gonna post my entire stickman reaction pic collection
Hurricane Helene has devastated Appalachia and the news isn’t covering it.
Y’all, it wasn’t just flooding. Entire towns are gone. Like the buildings aren’t damaged, they just aren’t there anymore. Bridges and roads have collapsed, leaving other towns only accessible by air. There is no power, water, food, gas for generators, and no rescue coming. They can’t get anything in. There is no Wi-Fi or cell service. Thousands are missing.
I’m Appalachian (I live in the east now, though. I am safe). It’s not just a region, it’s got a unique culture. It’s own unique music and dance and food and art. There are ethnic groups that only exist there. So much of my cultural identity has been decimated. How much knowledge has been lost to the death toll? How many Mawmaw’s quilts and biscuit recipes? How many pieces of art and cultural artifacts swept away by the flooding?
Appalachia is one of the most impoverished regions in America. They are never hit by hurricanes like this. They don’t have the resources to deal.
People are also not making international trips to Appalachia like they do for Florida. It is very likely Appalachia will receive inadequate resources from the federal government and from organizations like the Red Cross. Thank you economy politics. Turns out your life is only worth as much as profit as you can turn.
People did not vote for this either, before anyone tries to say that. North Carolina is arguably the worst state in the country when it comes to voter suppression and gerrymandering.
Just, please y’all. Be aware that this is now a humanitarian crisis. Be aware of the damage. Help if you can as relief funds and gofundmes begin to emerge.
Twins
Kind of obsessed with the tumblr Twitter account
SVSSS au except Shen Yuan transmigrated earlier, like say when Shen Jiu was a disciple, and met Shang Qinghua earlier and found out he was a transmigrator earlier and they both pulled their heads out of their asses and realized that they're both their ideal person and fall in love and everyone is both shocked and horrified at this strange power couple
SQQ's ideal man: someone who's caring, protective, a little pathetic, muscular, someone he can relax around, and will do anything for him
SQH's ideal man: cold, not afriad to cut a bitch (physically or verbally), likes be cared for/needs help with paperwork, tall, graceful and regal, someone who will listen to him ramble, who sees him and the stuff he does as someone or something of value
this outline starts with a character — specifically their biggest flaw — and leads to five points that will make up the core of your story. it’s best for plots and subplots that focus on overcoming the flaw!
this outline doesn’t just have to be used for coming of age novels. it is just as important in your dystopian, fantasy, or thriller novels that the main character learns something or has changed by the end.
STEP ONE: think about your character
your main character — what is their name, and what are their important features?
what are your character’s flaws? what about their FATAL flaw? ex: hubris, overconfidence, stubbornness, etc.
STEP TWO: think about the end of the story
the story (whether the main plot, a subplot, or a facet of the main plot) is the journey lead to overcome the flaw. now that you know the character’s flaw, you know what lesson they need to learn.
the end of the story = the flaw mastered, the lesson learned.
STEP THREE: think about the external goal
the external goal is the plot, the outer motivation to push the character to the end of the story where the goal is mastered. if you remember my post on quests, you know that a quest has two reasons to be there: the external factor (shrek saving fiona for his swamp), and the real reason (the lesson learned)
the external goal should provide a chance for the character to recognize their flaw and begin to change. how does your plot tie into their character development?
STEP FOUR: think about the antagonist
thinking about the external goal should reveal who the antagonist is. the antagonist should want to achieve the same goal or a goal that impedes with the protagonist’s goal. the antagonist should be the biggest obstacle to the character.
STEP FIVE: think about the ally/allies
the character(s) that is capable of forcing the protagonist down the correct path. where your protagonist most likely will resist changing and confronting their flaw, the ally will help force them to do so anyway.
STEP SIX: think about the theme
so what’s the point of your book? if you are struggling to boil it down to one sentence, you might want to think about it a little longer. this is what keeps the story feeling coherent. what are you trying to tell us?
STEP SEVEN: think about the plot
each main plot element should somehow relate to the core of the book, aka the character’s development in overcoming their flaw
OPENING SCENE - set the stage. address the flaw or the theme
INCITING EVENT - what forces the character out of their everyday life and into the story?
REALIZING EXTERNAL GOAL - what makes the character begin seeking their goal?
DISPLAY OF FLAW - if the character’s flaw hasn’t been made blatantly clear, now is the time. make it known to the reader.
DRIVE FOR GOAL - what is your character’s first attempt to reach their goal?
ANTAGONIST REVEAL - how do you first show your antagonist’s opposition to your character?
FIRST THWART - what happens to your character that keeps them from reaching their goal?
REVISIT FLAW - show the character’s flaw again, even if they themselves aren’t aware of it yet.
ANTAGONIST ATTACKS - what does the antagonist do that makes things worse?
SECOND THWART - where your character fails most likely due to the attack
CHANGED GOAL - the character finds a new goal or focuses on the external goal in a different way
ALLY ATTACKS - what does the ally do to force the character to see the flaw?
AWAKENING - the character knows what they must do to reach the external goal. how will you show that the character has also awakened to their flaw? how will you show them changing?
BATTLE - the final showdown with the antagonist!
DEATH - the character’s flaw dies here. how will you show that the character truly is different now?
OUTCOME - show whether the character won or lost the external goal, reveal the theme of the story.
naturally, you don’t have to follow that outline exactly, but it can be a good place to start ;)
when your art program’s closing message hits you straight in the heart and makes you stop and contemplate the state of it all
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