Purplcx - ⠀

"Rawlins this is Mrs. Kilbourne."

"Mrs. Kilbourne, haven´t you a cold? Oh, it must be the telephone. Your voice sounds so youthful."

Merrily We Live ( 1938)

director. Norman Z. McLeod

Wenda Parkinson is modeling a suit by British designer Hardy Amies for British Vogue, 1951. Photo by Norman Parkinson (1913-1990) - Hyde Park Corner

Source: christie's.com

“I’m all right.”

Natalie Wood in Splendor in the Grass (1961, dir. Elia Kazan)

THE 400 BLOWS 1959, dir. François Truffaut

LANA TURNER does her part, 1942 She was a pin-up girl of the first order. She was a soldier’s dream during World War II, officially “The Girl We’d Like to Be Stranded on a Deserted Island With,” “The Girl We’d Like to Find in Every Port,” and “The Most Gorgeous, Spectacular, and Pulse-stirring Thing on High Heels.” The 18th Bomb Squadron of the U.S. Air Force painted her on the nose of their B-17 and named the plane “Tempest Turner.” In 1942 she raised $50,000 selling war bonds with kisses and her efforts altogether brought in an estimated $5,000,000. Back home she was a regular at the Hollywood Canteen and on the studio lot she played hostess to large groups of soldiers. She also performed broadcats for Armed Forces Radio, where soldiers could have any wish come true, no matter how random, if it could be transmitted over the airwaves. They could hear Carole Landis sigh, Judy Garland sing “Over the Rainbow,” or Lana Turner cook a porterhouse steak smothered with onions. That’s the request that was made of her and she was happy to oblige. Visiting hospitals was the most difficult because she was easily affected by injuries and sad stories. The soldiers loved her. They were convinced she was the last pretty girl they would ever see. - LANA: THE MEMORIES, THE MYTHS, THE MOVIES

Harold Lloyd’s iconic moment in Safety Last! (1923)

William A. Wellman’s The Public Enemy (1931) opening credits

Genevieve Naylor, Reading with chocolates, Redbook, 1957