the thing about the mountain goats is that, on paper, it's the whiniest-sounding catholic in america playing Just An E Chord saying shit like "i smoked a pack of spirits in florida / i thought about the book of galatians / why were you so mean to me last october" but then you listen to it and you're like what the fuck...... why WERE you so mean to me last october. and then you need like 3-5 business days to recover
dad said it's my turn on the ancestral curse
Hey bitches. Let’s fuck Monday hard
I can't deal with those male fitness instructors on Instagram who try to be all coy about their big asses... shake that wagon like a whore or delete your account
not only is it objectively easier, on average, for trans men to pass, the consequences of getting clocked are, on average, worse for trans women. if you genuinely disagree with this, please block me. you’re cooked. you’re done. you’re beyond helping. you’re a danger to the women in your life.
Commission of @notmusa s lads from back in 2017!! Still one of my favourites I ever did I think; such fun designs <333
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I'm currently open for felting commissions again btw 👀
me when im so sweet and beautiful
25 years later, and we still can’t get into Dorsia. Happy anniversary to director Mary Harron’s AMERICAN PSYCHO.
@Lionsgate on Twitter
Wendy Carlos pictured with the Moog System 55 a staple in her solo projects and iconic film scores, including for Stanley Kubrick’s ‘A Clockwork Orange’ (1972)
One of electronic music’s most important figures, Wendy Carlos is a true pioneer of the craft with countless influential albums and scores. She provided technical advice and insights to Robert Moog during the development of the Moog Synthesizer, an instrument that would revolutionize the music landscape. Her album ‘Sonic Seasonings’ (1972) is an early example of an ambient record, blending the then-new synth with field recordings to create an entirely new listening experience — years before the term “ambient” was even coined!
*wrinkles nose* shouldnt you be repressing that