Crazy Idea For A New Continuity: Megatron Having Died Multiple Times

a redemption arc is not a sacrifice.

a redemption arc is not some grand act of selflessness.

a redemption arc is not meaningless pain and suffering.

a redemption arc is simply facing the consequences of your actions, fixing your mistakes and doing better, regardless of whether you will be forgiven or accepted. that's it.

"No one remembered my birthday-" Well, but did YOU tell anyone it was coming up and you wanted to celebrate it with them?

"I wish someone would see through it when I tell people I'm fine-" Well, but have YOU considered not lying when people ask you how you're doing?

"I am so resentful of my friend because they keep doing this thing that really bothers me-" Well, but have YOU directly communicated that the thing is bothering you?

"I am burning out because my friend keeps expecting me to help them with serious struggles-" Well, but have YOU tried to establish the boundaries you need to feel okay?

"No one ever asks me about this thing I really care about-" Well, but have YOU brought it up yourself?

"I miss my friend but they haven't texted me-" Well, but have YOU been reaching out to them?

Sometimes people are mean, uncaring assholes, in which case you get to be mad. But sometimes you just need to communicate better. Try communication before you assume someone doesn't care!

You might not want to hear this but people with anger issues and/or violent impulses need social accommodations. And no by accommodation I don't mean walking on eggshells around them, actual accommodations for people with these issues comes down to giving them a space away from what's triggering them to process their emotions and calm themselves down same as what kind of accommodations people who get sensory overload or just any kind of overwhelmed. There is no moral value to having anger issues or violent impulses, people with them are deserving of accommodation the same as everyone else.

People like to pretend I will "get better" so they do not have to think about the deadly lie they are living. Abandoning disabled and high-risk people to preventable death is eugenics.

To clarify, this is NOT just an American issue -- think of the "pan" in pandemic.

The MSKCC Library

The People's CDC (weekly weather reports on COVID in the U.S.)

Image IDs available in Alt Text and written out below:

Image ID begins. A black and white cartoon comic titled Pandemic Year 4. This is panel 1. A boy with short hair — Joey, the author of the comic — is holding a Christmas wreath and handing it to his boyfriend, a boy with long hair and a beard, who is standing in a window while decorating. The text reads: This year, my boyfriend and I got fresh pine wreaths from the farmer’s market — our fist big Christmas decorations together!

Panel 2. A hand holds pine needles. Cartoon stink clouds radiate off of the pine needles. The text reads: I break pine needles between my fingers and it smells hideous. Pain shoots through my head.

Panel 3. Joey stands in front of a table on which there are various foods. He looks disgusted and is covering his nose and mouth with his hands. The text reads: This is how I have lived since my February 2020 COVID infection. COVID caused brain and nerve damage, making everything smell and taste like rot. The condition is called parosmia, and it has no cure. Eating is a nightmare.

Panel 4. Joey’s boyfriend, a taller boy with long hair and a beard, puts his hand on Joey’s shoulder. They are shown from behind and are both wearing backpacks and winter coats. The text reads: Last week, my boyfriend walked me home from work midday after I had a near-fainting episode. I wear a heart monitor full-time. Doctors say I’m “too young”.

Panel 5. Joey is shown from behind, sitting sadly and gazing out a window. The text reads: I’ve literally been isolated from the rest of the world for four years. One COVID infection destroyed my life, and I can’t risk another. How can I get you to understand? After becoming disabled by COVID at 19 years old, I have been completely shut off from the outside world.

Panel 6. Joey stands in between two maskless and anonymous figures. Joey looks uncomfortable and is crossing his arms and gazing at them. He is wearing a respirator mask and goggles. The figure on the right is holding a bag labeled “food Joey can’t eat”. The text reads: “Friends” and family who have seen the depth of my suffering for four years have stopped masking and can’t be bothered to care. Family Christmas meant that I had to reiterate daily that I would not and physically could not eat at restaurants.

Panel 7. A drawing of an open laptop, next to which lays an N95 mask. On the laptop, a headline from the Washington Post is displayed. The headline reads: Covid kills nearly 10,000 in a month as holidays fuel spread, WHO says. The comic text reads: This winter has been the 2nd highest peak of the pandemic, with at least 10,000 Americans dying of COVID in December. Playing pretend at “normalcy” is profoundly violent and deadly. Under the comic frame, a citation reads: The Washington Post, January 11, 2024. This is an undercount, as there is no more COVID tracking in the U.S.

Panel 8. A drawing of Joey gesturing at an educational chalk board with a pointer. He is wearing a respirator mask, goggles, and a sweater vest. The text reads: COVID is a virus that causes long-term damage to your organs and nervous system. It’s also a Biosafety Level 3 pathogen, like tuberculosis, meaning that is can be lethal upon inhalation and requires special and serious PPE in Laboratories. The Memorial Sloan Kettering Cancer Center has a digital library of research on COVID impacts. https://libguides.mskcc.org/CovidImpacts/Home

Panel 9. An anonymous figure behind an oration desk is trying to cover a pile of bones behind them. On the pile of bones is a flag that says: Just keep buying and working! The text reads: You are being led to enact violence on your community members by a government who is sacrificing you on the altar of capital. You should be terrified.

Panel 10. A drawing of Joey’s head from the side. he is wearing a respirator mask. The text reads: There is no neutrality in a mass-death and mass-disabling pandemic. Wear a mask or forever be complicit. The comic is dated February 3, 2024. Image ID ends.

If You’re Gonna Make Something Wheelchair Accessible, Don’t Make it a Thing

Here’s some examples awkward accessibility being a thing:

Your at a hotel that has a lift to get you from one sub-floor to another, but the lift can only be unlocked and operated by one specific person that the hotel now has to go find. Sure, they’ve made the entrance to the sub-floor is accessible, but now it’s a thing.

The buses are wheelchair accessible but the driver has to stop the bus, take 30 seconds to lower the goddamn ramp, move passengers out of their seats, hook up the straps and then secure you in the bus. Sure, they’ve made the busses accessible but now it’s a thing.

The restaurant has an accessible entrance, but it’s past the trash room and through the kitchen. Sure, the restaurant is accessible, but now it’s an insulting thing.

Here’s some great examples of accessibility not being a thing:

The train to the airport pulls up flush with the platform. I board with everyone else and sit wherever the fuck I want. Riding the train is accessible and not a thing.

In Portland, I press a button the side of the streetcar and a ramp automatically extends at the same time the door opens. I board in the same amount of time as everyone else. This is not a thing.

I get that it is difficult to design for wheelchair accessibility, but folks need to start considering the overall quality of the experience versus just thinking about meeting the minimum requirements.

No offense to Beast Wars Uprising...

But its “autobots are evil” dystopia take is far less interesting to me than the implied dystopia of Beast Wars.

The next generation being programmed with political beliefs already ingrained…

Dinobot revealing in the Starscream ghost episode that the Predacons have an oral history to get around Maximal censorship

How do civilian predacons handle coming into being in a warrior culture that’s not allowed an army ;  how do civilian predacons incorporate their prime directive of “conquer and rule!” into their lifestyle?

How many predacons and maximals just get disillusioned like Rattrap, with what little patriotism they have remaining being “at least we are’t the other side!”?

Are the Maximals programmed to be saviors and heroes like the Predacons are conquerors? How many feel inadequate like Cheetor?

Over-idealization of the past towards Autobots and Decepticons could be a huge issue…

I think, from my opinion at least, what differentiates Earthspark from other Transformers shows (more specifically recent installations is) that it took risks and even though its messages may not have been conveyed across to its fullest potential, the intention and direction are still fairly evident and less harmful in comparison to other Transformers media

Earthspark manages to balance darker themes fairly well, whilst not forgetting its primary audience are children. There are both subtle and blatant dark themes throughout the show, there is a lot of exploration regarding one's identity which is more notable (but not exclusive) to the Terran Nightshade

It makes an honest attempt to be inclusive and while it may feel a bit stunted and awkward at times, it achieved its purpose despite what may be awkward handling— I find it odd how beloved Knockout is, despite the fact that he is an offensive gay stereotype (and not really handled well as a character in general) but the scene of Nightshade, an explicit non-binary character, saving Sam in ‘Home’ is apparently too awkward and regarded viewed as good but not enough in terms of representation?

EarthSpark has Black Filipino protagonists! There is casual representation with Mo's hair bonnet and the Filipino cuisine they eat; Alex speaks tagalog at times (although I think I do recall someone on here pointing out that the dialect he used isn't accurate to his geographic hometown in the Philippines?) and there is a whole episode where he teaches Bumblebee his culture as they hunt for the WakWak! I love when Transformers and humans teach each other about their culture, it both humanizes the Transformers reiterating that they are not emotionless robots AND it gives minorities a platform to be represented in a popular franchise

Despite the fact that the Malto children seem to be almost forcibly matured by the narrative and struggling to cope with the fear and anxiety of having their family torn apart, something that BIPOC people are at a higher likelihood of experience in the real world, it doesn't forget that at the end of the day they're all children. I quite enjoy Mo as a character and her emotional maturity, she offers her older brother wisdom and emotional comfort constantly; and when her safety is at risk her younger Terran siblings ensure that they take on a protector role due to the ultimate difference that poses threat to that of a human child and a Transformer child— because the Terrans are CHILDREN!

PTSD and trauma are touched on in EarthSpark, Hashtag's autonomy is violated by Dr Meridian and uses her body to cause harm towards her siblings and damage her environment; he used her body to prove his point that Transformers are dangerous and cannot integrate with society and Hashtag suffers from flashbacks of the experience. Despite the fact that the situation between the two is not expanded on, it is clear that Megatron has hurt Starscream in the past— Hashtag (even though she has no reason to believe Starscream because Megatron IS her mom's friend and kind towards her, "therefore he can't possible have done that") immediately believes Starscream when she confronts the latter's poor treatment towards others. She opens up about her own traumatic experience with Dr Meridian and while the situation may not be the same, she was trying to establish a common ground in the fact that they're both victims

Grimlock from his time at the bot brawls and also from having been mind-controlled by Dr Meridian blatantly suffers PTSD and is triggered several times throughout the respective episode and ineffectively copes by pushing it down. It is a dangerous thing for a Transformer to be mind-controlled, let alone a fire-breathing dinobot; fortunately Jawbreaker realising that he pushed Grimlock too far steps in and manages to calm the panicked dinobot down, assuring him that he is more than just a rampaging dinobot and there is more to Grimlock than meets the eye

EarthSpark gives us a lot in terms of themes and season one was incredibly ambitious, frankly I don't think many of the other previous Transformers shows could've handled it better than EarthSpark. I don't think that EarthSpark is without fault, on the contrary I have a few grievances with it but my issue is that people (perhaps without even realising it) are showing clear bias when they critique EarthSpark. Honestly, I do think that if the protagonists were a white family that people wouldn't mind that they're so central to the story— to be honest, that aggravates me a lot because the point of EarthSpark is that the humans have a central part in the story, it's literally about Earth born Transformers who are created a pair of siblings and adopted into their family. Criticising it centering around family and the respective human family members goes against the entire point of the show...

One of the more common critiques I have seen and I do agree to an extent, is EarthSpark's pacing. However, I absolutely think that its pacing though rushed still manages to deliver a great story that went out of its way to include difficult topics to portray— as opposed to Transformers: Prime and Transformers: Cyberverse. There is no amount of analysis and meta posts that I could read that would convince me that the pacing of those two shows were better than EarthSpark thus far, OR effectively and satisfactorily wrapped up the themes, character arcs and plotlines

It just seems that EarthSpark is taking a lot more criticism at a way earlier stage compared to other previous Transformers shows and that makes me sad because people are treating it as though its shortcomings are genuinely harmful but dismiss the previous harmful depictions in the Transformers franchise... I admire the risks and narrative choices that EarthSpark has undertaken so far and I hope it only improves from here on out, to give it that opportunity the show must continue and be given a chance to fulfil its vision

Woah, woah, woah, I agree with many of the things you bring up here, but if you're going to send me a ginormous essay, could you post it on your own blog, please? Plenty of your points are well thought-out and could stand to be there own posts, and I know I've answered long asks before, but this is way too long for me to respond to everything easily. Two or three of these points would be enough for one ask, so that's all I'm going to comment on:

-The criticism about Alex Malto defining a word wrong is definitely something that should be brought up, and I'm glad people have. I think the issue isn't necessarily the language he speaks, but that he defines "lolo" as a Tagalog word when he'd probably say it's a Bisaya word since he grew up in Bohol? I do wonder if there could be something more to his history that may explain this, especially since given his background he's probably had to switch to Tagalog and English a lot, or if there's something about his family we don't know yet. I don't have the knowledge or background to speak on this though. Also, part of me is a little glad discussing the language politics is even on the table at all for this franchise after like... how TFA handled South Asian representation, which it sounds like you were thinking as well lol

-I'm not sure if you're quoting somebody, but Hashtag (and the rest of the Maltos) ABSOLUTELY had reason to believe Megatron was abusive! Did they not go to that war memorial and hear him talking about how he's done horrible things? Don't the Malto parents often mention how he's been trying to change—the kids all know he's done harm! And Starscream even pointed out how hypocritical it is to think Megatron wouldn't leave people behind when he's locking up his former followers—even kids could get that point! Plus, the show is almost certainly trying to make the point that people who say they've been hurt should be believed and the first impulse shouldn't be to try to convince them it's not true. That's a good message for kids!