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“Hounds of Love” is a song written and performed by English singer Kate Bush. It is the title track and the third single from her hit album by the same name.  It was released on 24 February 1986 and reached a peak of No. 18 on the UK Singles Chart on 2 May.

The song is about being afraid to fall in love; the lyrics compare this feeling to being chased by a pack of hounds, with no control over the situation. The versions worldwide differ slightly: the US single mix included an additional chorus just after the second chorus. The words “it’s in the trees, it’s coming!” heard at the beginning of the track are sampled from the British 1957 horror film Night of the Demon and are mouthed by an actor from the film, Reginald Beckwith.

The music video for the song was created and directed by Bush herself.  It was inspired by Alfred Hitchcock’s thriller film The 39 Steps (1935) and a Hitchcock lookalike also features in the video (a nod to the director’s famous cameo appearances in his movies).

Bauhaus

Which ones did you watch?

KROQ rock radio station playlist, March 1983.

Ben-Hur (1959)

How big is Greenland compared to other parts of the world?

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“Return from the future” is part of TENT BIENNALE 11-13 DECEMBER 2020, Kolkata, India
Streaming on 13-15th DECEMBER from 9AM IST each day, available for viewing over next 48 hours. Register here to watch the film: https://bit.ly/37w57kh
Last date to register: 10 Dec, 2020
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RETURN FROM THE FUTURE, HD, 43’
Camera: Azat Ruziev
Image&Sound Editor: Denis Bartenev
Directed by Stefan Rusu Synopsis: The title refers to the plot of the science fiction novel “Return from the Stars” by Stanislav Lem. The pilot Gal Bregg returns from the space expedition, after 127 years of terrestrial time, during which time life on the Earth has radically changed. The plot of the novel explore the ideas of social alienation, cultural shock and dystopia, which is synchronized with the current state of the city and the returned cosmonaut resembles the position of architect that return to the site he designed in other century.
The film is a visual essay on the current state of conservation of modernist buildings from soviet period located in Bishkek city. The initial idea is to investigate iconic buildings and interview a number of experts who introduces various aspects related to the former and current use as well the future faith of the buildings in new political and economic circumstances, when the political agenda shifted from communist ideology to free market economy and promotion of national values. All together the film is a comment on the state of conservation of the buildings protected and included on the list of national heritage, but also an overview on recent urban changes and transformations occurred in Bishkek. Film was produced in the frame of “INSULAR MODERNITIES” project and will comprise a series (3-5 films) of documentaries about modernist soviet architecture from Central Asian countries (Almaty, Ashkhabad, Tashkent, Dushanbe, etc.)
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