It's amazing how different one can feel when coming home from a non-toxic workplace vs. a toxic one.
I feel so much lighter today, lighter and happier than I've felt for MONTHS at my other job.
Ah, the impacts of weaponized capitalism and outdated/ableist workplace policies...I could write an essay. Maybe I should.
April 4th is Auditory Processing Disorder awareness day!
Here's to me, and the rest of the people with auditory sensitivities, misophonia, etc. who feel like Eddie Brock and Venom in real life š½
(Yes, my post is late, too bad. I've been very sick this weekend)
Fuck.
Looking more like a checklist these days. I want off this ride. š
ānothing tastes as good as skinny feelsā
damn you must suck at cooking. check out some youtube tutorials man. i believe in you.
You hate that your favorite bands are exercising their free speech.
'Donāt Just Do Nothing: 20 Things You Can Do to Counter Fascism' is a zine by Jewish anarchists on how people can organise and act in this changing terrain. Download it (it's free), read, print and distribute it IRL!
Just finished rewatching Maleficent and damn I forgot revenge is bad narratives can be good.
Like, ultimately the formula they follow is person A gets hurt by person B (often scarred for life/grievously injured) -> person B moves on and starts a family - A becomes bitter and angry and gets back at B -> but eventually decides not to go through with it because B has a family/it would make them just as bad, or they do and then feel empty/itās unfulfilling.
And I hate it. I hate that the implication is that if you hurt the person who hurt you, you are just as bad as them. I much prefer the Inigo Montoya route: revenge is my purpose because someone did something bad to me -> I get revenge and this is great, I have achieved my goal.
And I could never pinpoint why that was the case until I was rewatching Maleficent with my sib and realized that itās because most ārevenge is badā narratives center around the harm it will cause to person B. It centers around the harm it causes to the bully, the abuser, the perpetrator. It centers around Bās family, Bās friends. It never centers around A.
Maleficent, though, does center around A in a way I donāt see too often. Maleficent got hurt by Stephen. Stephen moves on, while Maleficent canāt. Maleficent becomes bitter and angry, and gets back at Stephen via cursing Aurora. Then Maleficent decides not to go through with it/regrets it.
But Maleficent makes the choice after. After Aurora wakes up, Stephen attacks Maleficent. He burns her, he chains her. Maleficent escapes, and then she doesnāt continue attacking Stephen. She throws him on the ground, moves to leave, he grabs her near her wings(the main source of her trauma and mirroring when he hurt her) and she pins him up against the wall. She can choose to kill him.
She doesnāt. And itās a culmination of her healing, that she moves on. She leaves Stephen behind. And he canāt accept that, so in the end, he causes his own death.
Itās beautiful because itās clear Maleficent is a victim, it centers around her trauma and her healing. Maleficent choosing not to kill him isnāt that itās bad to get back at Stephen, that he doesnāt deserve death, itās about the fact that she doesnāt want anything to do with him. Heās irrelevant.
And thereās the fact that he suffers, which is nice to see. But his obsession is another post. As is the parallels between this movie because I could rave all night about that.
Oh, the age-old neurodivergent question of "should I use this empty space in my calendar to rest, or Do Somethingā¢ļø?"
(The choice to Do Somethingā¢ļø will almost always make me more tired than I feel I "should" be)