Once You Become A Certain Age, It Is Your Responsibility To Unlearn Behaviors That Hinder Your Growth

Once you become a certain age, it is your responsibility to unlearn behaviors that hinder your growth as a person.

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1 year ago

So I’ve been thinking about rational vs. irrational character decisions.

An irrational decision is great when your story is driven by your character’s personal flaws and struggles, and for crafting situations where your audience knows that these decisions are unavoidable because they are perfectly in character. Having your characters be perfectly able to solve their problems if they weren’t, y’know, themselves, is so very hard-hitting, and can be a fantastic part of a narrative.

The downfall with irrational decisions is that it can make situations seem less dire or make your antagonists seem less dangerous. If your characters are falling over themselves and their own personal issues, then it’s hard to show how the external problems in your story pose a serious threat, because you can’t demonstrate how they’re hard to deal with if your characters aren’t making solidly competent attempts in the first place.

Rational decisions are great for stories where most of your problems are external, like your characters trying to build a spaceship or infiltrate the bad guy’s lair. It’s also key to any horror writing, where you need your characters to be competent in order for your danger to be credible; if your audience spends the entire time wondering why your protagonists aren’t doing very obvious things to solve their problems, it’ll be a lot harder to get a properly spooky atmosphere going. But if your characters are only ever making the most optimal, logical choices without ever struggling, they won’t be very compelling, so just like with irrational decision-making, there’s a time and a place for this.

Ideally, you want some combination of both rational and irrational character choices. And maybe even more importantly, whatever choice a character’s making needs to be one that makes sense for them given everything you’ve already shown in the narrative so far. If the decision feels forced or contrived, then it doesn’t matter if it’s rational or not, because it’s not a choice that fits with the rest of the story.

But, yeah, ultimately, both types of character decisions are useful tools, and it’s less about one or the other being right, and more about both of these tools being useful for different types of situations.


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1 year ago

IN REGARDS TO BATDR...

I’mma get into Bendy and the Dark Revival.

So a few in-general things.

- The Ink Machine cannot create someone from nothing. It’s said this as far back as the first game. Audrey is said to be the “exception”, but how certain are we of that? Who’s telling us that she’s the exception exactly?

- People, alive and dead, were thrown into the Ink Machine. Both games show this, both in audio logs, environmental story telling, and even shows us an example of how it happens. As of the rule above, all people in the machine, were the real original people at one point. Joey Drew attempts to tell us otherwise, but bear in mind who’s fault this all is, and who’s he’s telling that he did this.

He’s a charmer, remember? He’s duped a lot of people with that charm of his. Take nothing he says at face-value.

- The Ink Machine and its Ink are corruptive. From the Camera Man of the First game, to the main “characters” we meet, to the people in the machine–if your ink form wasn’t made, or if you didn’t fit the form made for you–you lose your fecking gourd.

- Do not Trust Joey Drew (The Creator Lied to Us). Joey is, ultimately and foremost, a selfish lying man. The Entirety of BATIM shows us this first and foremost.

And as many of us with hard family lives know, the introduction of children do not change the minds of selfish, lying parents.

So,,, let’s begin  Bendy and the Dark Revival.

Continua a leggere


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1 year ago
Greetings TFA Fandom. We Support Characters Having Agency Over Their Actions And Not Being Boringly "perfect"

Greetings TFA fandom. We support characters having agency over their actions and not being boringly "perfect" in this house.


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1 year ago

Robot disabilities. Robot who charges slowly and loses power incredibly fast and is always tired. Robot with malfunctioning lenses and can’t process visual information properly. Robot that can’t process anything too large and at a fast rate or else they’ll shut down. Robot with limbs screwed on too loose/just can’t attach correctly, so if they’re not careful they fall out. Robot disabilities,,,


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1 year ago

cruelty is so easy. youre not special for choosing it


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1 week ago

From studying french history on the subject of Israel (it's so badly documented it's such a mess gods) on the side of France, it was basically : "yeeaah we know we were total asses to you but we still got troubles letting go of colonies and still don't want to apologize so here ! have your sacred land ! ok bye" like, instead of taking responsibilities, we gave jewish ppl a "sorry lol" gift, but the "gift" wasn't even ours to begin with. So 's not surprise Israel is such a mess. Europe fucked up.

yeah exactly

it wasn’t their land to give, basically just “Hey we aren’t going to fix your problems, but we’ll give you land that doesn’t belong to us!”

it was a clusterfuck from the very beginning.

1 year ago

I think one of the worst Optimus takes I see is when people try to make him evil in ways that don't make sense. Like idk someone claiming that IDW Optimus justifies war crimes because of The Greater Good when he literally doesn't and is in fact quite aware of when he does morally dubious things or is responsible/complicit in bad things happening.

It just annoys me because there are interesting ways to make Optimus problematic or to see him as problematic but no one can do it without making Optimus OOC or they do it in a really boring way.

Mostly it feels like it stems from an inability (or refusal?) to believe that morally good individuals can be responsible for bad things happening on a wider scale. Or even that a good intentioned person can cause harm on an individual level. It feels as if people have to make Optimus OOC "evil" (as in dumb, ignorant, committing crimes, not caring about others' well being) because they can't grasp the idea that he can be simultaneously good and bad at the same time. Or they have this idea that only bad people do bad things and if someone ever does bad things it must make them a bad person.

I don't know. No one ever seems to have this problem with other characters in Transformers so I think it's just a byproduct of people projecting their personal/political issues onto Optimus lmao


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1 year ago
Old People Got Me Feeling Emotional
Old People Got Me Feeling Emotional

Old people got me feeling emotional


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7 months ago

found this today

Found This Today

Please use these terms correctly. Not doing so will deeply harm the people who actually have experienced trauma, gaslighting, triggers, and people who have NPD.

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rosehen96 - Random things
Random things

Hello, this blog is for posting things I find interesting like critical opinions about media and fanarts. PS: NO spicy fanart on this blog

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