“This Triangular Dynamic Among Bully, Victim, And Audience Is What I Mean By The Deep Structure Of

Do you ever think of silly stuff like what if G1 Megatron was suddenly replaced by Prime Megatron?

Just starting with the size difference, for example. G1 Megs is 6m/19'8", Prime Megs is 10.5m/34'5". And he's not boxy!

Yes, yes I do. G1 level of Megatron antics in TFP would be just. Downright lovely, like here take this short man who has the wildest of schemes.

Oh things won't go well on the g1 with TFP Meggsie, he would be a damn force on the battlefield if he chooses to be. Or, conversely, he straight up just adopts the g1 decepticons because I say so and actually runs this army well (... Well comparatively well.) and chooses not to fight the g1 autobots because they seem to practically spawn in and it would be a slaughter.

They're so little🥰

People like to pretend I will "get better" so they do not have to think about the deadly lie they are living. Abandoning disabled and high-risk people to preventable death is eugenics.

To clarify, this is NOT just an American issue -- think of the "pan" in pandemic.

The MSKCC Library

The People's CDC (weekly weather reports on COVID in the U.S.)

Image IDs available in Alt Text and written out below:

Image ID begins. A black and white cartoon comic titled Pandemic Year 4. This is panel 1. A boy with short hair — Joey, the author of the comic — is holding a Christmas wreath and handing it to his boyfriend, a boy with long hair and a beard, who is standing in a window while decorating. The text reads: This year, my boyfriend and I got fresh pine wreaths from the farmer’s market — our fist big Christmas decorations together!

Panel 2. A hand holds pine needles. Cartoon stink clouds radiate off of the pine needles. The text reads: I break pine needles between my fingers and it smells hideous. Pain shoots through my head.

Panel 3. Joey stands in front of a table on which there are various foods. He looks disgusted and is covering his nose and mouth with his hands. The text reads: This is how I have lived since my February 2020 COVID infection. COVID caused brain and nerve damage, making everything smell and taste like rot. The condition is called parosmia, and it has no cure. Eating is a nightmare.

Panel 4. Joey’s boyfriend, a taller boy with long hair and a beard, puts his hand on Joey’s shoulder. They are shown from behind and are both wearing backpacks and winter coats. The text reads: Last week, my boyfriend walked me home from work midday after I had a near-fainting episode. I wear a heart monitor full-time. Doctors say I’m “too young”.

Panel 5. Joey is shown from behind, sitting sadly and gazing out a window. The text reads: I’ve literally been isolated from the rest of the world for four years. One COVID infection destroyed my life, and I can’t risk another. How can I get you to understand? After becoming disabled by COVID at 19 years old, I have been completely shut off from the outside world.

Panel 6. Joey stands in between two maskless and anonymous figures. Joey looks uncomfortable and is crossing his arms and gazing at them. He is wearing a respirator mask and goggles. The figure on the right is holding a bag labeled “food Joey can’t eat”. The text reads: “Friends” and family who have seen the depth of my suffering for four years have stopped masking and can’t be bothered to care. Family Christmas meant that I had to reiterate daily that I would not and physically could not eat at restaurants.

Panel 7. A drawing of an open laptop, next to which lays an N95 mask. On the laptop, a headline from the Washington Post is displayed. The headline reads: Covid kills nearly 10,000 in a month as holidays fuel spread, WHO says. The comic text reads: This winter has been the 2nd highest peak of the pandemic, with at least 10,000 Americans dying of COVID in December. Playing pretend at “normalcy” is profoundly violent and deadly. Under the comic frame, a citation reads: The Washington Post, January 11, 2024. This is an undercount, as there is no more COVID tracking in the U.S.

Panel 8. A drawing of Joey gesturing at an educational chalk board with a pointer. He is wearing a respirator mask, goggles, and a sweater vest. The text reads: COVID is a virus that causes long-term damage to your organs and nervous system. It’s also a Biosafety Level 3 pathogen, like tuberculosis, meaning that is can be lethal upon inhalation and requires special and serious PPE in Laboratories. The Memorial Sloan Kettering Cancer Center has a digital library of research on COVID impacts. https://libguides.mskcc.org/CovidImpacts/Home

Panel 9. An anonymous figure behind an oration desk is trying to cover a pile of bones behind them. On the pile of bones is a flag that says: Just keep buying and working! The text reads: You are being led to enact violence on your community members by a government who is sacrificing you on the altar of capital. You should be terrified.

Panel 10. A drawing of Joey’s head from the side. he is wearing a respirator mask. The text reads: There is no neutrality in a mass-death and mass-disabling pandemic. Wear a mask or forever be complicit. The comic is dated February 3, 2024. Image ID ends.

the concept of fatphobia isn't "skinny people have never ever been shamed or insecure about their bodies ever" but rather "society literally doesn't want fat people to exist at any cost to the point healthcare systems are willing to let fat people die rather than address any other possible medical issue, in addition to facing insults and disgust at every turn socially". online the fact u can't make a body positive or even neutral post without somebody going "but what about us naturally skinny and petite people" is so fucked man

An under-talked about part of Columbo is the way it presents non-murderers. Most episodes have at least a few scenes where Columbo talks to people involved in the case who, you know, aren't the ones who killed the victim, and in those scenes to see a multitude of ways people handle grief (or, if not grief exactly, the simple shock of someone you know no longer being around). I'm watching one of my favorite episodes right now, the one with Leonard Nimoy as the killer, and Columbo is interviewing one of the victim's co-workers, a nurse, and she just keeps going on an on about how much better the victim was morally than her - how the victim really cared about healing people as opposed to herself, who only wants to advance her career. And in this brief, minute-long interaction you get both the comic relief of Columbo quickly realizing this woman will provide almost no useful information but being unable to get her to stop talking without being rude, and a very clear illustration of how the victim was inspiring to others and how this co-worker in particular not only admired her, but feels inadequate for not living up to her. It's a very short interaction, easy to ignore in the scope of the episode (Leonard Nimoy gives SUCH a good performance as a villain it'd be hard to talk about anything else), but it all adds a humanity to the episode that would be sorely missing without it. If you didn't care about the murder before, you sure as hell do now, and you know Columbo is a better person than the killer because he actually cares about the effect these murders have on people enough not to coldly shut down a grieving friend of the victim when she's rambling on about her feelings.

Anyway, I know this is a hot take for Tumblr, but Columbo is really great.

"Don't Skip: Read My Story & Help 🚨🙏"

"A Plea for Hope: Ibrahim's Family's Struggle for Survival 💔"

2085/20,000 ‼️🚨

"I have returned to the UNRWA shelter, but it is set to be emptied on February 10, 2025. Sadly, I have nowhere else to go in Gaza. Urgently, I need to raise $5,000 to build a safe room for my children, as we will have no place to go in just a few days. Your support can provide them with the security they deserve."

Vetted by @gazavetters, my number verified on the list is ( #220 )✅️

Vetted by @90-ghost ✅️

I am Ibrahim Almughanni. I once dreamed of a peaceful future for my family, but those dreams were shattered by the horrors of war.

I am married to Soha Fouad,

and we have three children: Toleen, 9 years old; Wateen, 6; and Tayseer, 4.

My children from inside UNRWA shelters

"Toleen, Wateen, and Tayseer are currently in the UNRWA shelter. With your support, we are striving to bring them happiness despite the challenges. Please stand by us for the sake of these children."

gofundme.com

Donate to Support Ibrahim’s Fight For Survival, organized by Valeria V

Support Ibrahim's fight for survival I’m Valeria, and I’m organizing this fundraise… Valeria V needs your support for Support Ibrahim’s

The Day Our Lives Shattered

I remember the day vividly—explosions began in the distance, growing into a deafening roar. Smoke and fear engulfed us as we watched our neighbors flee in terror. We grabbed our children and ran, pushing through a sea of panic until we could run no more

The Day Our Lives Shattered

We once lived a simple and peaceful life, with my children learning and thriving. Now, we are left with nothing in a UNRWA shelter, lacking all basic necessities.

Your support and contribution can make a real difference and change our reality for the better. 🙏

gofundme.com

Donate to Support Ibrahim’s Fight For Survival, organized by Valeria V

Support Ibrahim's fight for survival I’m Valeria, and I’m organizing this fundraise… Valeria V needs your support for Support Ibrahim’s

✅️Vetted by @gazavetters, my number verified on the list is ( #220 )✅️.

✅️Vetted by @90-ghost ✅️

Important ideas to consider when creating characters who are black and indigenous people of color. (x)

People really need to realise that “media can affect real life” doesn’t mean “this character does bad things so people will read that and start doing bad things” and actually means “ideas in fiction especially stereotypes about minority groups can affect how the reader views those groups, an authors implicit prejudices can be passed on to readers”

Hi! I’m really sick of whitewashing and the various excuses that artists come up with, so I wrote a guide! How To Not Whitewash, at least with regards to skin tone. Please make use of it, and encourage other artists to do so as well. Here’s a link to this guide on a Google Doc - this document has image descriptions. Feel free to contact me if the link stops working, or if you have questions (in good faith).

Hey Y’all,

PLEASE SUPPORT AND SHARE

I am a Disabled Trans adult In need of a new wheelchair, my current one is not meant for long term use and is extremely uncomfortable, I have a cat bed on the seat to attempt to make it more comfortable but it’s not comfortable still, and the legs that the wheelchair came with are to big and I cannot get around in my house so I changed them for foot slings but the ones I got are either extremely painful for my feet and ankles (I’m a ambulatory wheelchair user so I can still feel my legs but I need a wheelchair most of the time especially when leaving the house,) and the other foot sling broke, I was able to find a wheelchair that fits the needs I have, it’s $952.00 but that would be my whole ssi check which I only get once a month and I’d still need more money to pay for it, my father has agreed to pay for half as long as I pay him back but I still would have to not buy necessities for a month and I would have no money left over,

If you can and want to please donate so I can get the wheelchair without using all my ssi,

My goal is $476.00 but any amount I end up with will be helpful still

SUPPORT HERE

There's a huge difference between redemption and humanization. I feel like a lot of "redemption arcs" aren't actually redemption at all, they're just attempts to humanize the villain so that they seem multi-faceted, but people read them as "redemption arcs" and think that that is meant to justify all the evil they've done before and negate whatever made them a villain in the first place. I think true "redemption arcs" are actually kind of rare because true redemption would take making the villain acknowledge their crimes, reevaluate their actions, actively choose to do better, and then proceed to make amends and become a better person, and that would this take more time than most stories are allowed to give their characters.

I've also seen people argue that a character has to be poised for redemption from the jump for it to work because once a character does something "too bad", they can't be redeemed. I completely disagree because redemption isn't justification or forgiveness, so no matter how horrible a character's actions, they could choose to become better, but because a lot of people (including writers) think redemption means "erasing the character's flaws and making it so they did nothing wrong ever", a lot of attempted "redemption arcs" just end up erasing a character's entire history or justifying every evil thing they've ever done. And yeah, in these cases, the only way to make a character go from a villain to a perfect cinnamon roll with no flaws *is* to have been planning it from the beginning and make sure they never do anything that can't be explained away later.

TLDR: real redemption arcs require a lot of self-awareness, patience, and growth, which are things that are rarely actually allocated to villains, and that's why real redemption arcs almost never get executed. The reason people think redemption arcs are overdone is because there are so many attempts to either humanize a villain that get misconstrued as redemption or attempts to blatantly erase who a character was in the name of "redemption", which is really just poor character development.