roy calls jason his wife because jason is a clean freak and their shared living spaces WILL be clean on god. jason keeps threatening to become a widow if roy doesn’t stop calling him that. and then also i think roy absentmindedly holds jason's waist sometimes. is this anything
This one's for the scenes with multiple characters, and you're not sure how to keep everyone involved.
Writing group scenes is chaos. Someone’s talking, someone’s interrupting, someone’s zoning out thinking about breadsticks. And if you’re not careful, half your cast fades into the background like NPCs in a video game. I used to struggle with this so much—my characters would just exist in the scene without actually affecting it. But here’s what I've learned and have started implementing:
Not their literal job—like, not everyone needs to be solving a crime or casting spells. I mean: Why are they in this moment? What’s their role in the conversation?
My favourite examples are:
The Driver: Moves the convo forward. They have an agenda, they’re pushing the action.
The Instigator: Pokes the bear. Asks the messy questions. Stirring the pot like a chef on a mission.
The Voice of Reason: "Guys, maybe we don’t commit arson today?"
The Distracted One: Completely in their own world. Tuning out, doodling on a napkin, thinking about their ex.
The Observer: Not saying much, but noticing everything. (Quiet characters still have presence!)
The Wild Card: Who knows what they’ll do? Certainly not them. Probably about to make things worse.
If a character has no function, they’ll disappear. Give them something—even if it’s just a side comment, a reaction, or stealing fries off someone’s plate. Keep them interesting, and your readers will stay interested too.
No wonder bkg can't stand his ass
Oh. This is it?
I don’t want to be left behind. Please.
please don’t leave me too.
i dont want to be alone.
After being a superhero for decades and experiencing many awful events, you make a horrifying discovery: you don’t age and will never be able to retire
do you guys think considering the relatively small age gap between Damian and Tim (depending on the author) that they would have been in school together? because coming from a youngest sibling who went to school with older siblings, that would be really interesting to look into.
i’m imagining Tim getting pulled out of class because Damian’s thrown a tantrum and refuses to listen to any of the teachers and they need his brother to convince him to calm down, and it actually working because Tim is the only person Damian is familiar with and so will ever listen to. Damian having no interest in making friends with civilians so he ends up sat on the end of Tim’s lunch table while Tim eats with his friends. Tim getting bullies in Damian’s class to back off, and Damian scuffing his foot on the tiles of the school halls as he waits for Tim to get out of detention so they can walk home together like usual.
considering how strained their relationship was when Damian first arrived in Gotham, putting him in an environment five days a week where suddenly Tim is his only true familiar ally and he has no choice but to accept being on friendlier terms would be really fucking interesting. suddenly Tim is his protector, and although he refuses to let that effect their home dynamic, he does have to accept that at school at least, he needs Tim to be his older brother.
Bruce going to the park and realizing he has an extra kid
Bruce: hey boys, come get some cupcakes! *opening the package he bought earlier at the store* here, Dick, I know you like chocolate—here, Jason, that’s funfetti, here, Kid, this one’s—wait Dick, Jason, and Kid: *stare up at him innocently* Bruce: *slowly relinquishes the cupcake to Kid* uh . . . Who is this? Jason: *nonchalantly* oh, this is Tim. Our brother. Bruce: *chokes, immediately wondering if he somehow missed that Jason or Dick had a brother* your what— Jason: our brother? Bruce: *coughs* that’s what I thought you said, but that doesn’t clear anything u- Tim: *adorably* mister? Are you their dad? Jason: yeah, he is. Tim: *hugs Bruce* Bruce: Bruce: *looks to Dick and narrows his eyes, still holding into Tim* you Planned This, you little demon Dick: oh absolutely *fist bumps Jason* Jason: so can we keep him? Bruce: he’s a child, not a dog- Tim: *still hugging Bruce* mister, this cupcake is delicious! I don’t get any sweets at home, mama says it’ll make me too fat for the press Bruce: *immediately* nope, he’s ours now
Bruce is working at the McDonalds in the Wayne Enterprises cafeteria as he’s trying to uncover corruption.
Tim is working at the Taco Bell because the show Undercover Boss sounded fun
Jason is working at the Starbucks because he’s trying to poach employees from Bruce, but doesnt want to do any actual business stuff.
Duke is working at the Burger King because this is literally just his job.
Damian (and Jon stacked on top of Damian to make them seem like adults) is working in the Popeyes as Dick hopes this will make him connect with people more (it will not).
Dick is working at the Smoothie King because he honestly just got lost and this is more fun than his real job.
None of them have noticed.
”Wait.” The faintest sound darting out from beneath the door. So so quiet, even though there is nothing else to make noise. Even though there is nothing else to hear it.
“Wait, please.” You turn, key already half in your hands pocket, caught stiff from the impossibility of it. It’s barely louder than a murmur. If your hearing hadn’t twitched just the slightest, if you hadn’t stopped just to double check, you’d be gone. The universe would be shut, dust sheets covering the planets and all the windows and stars locked. Lights off.
“Please?” It’s so unsure. So fragile. The silence threatens to break the noise instead of the other way round. Are they unwilling or unable to raise their volume, to risk being heard, to take up space, to actually stand up and decide they want to exist? What horrors do they think being known will bring?
“Please. I don’t want to be left behind.”
You open the door, and the universe flickers on.
You are Death. The last living thing has died. You've put the chairs on the tables, turned out the lights, and locked the universe behind you. Something whispers from behind the door.