I've Had This Little Idea In My Head For A While Now, So I Decided To Sit Down And Plot It Out.

Steve lowkey earning himself a reputation for liking guys and girls before he even realizes he does because he keeps interjecting and giving his own answer every time someone tries to ask Robin about guys

At first no one thinks anything of Steve’s interruption and answer when Nancy asks “what even is your type?” quite clearly to Robin and Steve immediately answers “I like girls that are way smarter than me” and everyone just assumes he’s interrupting to hit on Nancy and not to deflect

Then later someone insists some guy was flirting with Robin and she should go for it and Steve immediately goes “Are you kidding me? Robin’s way out of his league. Besides, I had a class with him and he mentioned his stamp collection in it like eight times. Do you really think she wants to sit around and pretend to be impressed by hundreds of stamps?” Still no one thinks much of it yet and if anything they think Steve might be jealous or might just have standards for who they should set her up with

It’s not until it becomes a habit of him answering questions meant for Robin that people start to think there’s a reason, but it’s not Robin they’re onto

Like when they’re having a movie night and Max is going on and on about a shirtless character while Lucas is totally unfazed but Dustin complains and El says which character she liked more and then Max turns to Nancy to break the tie and say which guy is dreamier and Nancy casts her vote, then turns to look over at Robin and ask which guy she’d go for and Steve knows who the question is for but hey he’s sitting right next to Robin so Nancy’s looking in his direction and too and she didn’t say Robin’s name, so Steve doesn’t even hesitate before dropping the name of a character and making sure he keeps the focus off of Robin and keeps everyone distracted from dragging her into that debate by immediately backing it up by saying that Max is right and giving even more reasons to choose him

But even after that, that’s mostly forgotten by the time the older group is drinking and Eddie suggests they play a drinking game and normally Steve would be all over any suggestions, but he turns down truth or dare because he knows how uncomfortable Robin would be and doesn’t want her having to choose between awkwardly lying and deflecting or doing dares she’s not comfortable with or potentially outing herself so he at least manages to change it to never have I ever because that’s a safer bet when he knows Robin hasn’t done anything with any girls

But then Steve ends up drinking significantly more than anyone else while Robin and Eddie are hardly drinking so they end up switching games and somehow they end up playing fuck, marry, kill except Nancy has no interest in getting married or discussing it and she says there’s been enough death in Hawkins and it would be more fun to play with the options as sleep with, kiss, slap. And the game is already started before anyone can ask why marry got changed to kiss and before drunk Steve can figure out how to discretely convince everyone not to. The game goes fine at first with Argyle asking Jonathan about three girls from California. It goes alright when Jonathan asks Eddie about three girls. Steve gets a little concerned when Eddie turns his attention on Nancy that he’ll put Jonathan and him in the list right in front of Jonathan, but Eddie is sober enough still that he at least has enough tact not stir the pot and blow things up on her first turn by throwing them both in in front of them

But then Nancy goes to give Robin a turn and she’s looking right at her and lists the three guys there other than Steve (possibly because she believes Robin on the platonic with a capital P thing and possibly because she doesn’t want to find out if that would waver) so of course Nancy thinks it’s clear that she must be talking to the only other girl there. And before Robin can even try to think of what lie would be the most convincing and least likely to start any awkwardness or drama, Steve’s already jumping in with “Well, I already hit Jonathan and that didn’t go well for me, so I’ll give him a break. And this situation” (gesturing between himself and Nancy and Jonathan) “is finally starting to feel normal so I don’t need to make that awkward all over again by sleeping with your boyfriend. So kiss Jonathan.” And Nancy and Jonathan are looking at him so confused and Robin is grateful for the interruption and relieved but also kind of amused by the level of thought he’s putting into it instead of just throwing out names however. Argyle’s not fazed at all and just waiting to see what he’ll get. Eddie goes from deer in the headlights startled to leaning forward with his elbow on his knee and his chin resting in his hand waiting to see where this will go to abruptly sitting up again and trying to look less interested while his leg nervous bounces and he tries to figure out if Steve is giving a detailed answer to this as a joke or because he’s putting genuine thought into the idea of being with a guy

Steve looks between Eddie and Argyle for a moment, then focuses on Argyle and is like “Sorry, I hardly know you and getting dragged into hitting Eddie or standing around and watching Tommy do it without making any move to stop him is exactly the kind of douchebag bullshit I would have pulled in high school. So I guess slap you and have sex with Eddie.” Eddie’s drink goes down the wrong way when Steve adds “Plus, guitar players are supposed to be good with their hands, right?” and he tries to play it off and not react to the fact that Steve Harrington just said he’d have sex with him and that he thinks Eddie would be good in bed even if it was just in the context of some stupid game. Meanwhile Argyle’s just like “Nah, that’s cool dude. I get it. I would have slapped you too if the roles were reversed.”

After that, a few people start wondering a little more seriously if Steve is into guys too and had his guard down while drinking. But Eddie isn’t going to press his luck without clear evidence and everyone else isn’t going to push it so they just silently wonder a little more every time Steve interjects in the girl talk with his own opinion once again

Hey guys!

So my family just bought property in Arizona, it's in the middle of nowhere, dozens of miles from people. And while I grew up in the forest and knew the typical customs (dont step in fairy rings, avert your gaze from the glowing eyes in the woods, thank the trees) I have no idea of desert customs when it comes to ghosts and fae and the supernatural. I've never really visited the desert, so any advice would be nice!

masterpost of horror lists

here are all my horror lists in one place to make it easier to find! enjoy!

sub-genres

action horror

analog horror

animated horror

anthology horror

aquatic horror

apocalyptic horror

backwoods horror

campy horror

children’s horror

comedy horror

coming-of-age horror

corporate/work place horror

cult horror

dance horror

daylight horror

death games

domestic horror

ecological horror

erotic horror

experimental horror

fairytale horror

folk horror

found footage horror

giallo horror

gothic horror

historical horror

holiday horror

home invasion horror

house horror

indie horror

isolation horror

lgbtqia+ horror

lovecraftian/cosmic horror

medical horror

meta horror

monster horror

musical horror

mythological horror

neo-monster horror

new french extremity horror

paranormal horror

psychedelic horror

psychological horror

religious horror

revenge horror

romantic horror

sad/dramatic horror (i think??)

science fiction horror

slasher

southern gothic horror

splatter/body horror

survival horror

techno-horror

vampire horror

virus horror

werewolf horror

western horror

witch horror

zombie horror

horror plots/settings

road trip horror

summer camp horror

cave horror

doll horror

plot devices

storm horror

from a child’s perspective

final girl/guy (this is slasher horror trope)

last guy/girl (this is different than final girl/guy)

reality-bending horror

slow burn horror

foreign horror or non-american horror

african horror

spanish horror

middle eastern horror

korean horror

japanese horror

british horror

german horror

indian horror

decades

silent era

30s horror

40s horror

50s horror

60s horror

70s horror

80s horror

90s horror

2000s horror

2010s horror

2020s horror

companies/services

blumhouse horror

a24 horror

ghosthouse horror

shudder horror

other lists

horror literature to movies

video game to horror movie adaption

video nasties

female directed horror

my 130 favorite horror movies

horror movies critics hated because they’re stupid

horror remakes/sequels that weren’t bad

female villains in horror

horror movies so bad they’re good

non-horror movies that feel like horror movies

directors + their favorite horror movies + directors in the notes

tumblr’s favorite horror movie (based off my poll)

horror movie plot twists

cult classic horror movies

Ok but like if they all came back to life, I feel like it could go one of two directions with how the choir reacts afterward

They could either never bring up what happened with Karnak because it was like too painful or something

Or it could go in the complete opposite direction with them constantly bringing up what happened, usually to make fun of each other

Like one day this one teacher is being a huge jackass so when the teacher asks if they have any fun facts they’d like to share with the class Noel just stands up and goes “When a lioness has children-“

Ocean and Constance are desperately trying not to laugh

Mischa makes it a personal game to call as many people as possible a spielverderber

Somebody is talking for a really long time during a presentation and when it’s over Ricky just signs “And that is why not everyone should have a library card!” while Mischa just tries to not burst out laughing

Penny will sometimes recite Ricky’s Silver Surfer speech just so she can laugh about it later when people are like “Wow. So deep 🥲”

Sometimes you’ll just hear one of them humming everyone’s songs

The funniest time this has happened is when Noel caught Ocean humming “This Song Is Awesome”

Constance bakes everyone Zolar themed cupcakes and they’re so good

I can’t believe I went through all of Season 2 assuming Nina was the stand-in for Crowley when you actually pay attention it’s so CLEAR that she’s Aziraphale. I was tricked by her spiky, sarcastic, cynical outer shell and lulled into a false sense of security by Maggie’s bubbly optimism and wholesome goodness, because on the surface they reflect the ineffable husbands perfectly, in their personalities, their aesthetics, even many of their actions and morals. but not, and this is the real key, when it comes to their “relationship”. but those first impressions really had me damn fooled. 

I missed the blatantness of Nina’s “we’re just friends. actually we’re not friends. we barely know each other.” the same thing Aziraphale said in season 1.  the way he still struggles to quantify their friendship when Nina asks. Nina’s sarcasm when Crowley asks about rain and awnings because it worked for him (we all know it LMAO). hell, that whole convo the girls have in the rain is so AziraCrow (“I know. I’m not your type” “…You have no idea” hits so much harder the second time, help meeeee.) “Lindsay” maybe being symbolic of Heaven and Aziraphale’s toxic relationship with them and their abuse? (the handwritten text messages in red pen make me think of angry notes on paperwork, anyone else?) because Crowley has never actually cared about what Hell thinks of him, just not getting into trouble (or him or Aziraphale getting hurt). Maggie is always chasing Nina. NINA NEVER GOES IN THE RECORD STORE. Just like Crowley always goes to the bookstore, to Aziraphale, Zira NEVER WENT TO THE FLAT (apart from The Swap but that doesn’t count imo). Crowley has always chased Zira, not the other way around. Always there to rescue him, always going to him for company, always relying on their shared connection, always US. OUR SIDE. All through season one, he comes to Zira every time to work together, never trying to work alongside Hell in any way that isn’t to save their skins or Earth, while Zira hides things from Crowley because he STILL thinks Heaven is ultimately good and will do the right thing if he can just show them. fix it from the inside. 

Maggie working up the courage to finally say something, to put herself out there, while Nina is utterly oblivious and then when she does realise Maggie has feelings, becoming standoffish, putting up that barrier, fighting it, denying it, ITS SO CROWLEY AND AZIRAPHALE IN THAT ORDER. the way I was fooled into thinking Nina’s trust issues are Crowley because he does have trust issues ofc he does BUT Crowley has ALWAYS TRUSTED AZIRAPHALE. has always relied on him. has always been hurt when Aziraphale doesn’t immediately reciprocate the way he expects (the holy water request, the bandstand, the “off in the stars” etc). he’s always the one putting himself forward. Aziraphale has always been the one to second guess everything, to fight their connection, their similarities, their friendship. the girls really made me think it was going to be okay when they sat Crowley down, even as my inner sirens were going haywire about Metatron interfering, they were telling Crowley he just needs to open up and it’ll all work out BUT HE’S ALREADY AT THAT POINT. he may not say it, and by gosh is that part of their damn problem, but he’s always SHOWN IT. he’s not Nina who needs time to heal and recover from her broken trust, he’s always been Maggie believing it doesn’t matter, they’ll end up together in the end anyway AND I WALKED RIGHT INTO THE TRAP THAT THIS MEANT THEY WERE GOING TO BE OKAYYYYYYYYYYY

Howl truly is the man of all time. He’s a playboy. He’s a malewife. He fell in love with a ninety year old woman. He’s a rugby player. He smells like hyacinths. He’s not a natural blond. When dying his hair went slightly wrong, he filled his home with slime. He has a PhD. He’s a wizard. He found a way to another universe and he told absolutely nobody about it. He makes video games about the magical universe for his nephews. He can’t play the guitar. He always takes a guitar with him when he’s trying to seduce a woman. He’s a self-proclaimed coward. He got drunk to trick himself into doing something dangerous. He overcharges for his services to rich people. He undercharges for his services to poor people. A woman invaded his home and declared herself his cleaning lady and he just let her stay. He loves spiders. He lies about his surname to everyone, including royalty. The true spelling of his first name is Howell, but we don’t find out until halfway through the book because the POV character thinks it’s spelled Howl. He’s even Welsh.

The more despair I endure in life, the more I love Frodo. I'm just. I'm so glad that Tolkien wrote him like that. He was a hero and it broke him. He was given too much to carry. The circumstances were dire, everyone was doing the best they could, and Frodo tried so hard, for such a good cause, and he...broke. And the narrative has pity for him, the characters show him kindness. Even after victory, his hurts did not heal, and it isn't considered his fault. He must go to the undying lands, to seek out peace there. In universe, he is forgiven for being human - don't be pedantic - and his great torment is recognized. He fell. He could not have done it alone. He is still a hero.

And, I think that's important.

collection of posts for a very specific dynamic

There are no words to describe how much I want Larson to be the equal and opposite of Arthur Lester. I don't just WANT him to be an absolute bitch, I NEED him to be an absolute bitch.

I need Arthur "run up 7 flights of stairs to purposefully get harpooned through the brain to blow up a monster using a flute" Lester to punch Wally "never gotten his hands dirty" Larson and have him crumble like dry sand. Bonus points if he whimpers and moans on the ground leaving John just absolutely confused as to why this man has gone down from a well placed punch after seeing how resilient Arthur is. I need Arthur "slit my own throat to spite the gods" Lester to get shot from behind by Wally "I'm chosen by the gods" Larson and for Arthur to still get up and kick Larsons ass anyway when he thinks he's won. I need Larson shooting Arthur as he's charging at him in fear and for Arthur to keep going like a freight train fueled by wrath and divine spite. I need Larson to be afraid of Arthur Lester. It doesn't even matter if Arthur dies in the process.

I need Arthur to break this mans glasses and strangle him by his stupid little bowtie.

Good Omens S2

Okay so.

Excellent Job, Gaiman

Ouch???

I don't like to publicly talk about my personal life. My academic life is my professional life is my artist life. But my personal life? Not so much, outside of vignettes.

But for the past several months, I've been deconstructing a lot of personal baggage and trauma surrounding both family and religion, after leaving the cult I was raised in (mormonism).

It's terrifying to realize that the framework you built your entire self on is false. It's exhausting and painful to deconstruct that framework, to disentangle your identity in the way that won't destroy you.

And it's slow.

Nobody ever tells you how slow it is to heal. You can't control the rate you heal either. You just have to be patient with yourself, and give yourself an environment where that healing can occur safely and naturally.

Anyways.

Good Omens, and its weird tendency to be exactly what I need when I need it.

I first read Good Omens in high school. And honestly, I didn't quite get it, at the time. I only knew it was different from every other book I've ever read, one that didn't treat religion as stupid or trivial, but also one that called out the blatant hypocrisy and control tactics involved. It helped me safely challenge a status quo I hadn't even realized existed.

I first watched Good Omens partway into my Master's Degree. It was everything that I could've hoped for. I understood the book a lot better, but the TV adaptation captured my struggles with mental dissonance, trying to understand and accept the parts of my identity that I was taught God didn't want.

I watch S2 a year into my doctoral program. I'm out of the cult, and it's exhilarating and painful and scary and fun, but I can still feel the scars its hooks left when they were torn out.

I feel like S2 Aziraphale is in about the same place. He's exploring his freedom, but also trying to reorient himself. He's trying to let himself be. He's healing, but his boundaries got overridden due to circumstances out of his control (naked Gabriel). He's been pulled back into the gravity of the abusive system he tried to escape, given a carrot on a stick, and isn't yet healed or strong enough to resist.

On top of that, Aziraphale is still holding onto the hope that the problem was bad individuals, not a corrupted system. He thinks if the leadership is different, things can change. He thinks if he had more authority in the system, he could make things change. And... that's not how it works.

And Crowley. Dear Crowley.

He wants Aziraphale to be farther along in his healing than he is. Honestly, Aziraphale wants it too. But again, you cannot force this kind of healing, even when it results in a loved one making some truly stupid decisions.

Crowley sees the system for what it is. He's already deconstructed that part. But he hasn't really started addressing his own trauma. He's hinged his entire existence on Aziraphale, on being what Aziraphale needs, that he hasn't allowed himself to heal either. And Aziraphale, who is vulnerable and healing, is not able to provide the support that Crowley would need to recover safely.

Which is why them separating is probably the best thing for both of them.

It won't be permanent.

But they don't communicate, and their relationship while delightful and beautiful risks unhealthy codependency that prevents either from really growing or healing.

Anyways, what I really hope to see next season is Aziraphale's realization that the system never had his back. That the system is what's wrong, and that he can't win by playing at respectability politics or gaining a higher status within it.

I want Aziraphale to get angry.

He deserves it. He's tried so hard. He thinks he's lost Crowley over it.

I want him to feel the gut-wrenching despair of realizing how conditional and fleeting the system's version of love is, and I want it to turn into a rage.

But not a destructive rage--the sort of anger that Pratchett ascribes to himself and many of his works. The sort of anger that fueled Discworld and Good Omens. The sort that can be finessed into a weapon and a shield, that can be used to protect the people who truly love you.

For millennia we see Crowley fighting for Aziraphale.

For Season 3, I want to see Aziraphale fighting for his demon.

For him to apologize, without the expectation that Crowley will come back, but because he was wrong and Crowley needs to know it. To not expect forgiveness, not even think he deserves it.

And then for Crowley--who is trying to hide his heart eyes at seeing his avenging angel coming to save him for once, who he can tell immediately has changed, and is finally going Crowley's speed)--for Crowley to give that forgiveness, without strings attached.