Jane And Rochester Are My Favourite Couple Hands Down But Funny Enough One Of My Favourite Scenes In

Her father says her name harsh and angry and firm, divided into four syllables, O. PHE. LI. A, never shouting, and that is somehow worse. 

Her brother says her name quick, like it’s a slur, o phe lia, the syllables blending and blurring together, like he cannot wait to stop. 

The boy who once defined her whole world told her that Ophelia sounds like Ō filia, which means Oh, Daughter in Latin. 

Latin is a dead language, and she is no one’s daughter, now.

Okay, whoever wrote this, I wish I wrote it. Bravo, my friend <3

Just a thought… Rochester delays paying Jane her wages until she leaves to visit Mrs. Reed. Could it be that the reason behind this delay is more psychological than practical?

Consider this: Rochester might associate paying Jane with the transactions he had with his former mistresses, whom he paid for their company. Rochester never truly viewed Jane as just an employee. In his mind, he already had a deeper, more personal connection with her. Paying her would shatter this fantasy and reduce their relationship to a mere employer-employee dynamic, something he’s clearly uncomfortable with labelling their relationship as.

It's not that Rochester is stingy or unwilling to part with his money—quite the opposite, in fact. He enjoys being generous, almost to a fault. Even when Jane asks for leave, he doesn’t merely pay her the wages he owes; he offers her a £50 note, an amount far exceeding what she’s due. He wasn’t paying her as an employer but rather a “friend”. This suggests that Rochester’s reluctance to pay her isn’t about the money itself but rather the social implications of the transaction.

Rochester despises his past actions of hiring mistresses, equating it to "buying a slave." This disdain likely influences his feelings toward paying Jane. He doesn’t have an issue with paying his other female employees, but with Jane, it’s different. His romantic feelings complicate things. For Rochester, paying Jane is too reminiscent of paying for love, a notion that deeply disturbs him. This is why I believe he delays paying her.

a small pastiche about shyness 

Secretary (2002) / Ask Polly: I’m So Shy And It’s Ruining My Life! / Ask by The Smiths / ‘Morning Sun’ by Edward Hopper (1952) / Jason by Perfume Genius 

jane eyre is a book i like a lot but also have intense feelings about bc i don’t interpret Rochester as a ‘sweet good guy hiding behind an intimidating shell’ and i dislike adaptations and retellings which try to soften him or make him out to be an aggrieved victim of society. the entire point of the novel imo is that Jane, in grasping her autonomy and personhood, decides to put her personal happiness and passion over expectations of ‘perfect moral womanhood’.

she rejects the virtuous, religious suitor who wants to devote their lives to missionary work and chooses Rochester, the man who treats her like an intellectual equal and who shares her dark sense of humor and fascination with wild things.

Rochester is not a good, upright guy. While he should be commended for not consigning his wife to an asylum where she’d be tortured and abused, he keeps her shut up in a dark attic cell and freely admits he married her primarily for her money and that he never tried to understand her as a person even before her mental illness.

The loss of his hand and the burn scars inflicted on him during the climax are absolutely supposed to carry moral judgment. He lied to and manipulated Jane, imprisoned his wife (who he hates), and just because he comes to see Jane as an equal, it doesn’t mean he suddenly believes men and women should share the same rights and privileges. He is still very much a man of his time and culture. But the point is that Jane’s life is so narrow and so limited that the only real way for her to experience some joy and freedom is to embrace Rochester, even if he’s a bastard. He loves her and she loves him.

Being with him will probably not make her a better person, but it will bring her pleasure, and it will be her choice, not something coerced or demanded of her. It complicates the ending of the book. Rochester’s a beast. But Jane is no angel either, and only by accepting this does she find peace with herself.

why are dudes in fanfic always getting hit with freight train orgasms. why not an orient express orgasm, classy and romantic. where are the shinkansen train orgasms? his orgasm hit him like the TGV atlantique breaking the passenger rail speed record. like the shanghai maglev, his orgasm was a feat of engineering but something of a commercial disappointment.

Just found Hugh Grant’s Reddit AMA from 2014, featuring such gems as “I love to kill” and “I will pour almost anything down my throat”

Source: Hugh Grant Reddit AMA

JANE EYRE — Chapter XIV & XXXVII

She’s iconic, period.

I'm starting to accept the fact that I am destined to mainly draw trees and the occasional little Snufkin. So here's the next sketchs, after long hikes everyone needs a rest, even little Snufkin.

I’ve been influenced™️ by new england autumn

linocut prints on bfk rives & lokta papers

“He asked me, smiling, why I cared for his letter so very much. I thought, but did not say, that I prized it like the blood in my veins.”

– Villette, Charlotte Brontë