Something That I First Applied To Working With Children, And Have Applied In A Limited Form To Working

I want to write a movie that is sort of the flip side of a Hallmark holiday movie. Not an anti-Hallmark movie, just like the other side of the same coin.

It starts with a well-dressed professional woman driving a convertible along a country road, autumn foliage in the background, terribly scenic. She turns onto a dirt road/long driveway, and stops next to a field of Christmas trees, all growing in neat, ordered rows, perfectly trimmed and pruned to form. She steps out of the car--no, she's not wearing high-heels, give her some sense!--and knocks on the door of a worn but nice-looking farmhouse. An older woman, late fifties maybe, answers the door, looking a bit puzzled. The younger woman asks if she can buy a Christmas tree now, today. The older woman says they don't do retail sales--and the younger woman breaks down crying.

Cut to the two women sitting at the kitchen table with cups of tea. The young woman (Michelle), no longer actively crying, explains that her mother loves Christmas more than anything, but is in the hospital with end-stage cancer. Her doctors don't think she'll live to see December, let alone Christmas. Nobody is selling Christmas trees in September, so could the older woman please make an exception, just this once? The older woman (Helen) regretfully explains that they have a contract to sell their trees that forbids outside sales. The younger woman nods, starts to stand up, but the older woman stops her with a hand and asks her what hospital her mother is in. After she answers the older woman says that "my Joe" will deliver a tree the next day. "Contract says I can't sell you a tree, but nothing says I can't give you one."

Next day "Joe" shows up at the hospital in flannel and jeans, with a smallish tree over her shoulder. Oh, whoops, that's Jo, Helen's daughter, short for Joanna, not Joe. Jo sets up the tree and even pulls out a box of lights and ornaments. Mother watches from hospital bed with a big smile as Jo and Michelle decorate the tree. Cue "end of movie" type sappiness as nurses and other patients gather in the doorway, smiling at the tree.

Cut to Michelle sitting in her dark apartment, clutching a mug of tea, staring out at the falling snow and the Christmas lights outside. Her apartment has no tree, no decorations, nothing. She starts at a knock on the door, goes to open it. Jo is standing there, again holding a tree over her shoulder.

Plot develops: the second tree is a gift, because Michelle might as well get it as the bank. The contract for the tree sales was an /option/ contract, which prevents them from selling to anyone else, but doesn't guarantee the sale. The corporation with the option isn't going to buy the trees, but Helen and Jo can't sell them anywhere else, and basically they get nothing. They'll lose the farm without the year's income. Michelle asks to see the contract and Jo promises to email it to her.

Next day at a very upscale law firm, Michelle asks at the end of a staff meeting if anyone in contract law still needs pro bono hours for the year. No one does, but a senior partner (Abe) takes her to his office and asks about it. She says the contract looks hinky to her ("Is that a legal term?" "Yes.") but contract law's not her thing. He raises an eyebrow and she grins and pulls a sheaf of paper out of her bag and hands it over. He reads it over, then looks up at her. "They signed this?"

More plot develops. Abe calls in underlings--interns, paralegals, whatever--and the contract is examined, dissected, and ultimately shredded (metaphorically). It's worse even than it looks--on January 1st Helen and Jo will have to repay the advanced they received at signing. The corporation has bought up a suspicious number of Christmas tree farms in previous years after foreclosure, etc.

Cut to Abe explaining all this to Helen and Jo while sitting with them and Michelle in a very swanky conference room. The firm is willing to take on the case pro bono, hopefully as a class's action suit for other farmers trapped by the contract--but there's no way it can go to court before January. Which will be too late to save the farm's income for the year. They might get enough in damages to tide them over, but….

After Michelle sees Helen and Jo out, she comes back and asks Abe if there's anything they can do immediately. Abe looks thoughtful for a long moment, then gets a really shark-like grin on his face. "Maybe…."

Cut to Helen wearing a bathrobe, coming into her kitchen in the morning. She looks out the window…and there's a food truck stopped in her driveway. She pulls a coat on over her robe and goes out--two more trucks have pulled up while she does this. Driver of the first truck asks her where they park. Another truck pulls up behind the others. Behind that is a black BMW--Abe rolls down the window and waves. Helen directs the trucks to the empty field/yard next to the house. Abe pulls up next to Helen's car and Jo's truck and parks. He and Michelle get out--Abe wearing a total power suit, Michelle in weekend casual.

The case will be easier if the corporation initially sues them for violating the (uninforcible!) contract, rather than them suing to corporation (damn if I know, but it's movie logic). So they're going to sell the trees now, and rounded up some food trucks and whatnot to draw people in.

Cue montage of Jo and Michelle running around helping people set up while Abe and Helen watch from the kitchen table. The table starts out covered in file folders…and slowly gains coffee cups and plates of cinnamon rolls. It becomes increasingly clear here that Abe and Helen are becoming as close as Jo and Michelle.

Everything gets set up and a very urban, very motley crowd appears--tats and studs and multiracial couples and LGBTQ parents and everything--and everyone is having a wonderful time eating funnel cake and choosing their tree so Jo and a bunch of rainbow-haired elves can cut it for them. At which point someone shows up from the corporation (maybe with a sheriff's deputy?) and starts yelling at Helen, who's running checkout. And suddenly Abe appears from the house and you realize why he's wearing that suit on a Saturday….

Cue confrontation and corporate flunky running off with their tail between their legs, blustering about suing. Cue Jo kissing Michelle. Cue Helen walking over and putting a hand on Abe's shoulder and smiling at her.

I want the lawyers to be the heroes because they are lawyers and know the law. I want a lesbian who lives in the country with her mother. I want urbanites to turn out as a community to help someone who isn't even part of their community. I want Michelle to keep working at her high-power job, loving Christmas and grieving her mother.

I will NOT list my mental illnesses in my bio. find them out through the stuff I post on here like a normal person!!!

Today I was helping run the booth for the local queer non-profit at the farmer's market and a woman told me that she would like a flag, pointing to our little bucket of flags. So I picked up the bucket and I brought it over and asked her which one she'd like.

"Well, tell me about them!"

"Oh! Okay! This one is the inclusion flag- its for everyone, including allies."

"What's this one?"

"That's the bisexual flag: it represents people who are attracted to two or more genders."

"Hmm... what about this one?"

"That's the nonbinary flag: it represents people whose gender isn't strictly 'male or female.'"

"Hmm... what's this purple one?"

"That's the asexual flag: it represents people who may not feel sexual attraction the way that others do."

She put her hand to her chest and got this really curious look on her face. "Tell me more about that!"

"Oh, happy to! So like if you're out with your bestie and someone real fine walks by and she's like 'omg look at him' and you're like 'girl get a grip?' Or like you just don't get what the 'big deal' is about sex or why everyone is so weird about it? But there's also room for like- you don't fall in love with the way someone looks, you're attracted to the person- their sense of humor and their kindness, or there's something about their personality that just makes it click for you? That's asexuality, too!"

And she got real quiet and seemed to think about it for a minute. So I grabbed our little informational sheet about different queer identities and handed her a copy. "If you want to do some research, this is probably a great place to start."

She thanked me and took an ace flag, stuck it in her hair.

Sometimes when you're online all the time, its easy to think that 'everyone knows about (topic), there's no reason to keep talking about it so much.' But while the people on the internet are real people, the internet ISN'T real life. And there are lots of people who do need to know that they do have community!

One of the jokes is that I'm a lot of people's 'patient zero' for discovering that they're queer. This is why.

Cant have fucking shit in Detroit

hadal ‘love language’ robe

Embroidered onto the sleeve is an Arabic love poem by Palestinian poet Mahmoud Darwish. It reads: قالوا: تموت بها حبـاًً، فقلـت لهـم ‏ألا اذكروها علـى قبـري فتحيينـي English translation: They asked “Do you love her to death?” I said “Speak of her over my grave and watch how she brings me back to life.” All proceeds from Hadal’s ‘Love Language’ pieces will be donated to Palestinian aid organisations.

nothing has been more important to my being queer than when i went to my first pride parade, got seperated from my group, had a panic attack about it and was sitting on the side of the road holding a tiny genderfluid flag and freaking out. then this six foot five drag queen in four inch heels appeared from literally nowhere and sat down next to me. i, this scared-shitless trans bi kid at pride for the first time, very nervously told her she looked pretty and i told her my name and that i got lost and didn't feel like i should be at pride and she held my hand and said "oh, honey, everybody deserves to be here, especially you. pride is for everybody who's ever gotten lost, who's been scared of who they are or where they are. you think we never been scared before? pride's for you, honey, because you're scared. you don't have to be proud right now, but you're gonna be one day, honey, i'm sure of it."

i found my group soon after that and i never saw that queen again but to this day i am convinced i met an angel.

so yeah. pride is for you. pride is for all of us.

Reblogging with the photographer credit added back in.

According to the Milwaukee Journal Sentinel this is the Milwaukee County Zoo's snow leopard Tomiris being surprised by her son Sossy.

I just think medieval snail ladies are neat.