This took FOREVER. Mostly cause of all the jewels. Thankfully I had a brush for them. It’s supposed to be the outfit described on page 184-185 (in my copy at least)of Wizard’s Holiday:
"Today the long overcoat he favored was in blue, and it was richly, even thickly, embroidered with jewels, in all shades of blue and green, some of them the size of marbles or quails eggs. Guantlets, tunic, boots, all were in metallic blues and greens, and the fillet binding his brows was of some blue metal."
The galaxy sings in B flat. Fifty-seven octaves below middle C, hundreds of thousands of tiny stars with little worlds trailing atmospheres in elliptical orbits. Double-star systems, triple-star, more; planets, civilisations, dark matter, tangible matter, all circling, swarming, humming together in one enormous note, not bumping together but carrying a wave from the centre of their island universe, expanding out into space… Sound cannot exist in a vacuum. This is a widely known fact. And space is a vacuum, sure. But only when you look at it from here, from our tiny little world. Close your eyes, zoom out, and look at the celestial spheres from their view; and space isn’t so thin after all. Close your eyes, zoom in, and even our dense atmosphere is just atoms in a vacuum of their own. Sound as we know it, sure, that doesn’t exist outside our little stardust orb. It’s too small, too fragile. Too like ourselves. But where there’s movement and things to move, there’s sound. Sound waves can be small, only a few thousand nanometres trough-to-crest. And they can be massive, playing the celestial music of the spheres. Because in all that movement, the pulses of our discs and and lights and gravity wells, the stars dance. We are sound, the particles that carry a wave thousands of light-years across. We are the music of the celestial spheres. The galaxy sings in B flat.
Source
anexpansionlikegold
NATASHA I DEMAND YOU HAVE THESE FEELS WITH ME
(via reconfemmandoforares)
Blue
It seems like the first rule of magic, or at least the first limitation mentioned, is usually ‘you can’t bring back the dead.’
And I know it makes sense from a writing standpoint, but I also wonder if it comes from somewhere else. If that’s just the first, most common human...
I have a 'fairest and fallen - greetings and defiance' coffee mug, and I needed/loved/was inspired by it even more than normal today... just to let you know and say thanks!
You’re very welcome.
sigh) Today has been a more effective than usual reminder that entropy is indeed running. Our job now: To run faster.
why would someone think this is a good idea
last night i dreamed i was an orca, and my pod needed me to find out why there were no more fish in our part of the ocean, so i dove down really deep, to where i could draw spell circles on the ocean floor, and performed whale magic to find out.
i don’t remember why there weren’t any fish, but i think the whole point of this dream is that i was a whale wizard, and that’s basically awesome.
Gorgeous ‘Pillars Of Creation’ Shine In New Hi-Def Hubble Photo
How much of YW was planned from the beginning? E.g. did you know about Bobo when you were still writing SYWTBAW?
Nope. Bobo happened along the way.
I did know from the very beginning that this was going to be a series (contrary to some people’s beliefs, especially the ones who consider the closure at the end of High Wizardry very complete). But initially I wasn’t sure where I was going with it except in very general terms. By the end of Deep Wizardry, though, I was starting to get some ideas of some things that were going to have to happen, and of how much further this could go if I got lucky and the sales were good enough to keep me at the same publisher. …But then the publisher (Dell) changed hands (managerially) and “changed directions”, as they like to say, and just after I turned in High Wizardry they started the process of offloading all their midlist authors and concentrating their attention and promotion on their bestselling writers. (In the process, for example, throwing Jane Yolen overboard. How stupid can you get?)
There has never been any overarching blueprint or master outline. But as I was working on HW I started to see the path ahead much more clearly. (Which got kind of frustrating when Dell dumped me; A Wizard Abroad wound up being published first in the UK, by Transworld / Corgi, and then by the SF Book Club, before Jane went on to wrangle the new YA imprint at Harcourt and bring me aboard). While I was working on Abroad I already knew that the events of The Wizard’s Dilemma would have to happen, and could see the difficulties that would come of them; and while I was working on Dilemma, the arc that kicks off in Holiday solidified a lot further. And so forth. This is the way it always seems to go in this series: things build and develop in three- or four-book stages, pulling in data from earlier books and making more sense of them in the overall picture.
Yet it would also be true to say that one specific issue-arc that launched in SYWTBAW has not yet paid off, has been more or less constantly on my mind since 1983, and will finally start its resolution in book 11. And whatever you’re thinking it is, I guarantee you that’s not what I have in mind. Seriously: this particular thing, no one will have seen coming. Promise.
There… that should make everybody crazy enough for one day.
subsists on the tears of her fans
married to a guy who knows everything about everything
knows the ways of the force and wont share
creates delicious-looking food and uses the wrong measurement system. no one likes metric, diane. #1776
writes fanfic of her own characters
does the ff.net thing where she talks to her own characters in her fanfic of her own series
makes us wait forever for new books and has the nerve to make it worth it
has worked on all of your childhood faves. ALL OF THEM
A personal temporospatial claudication for Young Wizards fandom-related posts and general space nonsense.
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