You may be feeling uninspired because you find it difficult to enter your characters' minds.
A great way to dive into a character's point of view is writing a paragraph from their perspective on a topic like death, the meaning of life, loss etc.
I usually do this before I start a project, but it can be a great way to get back into the swing of things in the middle of a book.
A lot of people write with music, curating playlists for their WIP.
I don't write with music, but it can be great to listen to a song or two before writing a specific scene or character's POV.
Curate a Playlist for your POV characters and listen to it when inspiration is running low.
This may just be a weird thing I do, but I love it.
When I really need a motivation boost, I create fake promotional material or swag designs for my WIP. Mock covers, bookmarks, posters, ads etc.
It reminds me what I'm working towards and that can help a lot.
Creating physical mood boards for your WIP or specific characters/locations and putting them up int your work space can do wonders for inspiration.
Every time you look at the moddboard, you're taken back to the moment when the idea first got into your head - a moment when you had oodles of inspiration.
You can also add to those mood boards whenever you need an extra shot of inspiration.
Every time I watch an Authortube vlog, I feel motivated to work on my own writing.
Pick an Authortuber who resonates with you and has the life you hope to build. Watch one or two of their vlogs and that should light a fire under you.
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Guide to Story Researching
A Writer’s Thesaurus
Words To Describe Body Types and How They Move
Words To Describe…
Writing Intense Scenes
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This generally means setting a character up to deserve one thing and then giving them the exact opposite.
Kill a character off before they can achieve their goal.
Let the bad guy get an extremely important win.
Set up a coup against a tyrannical king. The coup fails miserably.
(Excluding the end of the book, obviously)
A beloved friend dies in battle and there’s no time to mourn him.
A random tryst between two main characters is not (or cannot be) brought up again.
A character suddenly loses their job or can otherwise no longer keep up their old routine
And not in an “imposter syndrome” way. Make your MC do something bad, and make the blame they shoulder for it heavy and tangible.
MC must choose the lesser of two evils.
MC kills someone they believe to be a bad guy, only to later discover the bad guy was a different person altogether.
People generally want to be understood, and if you can make a character think they are Known, and then rip that away from them with a rejection (romantic or platonic) people will empathize with it.
MC is finally accepting the Thing They Must Do/Become, and their love interest decides that that’s not a path they want to be on and breaks up with them
MC makes a decision they believe is right, everyone around them thinks they chose wrong.
MC finds kinship with someone Like Them, at long last, but that person later discovers that there is some inherent aspect of MC that they wholly reject. (Perhaps it was MC’s fault that their family member died, they have important religious differences, or WERE THE BAD GUY ALL ALONG!)
Push them beyond what they are capable of, and then push them farther. Make them want something so deeply that they are willing to do literally anything to get it. Give them passion and drive and grit and more of that than they have fear.
“But what if my MC is quiet and meek?” Even better. They want something so deeply that every single moment they push themselves toward it is a moment spent outside their comfort zone. What must that do to a person?
Obviously, don’t do all of these things, or the story can begin to feel tedious or overly dramatic, and make sure that every decision you make is informed by your plot first and foremost.
Also remember that the things that make us sad, angry, or otherwise emotional as readers are the same things that make us feel that way in our day-to-day lives. Creating an empathetic main character is the foundation for all of the above tips.
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I am always on some level thinking about Lan Sizhui’s trauma, and this was only compounded for me on this rewatch, because I’d forgotten just how absolutely abysmal Wei Wuxian’s mental health is during the burial mounds farming commune stretch of the show. Just extraordinary emotionally volatile, prone to angry outbursts, and with the capacity to drop from soaring enthusiasm to plunging despair at the drop of a hat. And they’re all living in such close quarters that his erratic moods and unacknowledged trauma that he’s stewing in just kind of spills over into the overall environment.
And certainly Wei Wuxian is great with a-Yuan, and is a positive influence for him in many ways! But none of them are living in an optimal environment - they’re struggling to get by, and frequently short on food - and Wei Wuxian in particular has an entire festering host of Issues that the current situation is only exacerbating. He’s living in a place that traumatized him, and to some extent he feels trapped there - he chose to help the Wens, but now that he’s made that decision, there’s no going back, and he explicitly knows he has no other options at this point. He misses his family and Lan Zhan. He’s practicing a brand of magic that is wreaking havoc on his temperament and eating him from the inside, and he’s gone through a voluntary but nonetheless pretty traumatizing kind of body modification. He can’t be expected to function at his best, or do as right by the people in his life as he could if he were in a healthier place.
So of course a-Yuan is affected by this! He can tell that one of his favourite people is frequently stressed, that his moods are easily ruined by little interferences, and that he’s sad for reasons that are hard for a little kid to comprehend. a-Yuan gets yelled at for uprooting a lotus plant by accident - and sees Wei Wuxian, rather than try to replant it, declare the venture hopeless (you have to be careful what you do, all the time, because he’s always hovering over a pit of despair and any little thing could flip the switch!). a-Yuan witnesses Wei Wuxian become physically violent towards Wen Ning after the JZX stabbing fiasco. For most of that outburst, a-Yuan is crying in the background after getting a truly terrifying glare from Wei Wuxian.
Sharing an environment with someone who does not have access to the kind of coping mechanisms they need - and compounded with the fact that a-Yuan has already gone through a considerable amount of trauma due to being a war crime survivor at an incredibly young age - is it really any wonder that teen Sizhui has so many people pleasing impulses? Is so accommodating and acquiescent and pacifying, so inclined to mediate and de-escalate? I see people saying that it’s a wonder that Sizhui turned out so well compared to everyone else, but imo the way he turned out makes complete sense, and I don’t think that his interpersonal behaviour is entirely healthy either.
For me, what exemplifies it the most is this little exchange when they’re at the restaurant with Lan Wangji:
Wei Wuxian gets upset when the topic of Jin Zixuan comes up and slams his jug on the table in a sudden burst of anger; a-Yuan reaches out and gently puts his hand on his arm. It’s a very sweet gesture, but in in the context of everything else, there’s also something unnerving about it to me, in the sense that this toddler really seems to have internalized that it’s his responsibility to manage the emotions of his caregiver.
Aaaand what do we seem him do, in episode 2, as a teenager? Once again feeling responsible for managing the emotions of people older than he is; jumping in to bail Lan Wangji out of his extremely petty vow of silence by engaging in diplomacy for him and defusing a conflict based on a grudge that he doesn’t have the context for.
And I think that his relationship with Lan Wangji also compounded these same issues for him. When Lan Wangji comes out of seclusion and starts being a major figure in Sizhui’s life, he’s still pretty freshly grieving. Sizhui is likely one of the few bright spots in his life, and I’m betting Sizhui picked up on that, if perhaps only subconsciously, and developed a deeply protective impulse towards Hanguang-jun. Once again, feeling responsible for managing an adult caregiver’s mood. And again, of course Lan Wangji had plenty of positive impacts on Sizhui, and was overall a force for good in his life. But both Wei Wuxian and Lan Wangji have their own baggage that they’re not super great at coping with, and that has an unavoidable impact on Sizhui’s development as well.
🎉🎉HAPPY NEW YEAR 🎉🎉
(trigger warnings under the cut)
A Little Life, by Hanya Yanagihara
This book, which is about 800 pages long, is one of the best pieces of literature I have ever read. It follows four friends after they move to New York City and pursue their goals, but most of the story focuses on one of the men: Jude St. Francis, who has a mysterious past that has wrecked him emotionally and physically. But despite the darkness of the subject matter (and it gets DARK) the acts of love and kindness and friendship from the people in Jude’s life will bring you to tears. It’s a gorgeous study of trauma, human relationships, and the marriage of joy and pain that inevitably comes with living. I read it two months ago and have thought about it every day since. It’s one of those books you want everyone to read and no one to read. (DEFINITELY check out the trigger warnings for this one.)
The Traitor Baru Cormorant, by Seth Dickinson
This book is a sprawling political fantasy, packed with detail and diversity and some of the best, most complex worldbuilding I’ve ever seen. Baru grows up under the shadow of imperialism and eventually joins a rebellion to break free of the empire that has begun to take over the world. She’s also a lesbian, which is forbidden in the new empire, but against herself is drawn to the enigmatic Duchess Tain Hu. There are devastating twists, loves, and heartbreaks that will break your heart along with Baru’s. To say anything else would be a spoiler, but if you like complex, morally ambiguous fantasy, check this one out.
As Meat Loves Salt, by Maria McCan
This book follows a man named Jacob as he slowly falls in love with a fellow soldier during the seventeenth century English Revolution. After the war, they attempt to establish a utopian farming commune and keep their relationship together. This book is a really interesting foray into 17th century England, but it is ultimately a dark, passionate tale of obsession and vindication that will leave you as sick with the actions of the protagonist as he is with himself.
The People in the Trees, by Hanya Yanagihara
This book is written as a memoir of a disgraced scientist, who discovers a hidden tribe in a small Pacific island that he believes holds the key to a longer (and even immortal) life. You almost forget that the events of the book are fiction and not a real memoir–everything described seems meticulously researched and vividly real. As always, Yanagihara’s writing is gorgeous, absorbing, and well-paced. It’s a haunting tale of how science, hubris, and greed can lead to someone’s personal downfall, as well as colonialism and cultural genocide.
The Goldfinch, by Donna Tartt
You might have already heard of this one, but I had to put it on the list anyway! After a traumatic accident kills Theo Decker’s mother, his life is thrown into turbulence and eventual crime, all stemming from a stolen painting. The story is tense, beautifully written, and will make you root for yet another morally gray narrator. For fans of dark thrillers, art history, homoerotic friendship, and/or coming-of-age stories, this one is for you.
Daytripper, by Fàbio Moon and Gabriel Bà
Although Daytripper is a graphic novel, it deserves a spot on this list. It follows Bràs, a Brazilian writer, and his journey through specific turning points in his life, each represented as a “death.” The art is gorgeous and the story flows impeccably, capturing the beautiful mundanities and joys of life. This book will leave you touched, inspired, and deeply affected.
The Vintner’s Luck, by Elizabeth Knox
After a vintner saves his life, an angel named Xas visits him every year for a single night. As the vintner grows, so does their relationship, just like a fine vintage. It’s difficult to say too much about the plot without spoiling the story, but I can say that this book explores the nuances of human relationships and the love we feel for each other, as well as the hate and fear that can pervade those relationships.
Beloved, by Toni Morrison
Toni Morrison is one of the greatest American novelists and Beloved is my favorite of her works. The book follows Sethe, an ex-slave, and her daughter Denver as they reckon with a ghost from Sethe’s past that begins to haunt them more literally than metaphorically. The story is both captivating and difficult to read, but Morrison’s writing is gorgeous and the characters come to life on the page. It superbly explores the depth of trauma and motherhood, as well as depicting the horrors of slavery in a way that doesn’t feel cartoonish or exploitative.
Everything I Never Told You, by Celeste Ng
Celeste Ng’s work has gotten a lot of hype recently, and for good reason. This book follows a family after the middle child, Lydia, drowns. We see the buildup to Lydia’s death and its brutal aftermath, as relationships are challenged within the family. It’s a brilliant look at familial dysfunction, generational curses, and interracial marriage in 1970s America, and a deeply haunting portrayal of how these issues can tear apart a family.
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