female characters not conforming to gender roles is great, but if they have to sneer at women who do fit into those roles in order to do it, it’s just misogynist.
i notice this in fantasy media and it’s fandoms quite a bit that what a ‘strong woman character’ means is often a woman who rejects things historically associated (in western culture) with women. she doesn’t like clothes or pretty things, she doesn’t want to fall in love, she doesn’t care for how she looks, she doesn’t like or want children, she rejects the domestic sphere entirely, etc.
and, of course, any woman should be allowed to do that, those are all valid things and she shouldn’t be constrained to any role, - but when we write these characters such that what makes them strong and valuable is that the people around them (and they themselves) consider them unlike the other women - all we do is reinforce that what those other women are is weak and without value.
so, of course, let’s write our swashbuckling, cursing, warrior women at home among soldiers ... but let us also write housewives and mothers and ladies in bejeweled gowns whom we respect as characters.
empowering a single kind of woman while putting down all the rest is of use to no one!
I try not to post about real life serious stuff, but there’s been a lot of… unfortunate essays written about how it is Zuko’s duty to help Azula because Iroh helped him.
I don’t know who needs to hear this, but it is never your ‘duty’ to stick around and help someone through person through their mental illness. That is redoubled when they are abusive or put you in physical danger.
I think most people realize that cartoons do not equal real life and liberties can and SHOULD be taken for fiction, but this trope seems to be gaining traction so I gotta put it out there. When the cabin pressure drops and someone you love is going through a mental breakdown, make sure you put the oxygen mask over your own face first before you help them with theirs. If you know what I mean.
Hi, hello, your herbalist!zuko art is the greatest thing ever
herbalist!zuko / spirit and me says thank you!
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also please consider these, possible hair development through the three seasons.
just to be sure, credit to @muffinlance, the dear anon and everyone in the atla fandom who looked at zuko with long hair and runs with the fun!
consider this: given how much the hobbits are said to love legalese and documentation, I think when the shirriffs tried to arrest Frodo and company on their return Frodo should have just refused on the basis that they have no official proof that he is, in fact, Frodo Baggins
If you allow me to add to your Celebrimbor post... I think something that gets underestimate in just how effective Annatar was as a disguise is the fact that in any other occasion in which we see Sauron being his manipulative lying bastard self, he is up against people who EXPECT him to be just that. Clear example is in Numenor, where he has to start from the position of "dangerous captive enemy". But as Annatar, he starts as a blank slate, only thing going against him is a general mistrust in Demigods Walking Out Of The Woods. So I imagine him just starting by being nice, and observing, and then morphing his all mask in the perfect tool to manipulate Celebrimbor. This isn't a question of being stupid, it's a very experienced manipulator making himself into the perfect disguise (probably even including enough defects not to be TOO perfect). Incidentally, i also headcanon this as the reason why everybody else (Gil-Galad, galadriel...) mistrust him immediately: the disguise is tailor made to bypass all the defences of one specific person, cannot be one size fits all. So, yeah, our Feanorian boy is everything but stupid for not managing to see what is going on, and it's actually impressive he eventually manages to catch up with enough to decide to make the three in secret...
You are totally welcome to add anon!!
ajfsjfd anon I just love this SO much, I don’t know where to start. Especially the part about Galadriel and Gil-Galad because I think you are so right. Annatar doesn’t need to fool them in the way he has to fool Celebrimbor. They can be suspicious, it won’t ruin his plan.
And I completely agree. I love that you bring up Númenor because it is an excellent example of Mairon being Mairon since that is who he is supposed to be as you said.
Anon everything you said here, I agree with so much. Especially the part about Annatar’s beginnings. He has to gain Celebrimbor’s trust so of course he’s going to be tailor-made to be someone who can be friends with Celebrimbor. I also don’t believe there is an exact date for this (please correct me if there is) but I can’t help but wonder if Celebrimbor had recently (recently for an elf) lost Narvi. I see them as being incredibly good friends and I think it would seriously hurt him, leaving him in a state of vulnerability. Annatar fills that void. Not completely, he’s not Narvi, but it’s something that soothes the rough edges and makes him feel less empty inside.
But yes, Annatar is honestly a tribute to Mairon’s genius. It’s his greatest scheme. However, Celebrimbor, like you said, was still too smart for him in the end. Or smart enough. Either way, Annatar isn’t able to get what he wants and Celebrimbor has one small victory in the end.
I just love the way you summarize all of this since I think it hits the nail on the head for all of this. Thank you so much for sharing!
Did she have a vision of it’s future need?
Or is it like how those who have faced starvation compulsively hoard food?
“May it be a light to you in dark places, when all other lights go out.” Says someone who lived through the darkening of Valinor, when light far stronger than the sun and moon went out, and took all the safety and sanity with it.
Three ages of the world later she is moved to capture the echo of the Silmaril that sails the void in a glass vial. Despite all the horror that her family capturing light in artifacts has historically caused.
Just in case.
And then faced with the days growing darker, she faces the same choice her uncle did with his creations: hold on to paranoia, and keep it close. Or give it away, that it might go where it can do the most good.
And she chooses to let it go.
Exile to middle earth wasn’t a problem, until her daughter needed to go to Valinor to heal. Now, she needs a way to get to Valinor when the Valar have not forgiven her.
Because she WILL see her daughter again.
She only knows of one thing that has gotten a ship to Valinor when it was fenced from the Noldor- A Silmaril, carried by Earendil. And so she sets about capturing the light of Earendil, that one day she might trade it for entrance and keep her pride.
But, turns out, the Valar sent a different test.
Please consider: If Tolkien wasn't a coward Feanor would have been female and it would have been way cooler. a) Gives some real weight to the idea that Feanor was worried the crown would go to one of Finwe's other kids. b) More ladies in Tolkien, always a plus. c) You'd better believe Feanor's the greatest craftsperson of the Noldor- she made 7 of them! (Also the sheer drama of newly single mum Feanor and her 7 boys in Middle Earth) d) Silmarils as kids2.0 e) Blacksmith lady hot
Lady Feanor would indeed be awesome. The historical part of my brain can't help but think that critics of the time would have unfortunately interpreted ambitious kick butt single mom Feanor as a prime example of the "monstrous woman" type, ala Medea or something, who "got what was coming to her" in the end, so in a way I'm glad that the Prof. decided to write Feanor as a man so that we didn't have to deal with that nonsense.
I can't help but wonder if he'd lived at a later date if he might have considered female Feanor, I mean, this is a man who took one look at one is Shakespeare's most famous plays and said, "the answer to the prophesy is a C-section?? Booooo! Macbeth should have been killed by a woman! (And also the trees should have actually come alive)" and "its bogus that Orpheus turned around after all that and Eurydice had to die! Rip to them but if i were trapped in the underworld my wife would be different!"
And then proceeded to write his own genderbent fix it fic of both of those perennial works x)
So yeah, I think if the character had come into his head as female then Tolkien would have 100% been down with it
Celebrimbor: So here are my designs for the gates.
Narvi: Darling, I asked for a riddle, not a dumb pun; you can’t put the password directly on the doors, that’s not safe!
Much later
Gandalf: *Spends hours trying to find the password to the Gates of Moria*
Celebrimbor: *Watching from the Halls of Mandos* VINDICATION!!!
Hiya ! For the art thing (if I'm not too late !) how about Sokka in 6 and 8? ^_^
not gona lie, this pained me a tiny bit to clour it because these colour are compleatly out of my comfort zone. liek so bright so nearly neon? but it was fun! look at this sleep cozy boy!
uhm... i had only 4 slots open so i am sorry for the one i couldn't do. maybe an other time! --- art - blog: @chiptrillino-art
[ID: Sokka from Avatar the Last Airbender, drawn from the chest up, curled up in a blanket. he is facing the viewer smiling with his eyes closed seeming sleepy. his arms are fisting the edge of a blanket he is wearing like a hood, resting on a table. on the left side on the border of the image above is a text saying "please don't repost" on the right side is a small yellow emoticon showing an expression and 6 circles filled with shades of yellow, orange and purple that are the reference for the drawing challenge. on the left side border of the image centre is the artist's signature "chiptrillino . 2022" End ID.]
@helimir brought up such a great point in her tags on this post
The topic of the glory of failure in Tolkien's work is a very interesting one.
In fact, most endeavors end up in failure.
Whether it's Frodo failing to complete his mission, Smeagol failing to free himself of the ring & Gollum, Boromir failing to save the hobbits (or Gondor), the Noldor failing to defeat Melkor, Fëanor & the Fëanorians failing to take their revenge and (for most of them) their Silmarils, Maedhros failing to escape his doom, Fingolfin failing to defeat Melkor, the whole Nirnaeth, etc...
They all fail. But the failure is so epic. So spectacular, there is such a grandeur, such valor & prowess, such tragic beauty, such tales, dare I say, such grace to their failure that could never be found in victory.
They're all still hailed as heroes. (Or at worst, tragic fallen heroes or anti-heroes.)
Whether it's Frodo managing to keep his soul if not his peace & happiness & old life for the mercy & pity & kindness he once showed, whether it's Smeagol unintentionally destroying what destroyed him & saving Frodo's soul, Boromir regaining his honor, Fingolfin leaving a lasting scar on Melkor, Maedhros' true nature finally showing itself after so long in his last moment & expressing such deep shame & regret by killing himself when the Silmarils judged him evil, Maglor's good nature shining through even in his worst moments when he decided to raise the half-elven twins & passed down the best of himself still remained to him to them & them growing up to become such great people, & eventually his good nature showing shame & regret by condemning himself to be forever separated from people & singing songs of regret...as @helimir beautifully expressed, if it's not outright a redemption arc, it at least feels like it. Their struggles mattered, but even more than that, their struggles were what mattered.
Even in things like Nirnaeth that were nothing but catastrophes, they're such beautiful, epic, spectacular catastrophes.
Really, how many endeavors truly result in success?
They made an effort, & therefore, they left an impact. & for that, they went down in history. If not as heroes then at least as tragic figures.
They dreamed, they hoped, they willed, they fought, they tried, they were here.
& that mattered.
she/her, cluttering is my fluency disorder and the state of my living space, God gave me Pathological Demand Avoidance because They knew I'd be too powerful without it, of the opinion that "y'all" should be accepted in formal speech, 18+ [ID: profile pic is a small brown snail climbing up a bright green shallot, surrounded by other shallot stalks. End ID.]
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