Jean-Pierre Hébert, Ligne rouge continue en canon, second degré, (plotter drawing, in one uninterrupted line), 1977-1979 [DAM Projects, Berlin. © Jean-Pierre Hébert]
Jean-Pierre Hébert, Effets de brise au crépuscule, (plotter drawing, in one uninterrupted line), 1990 [DAM Projects, Berlin. © Jean-Pierre Hébert]
Jean-Pierre Hébert, Dynamics of a Venetian Red Flow, (plotter drawing), 1989 [Victoria and Albert Museum, London. © Jean-Pierre Hébert]
«Antoni Jażwiński’s Tableau Muet, based on the original “Polish System” for charting historical information, later revised in France and the United States, 1834» [source: David Rumsey Historical Map Collection]. In Hunter Dukes and Adam Green, Visualizing History: The Polish System, «The Public Domain Review», May 5, 2021
Fringed water lily. House plants and their care. 1887. Processed image.
Internet Archive
Nazim Hikmet, La Conga con Fidel, Translation, and with a foreword, by Joyce Lussu, Edizioni Avanti!, Milano, 1961 [p_c_c_c, Modena]
Typesetting for a specimen for Oddmono™ a typeface from Metis Foundry.
The midcentury studio that served as inspiration for Alexandra Gater’s latest project. Click here for the full home tour.
The Letters of Rosemary & Bernadette Mayer, 1976-1980, Edited by Gillian Sneed, Marie Warsh, Preface by Eva Birkenstock, Robert Leckie, Laura McLean-Ferris, Stephanie Weber, Texts by Bernadette Mayer, Rosemary Mayer, Gillian Sneed, Lenbachhaus, München / Ludwig Forum, Aachen / Spike Island, Bristol / Swiss Institute, New York, NY, 2022 (pt. 1) (pt. 2 here) (pt. 3 here). Designed by Santiago da Silva and Cecilia Breña [book photographs by Trevor Lloyd]