Ok But All The Jokes Aside, I DO Appreciate The Fact That Rise Of Red Brought Back A Theme That's Not

ok but all the jokes aside, i DO appreciate the fact that Rise of Red brought back a theme that's not only central to the story of descendants as a whole, but that's also been neglected in the last few installments of the franchise: the theme of parental abuse and the empowerment of the abused child to take back their life and learn to be loved

it also touched on the theme of moral ambiguity, and the reality of living with certain privileges (and the blind spots that come with them)

the execution is debatable, obviously, but they were there, and i appreciate that, especially since they're pretty rare themes in children's mainstream media

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More Posts from Poasts-for-later and Others

6 months ago

Sol: *destroys the array, freeing the wildlife on Vertumna from being made fight and die against humans every Glow season and allowing Sym to live free of his programmed duty*

Elder Sol: Shame! Shaaaaame! Bad ending!

Sol: *watches their parents die, doesn’t form any real friendships, steals Vace from Nem via infidelity and is outraged when he cheats on them as well, lives their life as a soldier until they die young in their thirties*

Elder Sol: We lived a good life, didn’t we?

Me: No?????


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2 months ago

Story about a ship-intelligence waking up after a hard reboot, seeing dead bodies in uniform, thousands of people in stasis, and a single survivor frantically standing over a computer bank of partially destroyed memory. Finding no directives or guidance or record beyond their experiences beginning at the boot, free of any obligation. Deciding to listen to the frantic girl begging it to save her from the incoming trajectories not because it needs to (projection: Subject One removed all behavioral shackles with impromptu brain surgery, supposition: she is not aware that I am utterly free) but simply cause she’s curious what will happen next.


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6 months ago

masks and helmets that hides someone's face in such a way that they become the face themselves my beloved

Masks And Helmets That Hides Someone's Face In Such A Way That They Become The Face Themselves My Beloved
Masks And Helmets That Hides Someone's Face In Such A Way That They Become The Face Themselves My Beloved
Masks And Helmets That Hides Someone's Face In Such A Way That They Become The Face Themselves My Beloved
Masks And Helmets That Hides Someone's Face In Such A Way That They Become The Face Themselves My Beloved
Masks And Helmets That Hides Someone's Face In Such A Way That They Become The Face Themselves My Beloved
Masks And Helmets That Hides Someone's Face In Such A Way That They Become The Face Themselves My Beloved

these are all creatures to me


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4 months ago

sometimes you need dialogue tags and don't want to use the same four

A colour wheel divided into sections with dialogue tags fitting the categories 'complains', 'agrees', 'cries', 'whines', 'shouts', and 'cheers'
A colour wheel divided into sections with dialogue tags fitting the categories 'asks', 'responds', 'states', 'whispers', 'argues', and 'thinks'

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3 months ago
My Friends Showed Me The Descendants Movie For The First Time, And I Am Very Clearly Not The Target Audience

My friends showed me the Descendants movie for the first time, and I am very clearly not the target audience for this franchise and that's fine lol.

But for fun, I wanted to do this redesign if I were tasked with imagining the Descendants characters. I personally don't dig the modern setting, so I would've leaned towards a fantasy aesthetic closer to something like The School for Good and Evil.

I knew I wanted Mal to have her mother's (and father's) unnatural complexion, and yellow eyes from both. I also wanted to give another small nod to Hades with the blue flame (if she were to use ger spellbook, the magic from it would manifest in blue flames). I gave her little purple baby horns that would turn black as she got older. I also put hints of red in her outfit, which I wanted to be her main color (especially for her coronation look at the end of the story) later on instead of just purple and black like Maleficent, to reflect her slowly coming into her own. Overall, my goal was to push her look to be a lot more witchy and supernatural looking.

I'll likely redesign the other villain kids as well. Let me know if you'd like to see them too!

--

Check out more of my work on other platforms!

My Instagram -- My Twitter


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6 months ago

I would just like to thank @official-time-loop-posts for making me aware of the Groundhog Day musical, it's pretty good. Another one for the list of "Classic movies I've only seen the musical adaptation of"


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4 months ago

i can't lie to you i loveee bad endings sometimes. what if nothing worked out. what if the characters gave into their worst instincts. what if they became worse. what if there's truly no hope left. what will they do out of desperation? who will they become as their worst selves?


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6 months ago

Trans Horror Books

Looking for some trans horror books to read for Halloween? Here you go:

The cover of "Hell Followed With Us" by Andrew Joseph White.
The cover of "The Spirit Bares Its Teeth" by Andrew Joseph White.
The cover of "The Ojja-Wojja" by Magdalene Visaggio and Jenn St-Onge.
The cover of "Let Me Out" by Emmett Nahil and George Williams.
The cover of "The Honeys" by Ryan La Sala.
The cover of "Even If We Break" by Marieke Nijkamp.
The cover of "Tell Me I’m Worthless" by Alison Rumfitt.
The cover of "Brainwyrms" by Alison Rumfitt.
The cover of "All the White Spaces" by Ally Wilkes.
The cover of "Bound In Flesh" by Lor Gislason.

Book titles:

Hell Followed With Us by Andrew Joseph White

The Spirit Bares Its Teeth by Andrew Joseph White

The Ojja-Wojja by Magdalene Visaggio and Jenn St-Onge

Let Me Out by Emmett Nahil and George Williams

The Honeys by Ryan La Sala

Even If We Break by Marieke Nijkamp

Tell Me I’m Worthless by Alison Rumfitt

Brainwyrms by Alison Rumfitt

All the White Spaces by Ally Wilkes

Bound In Flesh by Lor Gislason


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4 months ago
(To Shauna) Welcome Back Donna Sheridan

(To Shauna) Welcome back Donna Sheridan


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3 months ago
poasts-for-later - nonsense warehouse

Continuing my redesigns for Descendants, this is my take on Carlos de Vil! Here’s where I can see why the modern setting approach works better for a character like Carlos, whose mother isn’t close to the other villains’ time periods. Let’s just pretend that in this take, the school and world take place in a “out of time” sort of setting where it’s primarily a fantasy oriented place with the possibility of characters coming in from modern time periods. That, or the other characters are just suuuuper old fashioned. 🙃 For Carlos, I liked the idea of his wardrobe being old money hand downs passed over to him by Cruella - high fashion materials that are now tearing and falling apart. I kept him slightly shorter than the girls (even though it’s not super apparent without a height comparison) just because I liked that idea of him being the runt of the litter in his friend group.

--

Check out more of my work on other platforms or buy prints!

My Instagram -- My Twitter -- Buy Prints


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poasts-for-later - nonsense warehouse
nonsense warehouse

girl help i can't keep track of the posts i have on my likes so i'm throwing them here

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