the first film I saw Norma Shearer in was The Women and I think that negatively coloured my perception of her for years (decades?) because I thought she was the worst one in that (Paulette Goddard, Rosalind Russel, and Joan Crawford outshine her completely and when I saw the film as a teen I found her matronly and submissive). Watching her pre-code films now is wild, she's so sexy and cool! This is a problem I've had with a lot of actresses who took up more "good woman" roles in the late 30s and 40s (eg Claudette Colbert or Myrna Loy) because when I first got into classic films as a teen, I could not relate to those women or their characters and found them old and stodgy. Similarly I always thought actors like Gary Cooper or Cary Grant in the 1940s were so ancient and couldn't believe any woman would be attracted to a man that old
Sidney Poitier and Diahann Carroll in Paris Blues (1961), dir. Martin Ritt
SAFETY LAST! (1923)
Dir. Fred C. Newmeyer and Sam Taylor
Norma Shearer as Florence Banning and Molly Helmer in Lady of the Night (1925) dir. Monta Bell
Harold Lloyd in The Flirt (1917)
Source
A FREE SOUL (1931) Dir. Clarence Brown
"But how can you compare Harlow and Garbo, Swanson and Shearer, or Gable and Tracy with any luminary today? Maybe it's just an old timer's sentiment. But today's faces lack depth of feeling. Two world wars and many minor ones have almost changed the face of the globe itself. Why not our actors? As I watch on television many of the stars I once photographed, I look at them as one might old paintings. Some can't stand up to today's demanding audience; others will be as magnetic a hundred years from now. I am sure the Mona Lisa and the face of Greta Garbo will inspire and puzzle for all time." —Clarence Sinclair Bull, photographer
(From Hollywood in Kodachrome: 1940–1949 by David Wills and Stephen Schmidt, 2013)
maybe life is just about going to the cinema