Oscar : Happy That Arthur Doesn't Judge Him For Trying To Kill A Priest With A Hammer When He Was Twelve

There are no words to describe how much I want Larson to be the equal and opposite of Arthur Lester. I don't just WANT him to be an absolute bitch, I NEED him to be an absolute bitch.

I need Arthur "run up 7 flights of stairs to purposefully get harpooned through the brain to blow up a monster using a flute" Lester to punch Wally "never gotten his hands dirty" Larson and have him crumble like dry sand. Bonus points if he whimpers and moans on the ground leaving John just absolutely confused as to why this man has gone down from a well placed punch after seeing how resilient Arthur is. I need Arthur "slit my own throat to spite the gods" Lester to get shot from behind by Wally "I'm chosen by the gods" Larson and for Arthur to still get up and kick Larsons ass anyway when he thinks he's won. I need Larson shooting Arthur as he's charging at him in fear and for Arthur to keep going like a freight train fueled by wrath and divine spite. I need Larson to be afraid of Arthur Lester. It doesn't even matter if Arthur dies in the process.

I need Arthur to break this mans glasses and strangle him by his stupid little bowtie.

Do not fear the dark, fear what darkness brings

I can’t believe I went through all of Season 2 assuming Nina was the stand-in for Crowley when you actually pay attention it’s so CLEAR that she’s Aziraphale. I was tricked by her spiky, sarcastic, cynical outer shell and lulled into a false sense of security by Maggie’s bubbly optimism and wholesome goodness, because on the surface they reflect the ineffable husbands perfectly, in their personalities, their aesthetics, even many of their actions and morals. but not, and this is the real key, when it comes to their “relationship”. but those first impressions really had me damn fooled. 

I missed the blatantness of Nina’s “we’re just friends. actually we’re not friends. we barely know each other.” the same thing Aziraphale said in season 1.  the way he still struggles to quantify their friendship when Nina asks. Nina’s sarcasm when Crowley asks about rain and awnings because it worked for him (we all know it LMAO). hell, that whole convo the girls have in the rain is so AziraCrow (“I know. I’m not your type” “…You have no idea” hits so much harder the second time, help meeeee.) “Lindsay” maybe being symbolic of Heaven and Aziraphale’s toxic relationship with them and their abuse? (the handwritten text messages in red pen make me think of angry notes on paperwork, anyone else?) because Crowley has never actually cared about what Hell thinks of him, just not getting into trouble (or him or Aziraphale getting hurt). Maggie is always chasing Nina. NINA NEVER GOES IN THE RECORD STORE. Just like Crowley always goes to the bookstore, to Aziraphale, Zira NEVER WENT TO THE FLAT (apart from The Swap but that doesn’t count imo). Crowley has always chased Zira, not the other way around. Always there to rescue him, always going to him for company, always relying on their shared connection, always US. OUR SIDE. All through season one, he comes to Zira every time to work together, never trying to work alongside Hell in any way that isn’t to save their skins or Earth, while Zira hides things from Crowley because he STILL thinks Heaven is ultimately good and will do the right thing if he can just show them. fix it from the inside. 

Maggie working up the courage to finally say something, to put herself out there, while Nina is utterly oblivious and then when she does realise Maggie has feelings, becoming standoffish, putting up that barrier, fighting it, denying it, ITS SO CROWLEY AND AZIRAPHALE IN THAT ORDER. the way I was fooled into thinking Nina’s trust issues are Crowley because he does have trust issues ofc he does BUT Crowley has ALWAYS TRUSTED AZIRAPHALE. has always relied on him. has always been hurt when Aziraphale doesn’t immediately reciprocate the way he expects (the holy water request, the bandstand, the “off in the stars” etc). he’s always the one putting himself forward. Aziraphale has always been the one to second guess everything, to fight their connection, their similarities, their friendship. the girls really made me think it was going to be okay when they sat Crowley down, even as my inner sirens were going haywire about Metatron interfering, they were telling Crowley he just needs to open up and it’ll all work out BUT HE’S ALREADY AT THAT POINT. he may not say it, and by gosh is that part of their damn problem, but he’s always SHOWN IT. he’s not Nina who needs time to heal and recover from her broken trust, he’s always been Maggie believing it doesn’t matter, they’ll end up together in the end anyway AND I WALKED RIGHT INTO THE TRAP THAT THIS MEANT THEY WERE GOING TO BE OKAYYYYYYYYYYY

Greek Gods 101: Hypnus

Hypnus is a god or daimon of sleep. Excluding the universal offerings, some common offerings include:

Blankets

Pillows

Lavender

Poppy Seeds

Poppies

Chamomile or Other Sleep-Inducing Drinks

Poppy Bread

Any Sleep Medications You May Take

Amethyst

For devotional acts, some activities that can be done for him include:

Sleeping

Dreaming

Keeping a Dream Journal

Tracking Your Sleep

Making Your Bed

Developing a Nightly Routine

Getting/Wearing Pajamas

Drinking Sleep-Inducing Drinks

He is not celebrated in any Athenian holidays.

i think one of the reasons glass onion is so fun is that it just... loves the audience back.

so many popular movies and shows these days thrive on a sort of bitter engagement with their fans - where the fans are dismissed as being stupid, annoying, and needlessly angry. we are constantly positioned as being less intelligent as the writers.

so much of "spoiler-free" movie-making relies on writers getting away with one twist in their work, regardless of if that twist was earned. the work doesn't actually have any rewatch value or interesting writing - because they think "good writing" is about "pulling one over" on the audience. they don't focus on making interesting characters or storylines or good endings - they focus on fooling you. glass onion, meanwhile, has faith that the audience has figured the ending out, and that we'll watch anyway, because we love the characters.

so many adaptions of older works... kind of seem to hate the original work. they're done without passion. they're done almost as if checking off a box. so many of them openly mock the audience for enjoying the original, almost directly telling us that we are fools for ever having loved something.

but glass onion. loves the audience. it knows that many of the people watching are mystery-lovers. it is an homage that feels love towards the original works it references. it knows we also love those works; and instead of trying to disparage those works, it allows us to celebrate them.

one of my favorite things about it - and maybe why i found it so satisfying - is that this movie isn't trying to tell you it's the smartest, bestest, most-clever detective story. instead, it asks itself what is satisfying and exciting for the audience? and actually gives us that payoff. it's bright, colorful, and fucking fun.

just... more of this please. i'm very bored of nihilism and grittiness and "shock value" writing. put the love back in. let us love unironically. have your work say i love you too. thank you for sharing this story.

Props to Michael Sheen for doing such a brilliant acting job that I actually believed he didn’t absolutely love being kissed by David Tennant

Guys!!!! GUys!!!!!

I just got my copy of the Secret History in the mail!!!!!!!! I am So HyPeD!!!!! I hope its as good as i think it’ll be!!!!

"Stop saying 15 year olds with weird interests are cringe, they're 15" this is true however you should also stop saying adults with weird interests are cringe because who gives a shit

THIS TOO SHALL PASS