing the most detail, works well and will never become cliché.

Describing characters’ skin as simply brown or beige works on its own, though it’s not particularly telling just from the range in brown alone.

Complex Colors

These are more rarely used words that actually “mean” their color. Some of these have multiple meanings, so you’ll want to look into those to determine what other associations a word might have.

Pictured above: Umber, Sepia, Ochre, Russet, Terra-cotta, Gold, Tawny, Taupe, Khaki, Fawn.

Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.

For example: Golden brown, russet brown, tawny beige…

As some of these are on the “rare” side, sliding in a definition of the word within the sentence itself may help readers who are unfamiliar with the term visualize the color without seeking a dictionary.

“He was tall and slim, his skin a russet, reddish-brown.”

Comparisons to familiar colors or visuals are also helpful:

“His skin was an ochre color, much like the mellow-brown light that bathed the forest.”

Modifiers

Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.

Dark - Deep - Rich - Cool

Warm - Medium - Tan

Fair - Light - Pale

Rich Black, Dark brown, Warm beige, Pale pink…

If you’re looking to get more specific than “brown,” modifiers narrow down shade further.

Keep in mind that these modifiers are not exactly colors.

As an already brown-skinned person, I get tan from a lot of sun and resultingly become a darker, deeper brown. I turn a pale, more yellow-brown in the winter.

While best used in combination with a color, I suppose words like “tan” “fair” and “light” do work alone; just note that tan is less likely to be taken for “naturally tan” and much more likely a tanned White person.

Calling someone “dark” as description on its own is offensive to some and also ambiguous. (See: Describing Skin as Dark)

Undertones

Undertones are the colors beneath the skin, seeing as skin isn’t just one even color but has more subdued tones within the dominating palette.

pictured above: warm / earth undertones: yellow, golden, copper, olive, bronze, orange, orange-red, coral | cool / jewel undertones: pink, red, blue, blue-red, rose, magenta, sapphire, silver. 

Mentioning the undertones within a character’s skin is an even more precise way to denote skin tone.

As shown, there’s a difference between say, brown skin with warm orange-red undertones (Kelly Rowland) and brown skin with cool, jewel undertones (Rutina Wesley).

“A dazzling smile revealed the bronze glow at her cheeks.”

“He always looked as if he’d ran a mile, a constant tinge of pink under his tawny skin.”

Standard Description Passage

“Farah’s skin, always fawn, had burned and freckled under the summer’s sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.”

-From my story “Where Summer Ends” featured in Strange Little Girls

Here the state of skin also gives insight on character.

Note my use of “fawn” in regards to multiple meaning and association. While fawn is a color, it’s also a small, timid deer, which describes this very traumatized character of mine perfectly.

Though I use standard descriptions of skin tone more in my writing, at the same time I’m no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.

Creative Description

Whether compared to night-cast rivers or day’s first light…I actually enjoy seeing Characters of Colors dressed in artful detail.

I’ve read loads of descriptions in my day of white characters and their “smooth rose-tinged ivory skin”, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.

Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose-like, so do what feels right for your writing when and where. Not every character or scene warrants a creative description, either. Especially if they’re not even a secondary character.

Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do what’s good for your tale.

Natural Settings - Sky

Pictured above: Harvest Moon -Twilight, Fall/Autumn Leaves, Clay, Desert/Sahara, Sunlight - Sunrise - Sunset - Afterglow - Dawn- Day- Daybreak, Field - Prairie - Wheat, Mountain/Cliff, Beach/Sand/Straw/Hay.

Now before you run off to compare your heroine’s skin to the harvest moon or a cliff side, think about the associations to your words.

When I think cliff, I think of jagged, perilous, rough. I hear sand and picture grainy, yet smooth. Calm. mellow.

So consider your character and what you see fit to compare them to.

Also consider whose perspective you’re describing them from. Someone describing a person they revere or admire may have a more pleasant, loftier description than someone who can’t stand the person.

“Her face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.”

“She had a sandy complexion, smooth and tawny.”

Even creative descriptions tend to draw help from your standard words.

Flowers

Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose

It was a bit difficult to find flowers to my liking that didn’t have a 20 character name or wasn’t called something like “chocolate silk” so these are the finalists. 

You’ll definitely want to avoid purple-prose here.

Also be aware of flowers that most might’ve never heard of. Roses are easy, as most know the look and coloring(s) of this plant. But Western coneflowers? Calla lilies? Maybe not so much.

“He entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?”

Assorted Plants & Nature

Pictured above: Cattails, Seashell, Driftwood, Pinecone, Acorn, Amber

These ones are kinda odd. Perhaps because I’ve never seen these in comparison to skin tone, With the exception of amber.

At least they’re common enough that most may have an idea what you’re talking about at the mention of “pinecone." 

I suggest reading out your sentences aloud to get a better feel of how it’ll sounds.

"Auburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.”

I pictured some tree-dwelling being or person from a fantasy world in this example, which makes the comparison more appropriate.

I don’t suggest using a comparison just “cuz you can” but actually being thoughtful about what you’re comparing your character to and how it applies to your character and/or setting.

Wood

Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash

Wood can be an iffy description for skin tone. Not only due to several of them having “foody” terminology within their names, but again, associations.

Some people would prefer not to compare/be compared to wood at all, so get opinions, try it aloud, and make sure it’s appropriate to the character if you do use it.

“The old warlock’s skin was a deep shade of mahogany, his stare serious and firm as it held mine.”

Metals

Pictured above: Platinum, Copper, Brass, Gold, Bronze

Copper skin, brass-colored skin, golden skin…

I’ve even heard variations of these used before by comparison to an object of the same properties/coloring, such as penny for copper.

These also work well with modifiers.

“The dress of fine white silks popped against the deep bronze of her skin.”

Gemstones - Minerals

Pictured above: Onyx, Obsidian, Sard, Topaz, Carnelian, Smoky Quartz, Rutile, Pyrite, Citrine, Gypsum

These are trickier to use. As with some complex colors, the writer will have to get us to understand what most of these look like.

If you use these, or any more rare description, consider if it actually “fits” the book or scene.

Even if you’re able to get us to picture what “rutile” looks like, why are you using this description as opposed to something else? Have that answer for yourself.

“His skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.” 

Physical Description

Physical character description can be more than skin tone.

Show us hair, eyes, noses, mouth, hands…body posture, body shape, skin texture… though not necessarily all of those nor at once.

Describing features also helps indicate race, especially if your character has some traits common within the race they are, such as afro hair to a Black character.

How comprehensive you decide to get is up to you. I wouldn’t overdo it and get specific to every mole and birthmark. Noting defining characteristics is good, though, like slightly spaced front teeth, curls that stay flopping in their face, hands freckled with sunspots…

General Tips

Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.

Get Creative On Your Own: Obviously, I couldn’t cover every proper color or comparison in which has been “approved” to use for your characters’ skin color, so it’s up to you to use discretion when seeking other ways and shades to describe skin tone.

Skin Color May Not Be Enough: Describing skin tone isn’t always enough to indicate someone’s ethnicity. As timeless cases with readers equating brown to “dark white” or something, more indicators of race may be needed.

Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you don’t, you risk implying that White is the default human being and PoC are the “Other”).

PSA: Don’t use “Colored.” Based on some asks we’ve received using this word, I’d like to say that unless you or your character is a racist grandmama from the 1960s, do not call People of Color “colored” please. 

Not Sure Where to Start? You really can’t go wrong using basic colors for your skin descriptions. It’s actually what many people prefer and works best for most writing. Personally, I tend to describe my characters using a combo of basic colors + modifiers, with mentions of undertones at times. I do like to veer into more creative descriptions on occasion.

Want some alternatives to “skin” or “skin color”? Try: Appearance, blend, blush, cast, coloring, complexion, flush, glow, hue, overtone, palette, pigmentation, rinse, shade, sheen, spectrum, tinge, tint, tone, undertone, value, wash.

Skin Tone Resources

List of Color Names

The Color Thesaurus

Skin Undertone & Color Matching

Tips and Words on Describing Skin

Photos: Undertones Described (Modifiers included)

Online Thesaurus (try colors, such as “red” & “brown”)

Don’t Call me Pastries: Creative Skin Tones w/ pics I 

Writing & Description Guides

WWC Featured Description Posts

WWC Guide: Words to Describe Hair

Writing with Color: Description & Skin Color Tags

7 Offensive Mistakes Well-intentioned Writers Make

I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasn’t been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!

~ Mod Colette

you are so fucking gay!!!!!!!!!! and i love you!!!!!!!

Thank you random person who I definitely do not know, I am gay and I love you too!! :3c