“Keep descriptions short and don’t use poetic/flowery language in a novel” “if a scene doesn’t advance the plot cut it” “avoid complicated symbolism and hinting at things, just say what you mean” “too much worldbuilding is distracting” bites you bites you bites you bites you bites y
[Frodo] appears at first to have had no sense of guilt (III 224-5) he was restored to sanity and peace. But then he thought that he had given his life in sacrifice: he expected to die very soon. But he did not, and one can observe the disquiet growing in him. Arwen was the first to observe the signs, and gave him her jewel for comfort, and thought of a way of healing him.
[It is not made explicit how she could arrange this. She could not of course just transfer her ticket on the boat like that! For any except those of Elvish race ‘sailing West’ was not permitted, and any exception required ‘authority’, and she was not in direct communication with the Valar, especially not since her choice to become ‘mortal’. What is meant is that it was Arwen who first thought of sending Frodo into the West, and put in a plea for him to Gandalf (direct or through Galadriel, or both), and she used her own renunciation of the right to go West as an argument. Her renunciation and suffering were related to and enmeshed with Frodo’s: both were parts of a plan for the regeneration of the state of Men. Her prayer might therefore be specially effective, and her plan have a certain equity of exchange. No doubt it was Gandalf who was the authority that accepted her plea.] -Letter #246
The entire letter is worth reading re:Frodo, but I love how it’s Arwen who noticed how Frodo was traumatized, Arwen who comes up with a plan to help him, and Arwen who initially argues his case, not Gandalf or Galadriel or Elrond. She was no doubt thinking of her mother, but I also wonder if her choosing to be mortal played into realizing how much the Ring had hurt Frodo, giving her a visceral understanding of how he didn’t have all the ages of Arda to recover but only a limited time.
(Side note: it’s not explicit, but I firmly believe Arwen made the white jewel that she gives Frodo. Arwen as a weaver and jewelsmith both? Yesssss.)
This is legitimately good advice and works for almost everyone, but I do want to add that when an author believes that reworking a piece is worth it, we end up with such treasures as The Code by @adurowrites
As someone who reads favorite fanfics over and over again, it's always a treat when an author posts a new and improved version, especially when they give the reader insight into their rewriting and editing process
You don't owe it to anyone to redo your old work simply because it isn't as skillfully written as your newer stuff, but if you yourself want to engage in the endeavor and you think that it'll be good for you, go for it! And let me know afterwards because I want to read it
I know you said at one point that towards the sun was a multi year project (or at least I’m p sure u did? ig if I’m wrong just ignore this ask fjigjgjg), and I wondered something. What if by the time you get to the end, you’ve improved your writing so much that you’re not satisfied with the beginning anymore?
That is actually a normal part of writing! If you can see places to improve your old work, then you have improved since you wrote it. So like. It's a good thing when that happens.
Little edits like typos, or things like the Towards the Sun edit to remove icky blind stereotypes, are almost always worth fixing. The former is quick and easy (and bugs me on a visceral level), the latter is basic decency.
Big edits, like large plot or character arc changes, are almost never worth doing. Especially in fanfiction, where most readers aren't going to see those edits because they read the chapter months ago and ain't coming back.
AKA: I'll be leaving older stuff alone. Everyone can see the post date, if it's not as good as my newer stuff there's a pretty self-explanatory reason.
SO
‘Fin(-dë, -ë)’ means hair in Quenya right? And I’ve often thought that was a little silly, like Tolkien straight up named the most important family in the Silm after ‘Hairy Guy’, and the names just got weirder when translated out after that. Why did the man do this? He knew what ‘Fin’ meant, it wasn’t an accident, and he was so meticulous and purposeful in his naming.
I always assumed it had something to do with the Elves and their hair thing, BUT- I was going through some old Latin textbooks and guess what vocab word I’d forgotten?
‘Caesaries’, which means ‘hair’. As in the likely root for the family name ‘Caesar’, of Julius, Augustus, etc. fame. As in ‘Caesar’, the word historically translated and used to mean ‘king’ all across Eurasia for thousands of years.
Tolkien named the House of Finwë after the House of Caesar.
Do you ever think about how staggeringly in bad taste it is that Gandalf brought a firework that turns into Smaug to Bilbo’s birthday party
Like how were you hoping that would go
I try not to post about real life serious stuff, but there’s been a lot of… unfortunate essays written about how it is Zuko’s duty to help Azula because Iroh helped him.
I don’t know who needs to hear this, but it is never your ‘duty’ to stick around and help someone through person through their mental illness. That is redoubled when they are abusive or put you in physical danger.
I think most people realize that cartoons do not equal real life and liberties can and SHOULD be taken for fiction, but this trope seems to be gaining traction so I gotta put it out there. When the cabin pressure drops and someone you love is going through a mental breakdown, make sure you put the oxygen mask over your own face first before you help them with theirs. If you know what I mean.
Absolutely ALL text written and edited for Li's Friends, and the process for getting it on Amazon started (gotta get that sweet sweet ISBN before I finalize the copyright page). Feelin' real good and productive over here.
Final book title is "Li's Friends: Horrible Pets to Protect You From the Horrible World". (Keeping the "Book of Friends" part out because I did not go to such efforts to not get sued by the Avatar copyright holders only the get the Natsume's Book of Friends lawyers side-eyeing this project.)
Overall, the flavor text ended up being a running dialogue between Li and Other One, which works well in a short text format, and allows for small references Avatar fans will pick up on without putting in so many that Lawyers Will Care. ...Hopefully.
Next steps are finalizing the layout, which we're estimating will take until mid-October, then ordering a physical proof copy. Once I'm happy with the proof copy quality I'll pick an actual publication date and set up the preorder.
Sales will be through Amazon, barring anything exceptionally wrong with the proof copy. I'll set it up for extended distribution, which means you should theoretically be able to order through local bookstores and such as well as just online.
Physical book will be $15 USD. PDF copies are free either with the purchase of the physical book or a $10 USD donation to WIRES, the Australian wildlife rescue the community voted on. All participating artists will get the PDF for free on release day, as well.
Thank you to everyone who donated their time and talent to this project! This book is literally dedicated to you, because you deserve nice things like book dedications and pets of questionable repute. <3
content creators: please, please create IDs for your content. Obviously many of us are willing to create them for you, but you are the one who is best able to communicate the message of your image through text, because you created it. ATLA is a show with a blind character and so many of the modern aus I’ve seen have toph using a screenreader…which yeah! that’s what she’d do!…but many of you don’t seem to be able to make the connection that irl people might need ids for their screenreaders?
who else in the silm fandom had their worldview on morality, religion, free will, love, loyalty, punishment, redemption, and tragedy profoundly shifted by jirt’s power of words?
Oh- and let’s not forget the minus sign, that thing on your keyboard that can be misused as any one of the above!
It took me a long time to understand the differences.
The minus sign (-)
The hyphen (-)
The en dash (–)
The em dash (—)
Visually, not much in it, is there?
The minus sign is a mathematical symbol. That’s it. Don’t misuse it for anything else.
The hyphen is used to join two elements to form a compound word, like self-restraint. Numbers between twenty-one and ninety-nine should also be hyphenated when they’re spelled out. Sherlock Holmes-Watson or John Watson-Holmes (interesting to know which one wins in the battle). You should also use a hyphen in a compound modifier before a noun, as in The Crossed Keys Inn was a dog-friendly pub.
The shorter en dash is used when describing ranges and with the meaning “to” in phrases like “Dover–Calais crossing.” It applies to ranges of numbers, such as times, page numbers, or scores (I’ll schedule you from 4:30–5:00). That said, outside of formally printed documents, it is increasingly being replaced with a hyphen, so if you miss this one, Sherlock won’t hang you for it.
The longer em dash (—) is about as wide as the letter M (duh, now I get why it’s called this). It’s used to separate extra information or mark a break in a sentence. An em dash is most often used to indicate a pause in a sentence. It’s stronger than a comma, but weaker than a period or semicolon.
You can use a pair of em dashes to draw special attention to parenthetical information, as in
Sherlock—who was wearing the same purple shirt of sex—entered the room carrying his violin..
You can use a single em dash to add explanatory or amplifying information, especially when the information is surprising:
I opened the door and there she stood—Eurus, my long lost sister.
Em dashes can also signal a sudden interruption, particularly in dialogue:
“Wait! I forgot to tell you—” The door slammed shut between us and I missed whatever John was trying to say.
Interestingly, there is no firm rule about spaces around the em dash (either word—word or word — word). It’s a matter of style. Whichever style you choose, use it consistently throughout your document.
The em dash is a relatively artistic punctuation mark, compared to the more technical hyphen and en dash, both of which need to be used accurately in legal contracts, for example.
she/her, cluttering is my fluency disorder and the state of my living space, God gave me Pathological Demand Avoidance because They knew I'd be too powerful without it, of the opinion that "y'all" should be accepted in formal speech, 18+ [ID: profile pic is a small brown snail climbing up a bright green shallot, surrounded by other shallot stalks. End ID.]
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