23, Australian, this is where I'm dropping my writing inspo and pieces.
90 posts
Some say that an invisible red string is tied around the fingers of soulmates meant to be together forever. As it turns out, you can see these red strings, and have therefore created a highly successful matchmaking business.
One of the best writing advice I have gotten in all the months I have been writing is "if you can't go anywhere from a sentence, the problem isn't in you, it's in the last sentence." and I'm mad because it works so well and barely anyone talks about it. If you're stuck at a line, go back. Backspace those last two lines and write it from another angle or take it to some other route. You're stuck because you thought up to that exact sentence and nothing after that. Well, delete that sentence, make your brain think because the dead end is gone. It has worked wonders for me for so long it's unreal
So, you want to write about a natural disaster to advance your plot and torture your players/characters even more? Let me tell you how, accurately.
I feel like unless it is a volcano, natural disasters are a pretty slept on plot drivers, and some of them are really cool and unique! Today, I will talk to you about land slides, earthquakes (And earthquake related disasters), and volcanoes.
Landslides: Probably one I see the least in stories, but one that would be incredibly interesting to write into a plot where they believe in curses. Landslides can happen along ocean bluffs, slightly hilly areas, and highly mountainous areas, this means it is something that can happen in most landscapes. But what can trigger a landslide? Mostly all you need to trigger a landslide could be just abnormally large amounts of rain, excessive deforestation (with a little bit of rain), or an earthquake. If you don't want to use deforestation or an earthquake as a catalyst, a really cool indicator that the land is slipping and may be prone to a collapse is J hooked trees.
This indicates that there is soil creeping slowly over time, and it may lead to a major landslide.
2. Earthquakes: Probably one of the easiest things to write, earthquakes can happen anywhere, but they are most common in places that are tectonically active areas. There are about three types of environments you can expect earthquakes to be common. The first is just rugged mountains, if your landscape looks like this, you should write in earthquakes. Associated hazards could be landslides, avalanches, and large falling rocks.
The next landscape could be a thin mountain range, next to the ocean, very scenic, but very dangerous. Essentially, I am describing a subduction zone environment.
Earthquakes in these areas could equal a couple different associated disasters. Scenario one: A very large earthquake happens, and the ocean begins to recede. This is a tsunami, enough said. If you are writing a tsunami though, please, please, do not write it as a large wave, thank you. Also, a common way people are hurt by tsunami's are from them going into the ocean because they don't understand a tsunami is going to happen.
Scenario two: A large earthquake happens, your characters are in a valley and suddenly the ground begins to liquify as the ground shakes, once the shaking stops, the ground becomes solid like nothing ever happened, except everything has suddenly sunk into the now hard ground. This is called liquefaction and it typically happens in areas that have loose dirt or lots of saturated soil.
Scenario three: There are a lot of small earthquakes, they do not cause a lot of damage, but you begin to notice that one of the isolated mountains has a plume rising. Earthquakes can indicate lava moving underground and the filling of magma chambers.
The next environment that can host lots of earthquakes would be regions that have a lot of really deep valleys and small mountain ranges (not cone volcanoes), but overall seems pretty flat.
This indicates a transform fault like the San Andreas. If you want to hint at there being earthquakes in the area, you can show fence posts that are suddenly several feet out of line at a dilapidated farm or something similar.
(These earthquakes are different because they are cased from sideways movement, not an up-and-down movement this hint can only be used for this environment). Volcanoes would not be found here, but liquefaction and landslides could still occur here.
4. Volcanoes: If you thought earthquakes had a lot of information, volcanoes do too. First you have to ask yourself, what kind of volcano you want to have, what kind of eruption style? So lets break down the kind of eruptions you can have and what their landscapes look like. Hawaiian Shield volcano: This will produce a smooth fast lava, the landscape typically is pretty flat, but there will be small cones and the rocks can have a ropey or jagged texture and the rocks will be almost exclusively black to dark red.
Stratovolcanoes: These will be solitary mountains, typically, that look like perfect cones (Picture shown in earthquake section). These will have large ash cloud eruptions and pyroclastic flows, they may have some lava, but typically most damage is done from the pyroclastic flows (think Pompeii). Some hints of these, other than describing the cone features (which can be hidden by other mountains), would be to talk about petrified wood! Trees can get fossilized in the ash and I imagine it would be very strange to find this rock that clearly looks to be a piece of wood, but its a rock. Subcategory- Calderas: Used to be a large stratovolcano, but they erupt so explosively that the entire cone collapses and creates a basin.
There are a lot of kinds of volcanoes out there, so forgive me for just putting an infographic and then talking to you about these really rare types of eruptions that I feel like people should know about.
Okay lets talk about blue lava (kind of) and black lava
You will notice the lava is still red in the middle of this image, during the day these would look like a normal eruption, but at night the burning sulfur would make it appear blue. Some cool features other than this, would be that any water in the area would become very acidic and burn the skin due to sulfuric acid. This would again be really cool if you are trying to describe a 'cursed' land.
Black lava: This happens only in the east African rift I believe, but it is a carbonatite lava, but if you are writing in a rift valley (where the continent is tearing apart to form a new ocean) this might be a cool feature. The lava will cool white and will quickly erode, it makes for a very alien landscape!
Anyway as always, this is supposed to be an introductive guide for the basics of writing geology to create cool landscapes/features into dnd or fictional universes, if you are a geologist please understand my oversimplification of tectonics, I didn't want people to run away.
Know what I’m salty about?
In all my art classes, I was never taught HOW to use the various tools of art.
Like yes, form, and shape and space and color theory and figure drawing is important, but so is KNOWING what different tools do.
I’m 29 and I JUST learned this past month that India Ink is fucking waterproof when it dries. Why is this important? Because I can line something in India Ink and then go over it with watercolors. And that has CHANGED the ENTIRE way I art and the ease I can create with.
tldr: Art Teachers: teach your students what different tools do. PLEASE.
if you’re a white creator and your brown/black characters are always sassy, reckless, aggressive or cold and your white characters are always soft, demure, shy and introverted you should think about maybe why you did that
File this under “super obvious yet I always seem to forget it.”
I've been resource gathering for YEARS so now I am going to share my dragons hoard
Floorplanner. Design and furnish a house for you to use for having a consistent background in your comic or anything! Free, you need an account, easy to use, and you can save multiple houses.
Comparing Heights. Input the heights of characters to see what the different is between them. Great for keeping consistency. Free.
Magma. Draw online with friends in real time. Great for practice or hanging out. Free, paid plan available, account preferred.
Smithsonian Open Access. Loads of free images. Free.
SketchDaily. Lots of pose references, massive library, is set on a timer so you can practice quick figure drawing. Free.
SculptGL. A sculpting tool which I am yet to master, but you should be able to make whatever 3d object you like with it. free.
Pexels. Free stock images. And the search engine is actually pretty good at pulling up what you want.
Figurosity. Great pose references, diverse body types, lots of "how to draw" videos directly on the site, the models are 3d and you can rotate the angle, but you can't make custom poses or edit body proportions. Free, account option, paid plans available.
Line of Action. More drawing references, this one also has a focus on expressions, hands/feet, animals, landscapes. Free.
Animal Photo. You pose a 3d skull model and select an animal species, and they give you a bunch of photo references for that animal at that angle. Super handy. Free.
Height Weight Chart. You ever see an OC listed as having a certain weight but then they look Wildly different than the number suggests? Well here's a site to avoid that! It shows real people at different weights and heights to give you a better idea of what these abstract numbers all look like. Free to use.
More writers should consider just not telling their readers all of shit. Just don’t tell them stuff. What’s that monster? Fuck if you’ll find out. How did that weird as hell landscape marker come to be? Wouldn’t you like to know. How does the magic work? Just believe it does, motherfucker.
Readers don’t need to know everything. In fact, I absolutely advocate for not telling them certain stuff. If the characters don’t know, neither do they. If the narrator is omniscient? Lol no they aren’t.
Is this necessary for every story? Probably not. There’s plenty of good stories you could write while explaining all of it. But leaving those gaps, leaving those holes, can bring a story to life. Sometimes things happen in life that just… happen. Fucked if anyone knows why. Sometimes information gets lost. Sometimes information is hidden. But even beyond that, it expands the narrative.
If you explain when and why and how the murder monster became a murder monster, well… that’s forever set in stone now. Now they know. But if you leave it blank, absent of explanation, any explanation… it becomes an unknown. It forces your audience to wonder. Makes them think. That, more than you might think, makes a story get into your audience’s head, and once you’re there, you can make some real impacts.
So yeah, tell a story. But sometimes? Don’t tell your readers something. Make them fill in the blanks themselves.
fantasy characters: “Geez”
me: who the fuck spread Christianity there
site that you can type in the definition of a word and get the word
site for when you can only remember part of a word/its definition
site that gives you words that rhyme with a word
site that gives you synonyms and antonyms
Expanding a thought from a conversation this morning:
In general, I think "Is X out-of-character?" is not a terribly useful question for a writer. It shuts down possibility, and interesting directions you could take a character.
A better question, I believe, is "What would it take for Character to do X?" What extremity would she find herself in, where X starts to look like a good idea? What loyalties or fears leave him with X as his only option? THAT'S where a potentially interesting story lies.
In practice, I find that you can often justify much more from a character than you initially dreamed you could: some of my best stories come from "What might drive Character to do [thing he would never do]?" As long as you make it clear to the reader what the hell pushed your character to this point, you've got the seed of a compelling story on your hands.
Did I daydream this, or was there a website for writers with like. A ridiculous quantity of descriptive aid. Like I remember clicking on " inside a cinema " or something like that. Then, BAM. Here's a list of smell and sounds. I can't remember it for the life of me, but if someone else can, help a bitch out <3
What is the most cursed plant fact you know of?
the manchineel tree is so all-around toxic that even standing under it while it's raining is enough to give you severe chemical burns!
actually eating any part of it will absolutely kill you, and it will hurt so so bad the whole time you're dying.
some people think writers are so eloquent and good with words, but the reality is that we can sit there with our fingers on the keyboard going, “what’s the word for non-sunlight lighting? Like, fake lighting?” and for ten minutes, all our brain will supply is “unofficial”, and we know that’s not the right word, but it’s the only word we can come up with…until finally it’s like our face got smashed into a brick wall and we remember the word we want is “artificial”.
Malyarova Olga Couture
Something a little different, I tried to make a monster inspired by an art! Here it is!
The illustration below is by one of my favorite artists, Abigail Larson. Enjoy, please!
~
Lacencu (la-SEN-koo) combine traits of centaurs, succubi, and lamia, but their origins are murky. Lacencu might be related to all three of these species, or none. To date, investigations have proved inconclusive; it doesn’t seem like the lacencu remember their ancestors well, nor do they care. Rumors abound, but their most popular origin story involves a tribe of centaurs trapped underground, never to see the sun again. Ill-suited to the endless caves, these centaurs made pacts with various eldritch powers for survival. Over time, fiendish influence and the Underdark’s unusual conditions molded the centaurs into lacencu, charming but paranoid masters of enchantment.
Observers are shocked at the lacencu’s agility; their ponderous centaur-like physiology doesn’t look suited to climbing or flying, yet the lacencu do both with elegance. The lacencu seem to dance about the rocks, switching between hopping like mountain goats, climbing with their arms, clawed wings, and prehensile tails, and flapping short distances with fluid ease.
The lacencu are typically friendly, and they love to hear stories of the surface world. But the lacencu know their numbers are small compared to other Underdark races; lending some credence to the “lost centaurs” theory, they fear extinction, and know danger lurks around every corner in the Underdark. So the moment a visitor displays any violent, duplicitous, or otherwise untoward behavior, the lacencu employ their innate magic to turn these visitors away, back into the darkness of the underground. If magic manipulation fails, or if the lacencu fear this enemy will come back with a vengeance, they’ll take up arms as a tribe and slay the interloper.
Despite their embedded fear of extinction, most sentient residents of the Underdark have no quarrel with the lacencu – except the drow. Lancencu raid drow outposts and city outskirts for supplies, artifacts, weapons, and fashions. The lacencu pick on the drow partly out of necessity; out of all their Underdark neighbors, drow are the closest in body type (from the waist up) compared to the stout duergar, the diminutive svirfneblin, or hulking quaggoths. Most items made with drow in mind, the lacencu can use too.
Large monstrosity (sapient), typically neutral good
Armor Class 13
Hit Points 78 (12d10 + 12)
Speed 30 ft., climb 30 ft., fly 50 ft.
STR 14(+2) DEX 16(+3) CON 13(+1) INT 15(+2) WIS 16(+3) CHA 17(+3)
Saving Throws WIS +5, CHA +5
Skills Acrobatics +5, Athletics +4, Nature +4, Insight +5, Perception +5, Survival +5, Persuasion +5
Damage Resistances psychic
Senses Alignment Sense, Darkvision 60 ft., Passive Perception 15
Languages Infernal, Sylvan, telepathy 100 ft. (only works with other lacencu), Undercommon
Challenge 4 (1,100 XP)
Proficiency Bonus +2
-
Innate Spellcasting. The lacencu’s innate spellcasting ability is Charisma (spell save DC 13, +5 to hit with spell attacks). It can innately cast the following spells, requiring no components.
At will: detect magic, detect thoughts
3/day each: scrying, suggestion
1/day each: geas, sleep
Flyby. The lacencu doesn’t provoke opportunity attacks when it flies out of an enemy’s reach.
Multiattack. The lacencu can make multiple attacks: either 1 each with hooves and spear, or 1 hooves and 2 wings.
Clawed Wings. Melee Attack: +5 to hit, reach 10 ft., 1 target. Hit: 6 (1d6 + 3) slashing damage.
Hooves. Melee Attack: +4 to hit, reach 5 ft., 1 target. Hit: 11 (2d8 + 2) bludgeoning damage. Lacencu can also attack backwards with their hooves by bucking.
Poisoned Spear. Melee or Ranged Attack: +5 to hit, reach 10 ft., thrown 20/60 ft., 1 target. Hit: 8 (1d10 + 3) piercing damage plus 6 (2d6) poison damage.
Charm. One humanoid the lacencu can see within 30 feet of it must succeed on a DC 15 Wisdom saving throw or be magically charmed for 1 day. The charmed target obeys the lacencu’s verbal or telepathic commands. If the target suffers any harm or receives a suicidal command, it can repeat the saving throw, ending the effect on a success. If the target successfully saves against the effect, or if the effect on it ends, the target is immune to this particular lacencu’s Charm for the next 24 hours.
The lacencu can have only one target charmed at a time. If it charms another, the effect on the previous target ends.
Aura Reading. Detect magic and detect thoughts are bonus actions for lacencu.
~
DESIGN NOTES
Yes, I came up with the name by remixing the syllables of centaur, succubus, and lamia.
Took me way too long to realize I should give these folks darkvision and a climbing speed, since they live in the Underdark, and there’s stuff in the flavor text about how they climb good.
Hello, everyone!
Now your group can explore a mine that is rich in a mineral from another dimension! This mine has just begun operations recently, and a strange crystal with powerful properties is being mined to create powerful artifacts.
But soon after, the miners start to mysteriously vanish and creatures from another world start pouring out of the rift! Your players can help the miners clean out the mine and have access to a strange world underground.
The creature tokens for this map are a Deep Flesh Devourer, a Deep Spider Aberration and a Dwarf Grenadier. Emerald tier gets the Deep Spider Aberration while Diamond tier gets all three. In addition, Sapphire tier gets extra creature token variants.
You can see a preview of all of this week’s Patreon content here.
Thank you very much for taking a look and be sure to check out my Patreon where you can pledge for gridless version, alternate map versions as well as the tokens pertaining to this map.
hey writers! OneLook Thesaurus lets you find that word you can’t think of but can describe! go check it out!
All rights reserved by Milan Štěpán
Art by jocelin carmes
Art by Nekro
shoutout to writers who:
have chronic fatigue or brain fog
have memory issues
experience chronic pain
have focus issues
experience frequent malaise
have anything else that may make it difficult to type, come up with ideas, and/or stay motivated & working
you can do this, you belong here, and you deserve to treat yourself with kindness and care
Hey. I have a message for aspiring authors (or already published ones) out there. It’s a little story I wanted to share~
When I was a kid, I spent at least half of my free time in the local library. I was that one kid who basically refused to go anywhere near the “popular” book racks, unless I was given a good recommendation for something. So you know what I did instead?
I went to the furthest back shelves, the depths of the young adult section, chose whatever I thought had a cool cover or an interesting synopsis, and sat down and read it. Many of those books were by lesser known authors, maybe they’d been out for a few years, but most hadn’t ever had time to shine.
If the story was terrible, I stopped after the first few pages and put it back to pick out another. And I was picky. But I found so many gems. I found so many books that I fell in love with, that I still remember. I was inspired by so much of that wonderful writing.
So. If you’re planning on publishing your work, either by traditional or other means, but you’re feeling discouraged because you don’t think it will ever get that much attention?
Put it out there, anyways. Put it out there for kids like me. Put it out there for adults like me. Put it out there because there will always be someone who reads your book and loves it, who adds it to their favourites list, and who goes on a search for all of your other writing.
If you love your story, put it out there for those who are bound to love it, too.
Please tell us about the desert.
So like. The desert is freezing at night and boiling at day. The elements are just about as savage as they can be and as a result it looks like a whole lot of nothing but dead, unforgiving, hostile emptiness. But that couldn’t be further from the truth, deserts have a biodiversity matched only by rainforests and much like rainforest most of it is unique to that specific desert. Most deserts formed from ancient lakes or oceans that dried out, leaving the remaining creatures to adapt to a rapidly changing and ever more hostile environment. It’s similar to those endothermic vents miles under the water any niche you can fill or make in a desert is extremely valuable but you can like, realistically go there. A desert is so very alive, despite looking as it does, despite everyone thinking otherwise. If you have never heard all the calls and sounds fill the cooling air as the sun sets as if to say ‘I’m here, despite everything, I’m still here and I’m alive’ it’s an S tier experience.
“6 wings” “2 heads” “6 legs” linocuts from my exhibition “7 maa ja mere taga” 2019
Are any of your characters angelic in nature? Are they by the Christian definition of ‘angel’, a different religion’s definition, or are they angelic by their universe’s rules only? Would someone not privy to their world’s laws still classify them as an ‘angel’, perhaps by way of beautiful wings and/or fiery chaos?
Fun fact! Saint Valentine was beheaded, and here is a photo of his supposed skull! (which is kept in a reliquary in rome because catholics are freaky that way)