No Longer Explaining Myself No I Will Not Elaborate

Some interesting sandwiches from 1001 sandwiches

I also thought this was funny:

Though nothing can bring back the hour Of splendour in the grass, of glory in the flower, We will grieve not, rather find Strength in what remains behind;

SPLENDOR IN THE GRASS (1961, dir. Elia Kazan)

Bette Davis celebrates her 33rd birthday with a 100 pound cake in Littleton, New Hampshire, April 5, 1941

I hate when people say ohhhh your pets only love you because you feed them. as if that wasn't the first form of love any of us felt. get real.

Portrait of a beloved loaf. Ca. 1865 - 1880. Source.

Ann Dvorak in Three On a Match (1932).

LANA TURNER does her part, 1942 She was a pin-up girl of the first order. She was a soldier’s dream during World War II, officially “The Girl We’d Like to Be Stranded on a Deserted Island With,” “The Girl We’d Like to Find in Every Port,” and “The Most Gorgeous, Spectacular, and Pulse-stirring Thing on High Heels.” The 18th Bomb Squadron of the U.S. Air Force painted her on the nose of their B-17 and named the plane “Tempest Turner.” In 1942 she raised $50,000 selling war bonds with kisses and her efforts altogether brought in an estimated $5,000,000. Back home she was a regular at the Hollywood Canteen and on the studio lot she played hostess to large groups of soldiers. She also performed broadcats for Armed Forces Radio, where soldiers could have any wish come true, no matter how random, if it could be transmitted over the airwaves. They could hear Carole Landis sigh, Judy Garland sing “Over the Rainbow,” or Lana Turner cook a porterhouse steak smothered with onions. That’s the request that was made of her and she was happy to oblige. Visiting hospitals was the most difficult because she was easily affected by injuries and sad stories. The soldiers loved her. They were convinced she was the last pretty girl they would ever see. - LANA: THE MEMORIES, THE MYTHS, THE MOVIES

parents : we want grandkids.

me : the best I can do is not die

A FREE SOUL (1931) Dir. Clarence Brown