Unfortunately I Do Feel Better When I Clean My Living Space And Eat Enough Fruits And Veggies And Go

Maurice Goldberg ~ Olive Thomas (A camera study). Theatre Magazine vol. 29, Jan–June 1919 | src internet archive

View on WordPress

"I decided I was not going to be one of these people. I wasn't going to mind if I gained weight or got wrinkles, because I could use my brain. And as long as I could use my head, it wouldn't matter how I looked." - Thelma Todd

THE 400 BLOWS 1959, dir. François Truffaut

Elizabeth Taylor and Montgomery Clift, Hollywood, 1950

Maturity is when you stop trying to convince other people to treat you right. You just observe their choices, understand their character, and decide what you’re going to allow in your life.

Though nothing can bring back the hour Of splendour in the grass, of glory in the flower, We will grieve not, rather find Strength in what remains behind;

SPLENDOR IN THE GRASS (1961, dir. Elia Kazan)

Harlow was an actress who got along with everyone-with one exception: Wallace Beery. She had worked with Beery before in The Secret Six (1931) and the two had developed a dislike for each other that carried over into Dinner at Eight. Beery thought that Harlow wasn’t experienced enough as an actress and treated her rudely. Harlow found Beery gruff and boorish. Since the two were playing a husband and wife that can’t stand each other, the real-life feelings worked to the comic benefit of the characters. (x)

Speakeasy guard, 1927, Chicago.

Albuquerque Journal, New Mexico, May 3, 1935