I Think One Of Turgon's Weakness And Greatness Is That He Loves Too Deeply. He Doesn't Have Many Who

You ever think about unimaginably far back in the past the event of the First Age are compared to LOTR. Just. By LOTR Gondor is more than 3000 years old. For us 3000 years ago is… It’s not just before the Roman Empire, it’s before Rome even existed. It’s back before Ancient Greece as we usually mean it was a thing. Tutankhamun ruled around 3300 years ago. Numenor is to Gondor what ancient Egypt is to us. And the founding of Numenor was more than 6000 years prior. That’s older than the first recorded examples of a writing system we have

Imagine being a scholar in Gondor and being able to read a diary that was written by someone in Numenor. Imagine reading a 5000 years old letter written by a Numenorean, and not like a transaction receipt or something of the sorts, not something written for functionality when written language was just invented, but something already fully fleshed out and nuanced. Imagine being told that out there the brother of the first king of Numenor is still alive and he could tell you all about him. That’s like if you could just stroll to a Sumerian and ask them what Uruk was like back in the day. If I was Boromir I would have died on the spot meeting Elrond

And like maybe the scholars would have enough documents and proof to say yes, Numenor existed, Elros existed too, but the common people? What would a fisherman or farmer said if you told them about it? The tale about the son of a star who ruled a star-shaped island, and of the star-shaped island who was sunk in the sea after the old kings became evil, that would absolutely be seen as a legend. There’s gotta be plenty of Gondorians who think Numenor was just a tale, a metaphor, that there’s no way the stories are true, and they’d be right to think that because it’s such a wild tale and from so long ago that it just sounds like someone made it up at some point

[ID: a digital painting of Finduilas, princess of Nargothrond. She is facing towards the viewer, standing by a floor to ceiling window through which golden light is flowing into the room. Finduilas's head is tilted down and to her left, as she looks away from the window at something below her eye level in the interior of the room. Her left hand rests below her jaw and her right at her waist; her expression is pensive. She is dressed in a floor-length, light yellow dress with light blue embroidery at the neckline, bottom hem, and ends of the short sleeves. The dress is belted about her waist with a thin, tassled ribbon of the same light blue. She also wears a purple shawl draped over her right shoulder and arm, a golden or bronze bracelet on her left wrist, and white gemstone earrings. Her golden hair is pulled back from her face but left loose and curling down past her waist. End ID.]

Finduilas for moynal ⭐

when people talk about writing ‘the next Lord of the Rings’ they think it’s all about the wars and the languages and the histories, and Aragorn brooding in the corner of an inn and the Balrog roaring in Moria and the ruins of Isengard, and that’s how we got Game of Thrones and several dozen cheap fantasy knock-offs every year, not to mention whatever nonsense the Amazon show is going to produce

but Tolkien’s wars and languages and histories stemmed from his love of creating - of words and history and mythos - and that love infuses into everything he writes, and if you miss that then there’s no way in hell you can replicate it

and the people who want to write the next Lord of the Rings because they want to write the next epic don’t get that the story is about the hobbits’ soft and simple lives and Bilbo’s poetry and Sam’s love language being food and Eowyn discovering hope after depression and Gandalf making fireworks for hobbits even if he is a literal angelic being, and Aragorn weeping over Boromir’s body and Theoden’s kindness to Merry, and Beregond betraying his most prized orders to save Faramir, and the unlikely friendship between Gandalf and Pippin, and the even unlikelier friendship between Legolas and Gimli, and Sam and Frodo singing to each other in Mordor, and Boromir sacrificing himself for the hobbits, and Sam’s simple love for Rosie, and the restoration of the Shire, and the friendship of the Fellowship surviving down through the ages, and peace after war and hope in darkness, and the love between a gardener and a gentleman pacifist being literally the only thing that saves Middle Earth

and that is why people who try to recreate Lord of the Rings by starting with war always get it wrong. you have to start with the love, or it’s nothing: just another empty history

It sure is convenient that all these songs that ostensibly weren’t written in English all rhyme when translated into English, isn’t it, Mr. Tolkien?

The hilarious thing about Sauron is that according to most versions of the legendarium, he was originally, like, a god of planning and logistics, and he initially supported Melkor’s plans for world domination because he regarded the world’s present state of affairs as inefficient and poorly organised. He’s literally what happens when you take the kid who’s fed up at everybody else fucking up their part of the group project and give him phenomenal cosmic power.

Literally obsessed with @damianwaynerocks ‘s post about Zuko meeting Batman, all dialogue is from that. Anyway, here’s Robin!Zuko feat. his blue spirit mask (kind of):

8 year old Dick’s third trip to Bruce’s office and being so helpful that he pressed ALL the elevator buttons so that they could shout good morning to each floor

I’ll just let the piece speak for itself.

Mood.

thinking about how the act of bringing someone back from the dead comes from a desire not just to bring back the dead person but to have things return to the way they were before they died. which is, of course, impossible. if a haunting is an open wound, then resurrection is a knife widening the cut.

Cartographic Practices of Arda: Men

[overthinking fantasy cartography series: Elves, Orcs, Dwarves, Hobbits, and Men]

o   Men might seem like the most straightforward group to analyze, but they’re not. Why should we assume that humans in Arda use the same cartographic practices that we do? For that matter, who is “we”? Cartography is not a set of objective and universally or historically standard techniques; it is not an exact science; the modern maps treated as real or correct maps are not the one true way to represent space. Tolkien’s Edain may be based on Western Europeans, but they’re still fantasy, and there’s no reason that their cartography should look like Western Europe’s

Further, Western European cartography wasn’t standardized in terms of techniques or even units of measure until early states began to want visual representations of their territory that would make them more easily taxed and managed, especially as enclosure policies took off, market forces became increasingly dominant, and controlling a standardized populace became an important goal of government

o    Western cartography is also deeply intertwined with maps as a colonial and imperialist tool, which impacted the development of mapping practices, the lands those maps reflected, and the ways in which space was imagined. I think that governing, planning military operations, maybe taxing the populace, and carrying out various expansionist programs would be the activities in Middle-earth driving cartographic development among Men, similar to Europe, but it’s not inevitable at all that the maps they make for such things would look the same. Maybe they could make maps of layered symbols rather than mimicking on-the-ground spatial relations, or paintings whose details correspond to geographic referents, or physical models of space a la Polynesian stick charts (although I do think there’s an artifacts-have-politics argument to be made about which cartographic practices are most conducive to certain uses and conceptions of space, but I digress)

o   But presuming Men do make maps in the same vein as those found in the books (though I should say I don’t take those as being real in-world maps, per se), what would they map? And how would they map it?

Starting with the Edain and the kingdoms they founded, since their influence is so centered in LOTR, I think their cartography would develop as a formal practice in Númenor, and prior to that, they might use the maps of Elven realms of which they were vassals, or might create their own spatial navigation techniques, not necessarily cartographic

Likely, considerable influence of Elvish cartography on Númenórean maps would carry over to Gondor and Arnor. While Elves might only need maps as reference for memorization, or for military strategy planning, I think Men’s reproduction of and reliance on maps would increase greatly, especially during the colonial age of Númenor and the realms they established. Cartography could become a more established discipline; populations could be managed more effectively, at least under the more competent rulers; similar to early-state-formation Europe, you could see cartography as an increasingly important tool of state 

(this is a long one, so the rest is under the cut)

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