🌟💖 A Reminder From A Part-Time Magical Girl 💖🌟

A short bit on witches!🌹

Witches are the manifestation of despair or puella magi who have witched out. Witches are the main thing we puella magis fight. They hide in labyrinths and can be dangerous if left unchecked. Normally they have familiars who assist in spread curses.

We fight witches because it can be reallyyyyyy dangerous if they are left unattended!! Normally they hurt a person's mental health or control them. The other reason we fight witches is to aquire grief seeds to cleanse our soul gems. I will make a section on soul gems and grief seeds as well.

Witches are created in many ways. Negative energy, a grief seeds being corrupted, corrupt soul gems, familiars.

A witches kiss aka a sigil are used to identify a witch and used by someone to track them down. Some astral magi use them but it isn't needed unless you want to use them!

I hope you have a wonderful day or night darlings! ~♡🌹♡~

"teens are prone to tantrums and are emotionally unstable" - okay, yeah, puberty is real, and emotional regulation is a difficult skill to learn. but also. any adult person would be pissed if their opinions were disregarded, they had no say in what happens to them, their emotions and feelings were downplayed and their privacy were intruded on.

what abled ppl think is a massive problem for disabled folks: 13 year old on the internet faking something

what is actually a massive problem for disabled folks: "well you don't LOOK disabled, are you sure you're not faking? I'm not giving you accommodations until you PROVE you're not faking. Please give me, a stranger, your medical info and explain your condition to me in detail so I know you're not faking and only then will I respect or take you seriously"

my mom took one look at this thing and said-"why is the rodent so furry" 😭😭

AWWWW KITTYYYYY

Hello chicken!

I come to you today with a question I've had for a long time, and I read a post a while ago where you gave tips on entering the astral for people who struggle with it. In this, you mentioned, if I remember correctly, that people who day dream a lot should find a way to tell apart their spiritual travels from daydreams.

The thing is—I'm not only a maladaptive daydreamer since I can remember but also a fiction writer. Meaning my mind comes up with random places and people and story fractures all the time. And when prompted with something, it can run pretty far. I have no way of determining wether or not my spiritual encounters with familiar spirits have been legit or a complete result of my own imagination.

I really wanna know if there's a way to determine if my experience are "real" or made up and how I can go about differentiating them. If you have anything that could help with that I'd be super grateful.

Have a wonderful day and thank you already

We're in reference to this, I think?

This is one of those situations where there are IME never any blanket tips, because everyone has their own needs.

"Real astral travel is fatiguing whereas daydreaming is not" is not a rule of thumb that is helpful to people that don't really get tired astral traveling, or who are exhausted by racing thoughts.

I believe it's vital to experiment for oneself to build up a system of checks and balances that works for you.

That being said here are some ways that travel can be tested (again, consider how these checks may be inadequate depending on the areas you travel, your innate skills, etc).

If you have tips or thoughts to add, please feel free!

You have valid experiences with your spirits if they pan out - if your spirits give you information, spells, techniques, etc., that work. A lot of valid techniques and lore aren't written down, so comparing it to other sources doesn't always work - you have to put it to the test. You can also ask spirits to do things for you - things that should be easily doable - and see if it happens (like, asking them to visit you at a certain time and setting a reminder after the fact).

You can't really control spirits in the astral the way you control daydream characters. Your daydream character can say or do whatever you think even on the slightest of whims. Spirits do not, and if you try to force them to say or do things they can become very upset.

In the astral, there is no story to fracture. It's not a story, there is no narrative. It's a lived experience.

Astral realms are causal, just like our normal physical reality. In a daydream if you realize a character has on the wrong outfit for this scene, based on that mere idea the story might retroactively correct to suddenly have the character be in the right outfit. But in the astral, for a spirit to have on different clothes, they have to go change clothes. And that takes time. They have to leave that location, go to where they keep their clothes, change their clothes, and come back.

There is no fracturing the story into two versions, one where the spirit has on the right outfit from the start, and one where they don't. There is no story.

In a daydream, you control the experience. At the perfect moment, it starts raining in the graveyard for the dramatic reveal. In the astral, you are experiencing something external. You can imagine it's raining, try to force it to rain, or project rain. You might even see rain for a few moments. But your perception will tend to snap back to the actual experience. And then the spirits might be looking at you weird, asking what you're doing. You can't restart the scene because there is no scene.

In a daydream if there is a locked door, that doesn't necessarily stop you in any way. You can know what's behind the locked door, where the key is, how difficult it is to open the door, if there are alternate routes, and so on. You can even know who made the door and the forest the wood came from. The characters might be stuck on one side but you are the omnipotent creator god of that reality and you have all the information you want.

In the astral if you encounter a locked door, you don't automatically know what's behind it. If you don't have the key, you can use magic to unlock it or you can try to break it down. But if you can't, then you can't. If your path is blocked, you won't automatically know any alternative paths forward. The narrative isn't going to be rewritten to account for plot holes; there is no plot. Do you want to know who made the door? Well, how do you intend to find out? Because that information isn't up to you; it exists externally from you.

The characters are at a gorge. The next part of the story is on the other side. Figuring out how to cross the gorge isn't interesting right now, the emotional energy is ready to carry us deeper into the plot. Let's just put a pin in the crossing and figure it out later. For now, we teleport into the future. The characters are on the other side of the gorge, ready to travel into the city.

In the astral, you are stuck on that side of the gorge until you figure out how to cross it. You can imagine or pretend you're on the other side, but eventually you will be bounced back to where you are actually standing.

Daydreams remain static unless you are there to change them. The changes may be sprawling and nigh instantaneous, but they come from you; you are making it up. You are never going to come back to a daydream and realized the fundamental reality of the daydream changed since monday and is irreversible to its prior state.

Astral realms will change on their own whether or not you're there for it. One day a new path appears that was never there before. You can't "switch back" to the other version because there is not more than one version, it's a living area. One day there is a blockage and you can't go to that location. The next day the blockage disappears, or it remains until you resolve it.

Daydreams tend to be low-energy. You can go through the epic history of an empire in 30 minutes. Astral travel tends to be energy-intensive. You can hang out for 15 minutes and talk to one fish in a fountain before you get tired and sleepy.

Similarly, changes in daydreams can be done with nothing more than the energy of a thought; you can raise up houses, neighborhoods, cities, empires, and solar systems with the blink of an eye. In the astral, if you want a bucket of water, you have to pick up the bucket, go to the well, get the water, and walk back. And if it takes you 15 actual IRL minutes, then that's how long it takes you.

My tl;dr is that if it feels like you're an omnipotent multiversal creator god having adventures in endless stories with clear narratives, side-quests, and character arcs, then I'd be more likely to hazard that you're daydreaming. If it feels like you are a person trying to live your got dang life, if you run into problems that require real time and energy to resolve, and if you drop the ball and the world moves on without you - it's more likely you're traveling.

(The only thing I will say is that time in the astral generally doesn't work like how it does here - time can scroll forward very quickly. But if you have time-god powers like editing the past, jumping around from past to present and into alternate timelines, or flash-freezing the universe to walk around in it, I'd be suspicious.

In addition, what worlds you're going to can have a huge impact - personal astral spaces you're fully in control over are, well, much easier to control than external spaces where you're a visitor.)

How to Discern Sign from Coincidence

I've noticed that in both on and offline witchy and pagan communities a lot of people's first question relating to deity work and communication is "how do I tell if something is a sign" so I wanted to share my perspective and how I vet something as being a sign or message from my deity or not. This is a pretty simplified 'checklist', but it's important to note that signs are not my main form of communication with my deity which is why I'm quite 'conservative' in identification of them!

How many times? Once is happenstance, twice is coincidence but three times may be a sign. This is a general rule I use for signs like angel numbers, specific animals or imagery or something similiar. Though it doesn't always apply - for example, if I see five crows on a nearby roof I don't see it as a sign because that is a very common sight where I live. But if I see three deer near my house in one day, that IS pretty mystical.

How unusual is it? If something 'makes sense' or can be easily explained by mundane reasons it is less likely to be a sign, and this can work in "levels". E.g. if I see a spider in the corner of my room, that's pretty unlikely to be a sign because that's just what spiders do. A spider running across a specific chapter in my book or tarot guide is still explainable but I'd probably check if it was meant to be a sign. And a sparrowhawk landing on my windowsill would almost definitely be a sign because they rarely come into the area where I live.

How does it make me feel? Sometimes I get a gut feeling that something is a sign or a message, even if it isn't unusual or has only happened once. This can easily be mistaken for 'wanting' something to be a sign so still vet and double check but the differentation does with time, experience and a growing relationship with a deity. Often, signs are clear that they are signs, because you're deity wants you to see them and so your intuition often drags your attention to the, and tells you that they're special somehow.

How do I confirm? I almost always vet signs and messages, typically it's just a quick tarot reading to confirm that something was a sign and what it might mean or represent. Often I'll also meditate or consider the sign to see what feelings or knowledge it inspires in me as well. Sometimes I don't need confirmation, I just know. But that has come with time and I would always check early in my relationship to my Mother Nature.

Important notes If something is just coincidence, that's okay, and it's still cool! So what if that crow wasn't a sign from a deity, you still got to see a crow! And so what if that fortune cookie message wasn't actually a message from your spirit guides, it can still be an inspiring and needed message! There is magic in the mundane and that's wonderful.

If you're new to paganism or witchcraft and want to work with a deity I will warn you to be wary and do a lot of research. Don't just assume: "I saw crows the other day, Odin must be reaching out to me." or "I found a bunch of rose petals on the floor so it must be aphrodite." Signs can mean a great number of things and if you truly believe it is a deity, vet and research source materials for that deity and pantheon. Ask for confirmation and take things slowly, it is very easy to trick yourself into seeing something you want to see.

Signs vary between practitioners and it's important to understand and respect that. What might mean one thing to you, means something entirely different to someone else - even if you're devoted to the same deity. While I always recommend checking original religious sources (if possible) for traditional omens and meanings, they will probably be quite unique to you!!

Tell me about some signs you've recieved from your deity or spirit guides (or whoever)! Mine tend to be animals or plants, which is definitely on brand!

🏚️ From Rubble to Renewal — Help Mohamed Rebuild a Home Full of Hope 🌿

In the blink of an eye, the life we knew disappeared.

My name is Mohamed, and I’m writing this with a heart full of sorrow—but also a quiet flame of hope. Our family home, a place that held generations of memories, was reduced to rubble in an instant. The rooms that once echoed with laughter, the walls that witnessed our stories, and the garden where we dreamed of better days—all of it is gone.

And yet, we are still here.

Still standing. Still believing. Still dreaming.

Before the war, our home wasn’t just a structure—it was everything. It was the heartbeat of our family. We shared countless dinners around a modest table, whispered goodnight to one another across quiet rooms, and celebrated the small joys that made life meaningful. It was a place of love, of safety, of tradition.

Losing it has left a deep wound in our lives. But what we haven’t lost is our will to rebuild.

We are determined not to let destruction be the end of our story. We want to rebuild our home not just with bricks and wood, but with faith, with dignity, and with your support.

I know there are countless stories in the world that deserve to be heard, and I humbly ask that you take a moment to hear ours. We are turning to this community, to the kindness of strangers, because we believe in the power of people coming together to lift one another out of despair.

Your support—whether it’s a donation, a share, or even just a moment of your time—can help lay the first stone of our new beginning.

💛 Every dollar brings us one step closer to safety. 🧱 Every share gives our story a voice. 🌱 Every gesture, no matter how small, is a reminder that compassion can grow even in the harshest soil.

We are not asking for charity. We are asking for a chance. A chance to rebuild our lives, to give our children a roof under which they can dream again, and to find peace after so much pain.

gofundme.com

Donate to A Plea for Hope: Rebuilding Our Home, Rebuilding Our Lives, organized by Mohammed Altelbani

In the blink of an eye, everything we knew and loved w… Mohammed Altelbani needs your support for A Plea for Hope: Rebuilding Our Ho

Please, if you feel moved by our story, consider helping us build something new from what’s been lost. Your kindness will be felt not just in concrete and wood—but in every smile, every warm night, and every future moment of joy that your support helps make possible.

From the deepest part of my heart—thank you. For your time, your love, and your belief in us. We will never forget it.

With all my gratitude, – Mohamed

The World post-Rebellion Story is a Manichaeistic Paradigm.

You don’t have to choose between  Devil Homura or Goddess Madoka. The world is built on complementary forces. 

I’d say they both have attributes you’ll need in your spiritual journey, thus both are very, very important. 

Madoka

Madoka is selflessness and sacrifice, the sacrifice of the self to attain a greater good. She is a bodhisattva. She is passive.

Her love is universal and bright, but reflexive and not passionate. 

She is hope.

She is the world of Salvation, she is Transcendence.

Accepts that her laws bring about her own dissaparition. 

She is what a post-modern mage would call “The Right Hand Path”

Homura

Homura is doing the bad thing for the juste cause, fixing unfair situations by doing the wrong thing. She is a rebellious goddess of chaos and knowledge, a Lucifer, a Prometheus. She is active.

Her love is focused and passionate, destroys and creates, but above all, it binds.

She is rebellion and change.

She is the Material World, not the unknown beyond.

Accepts that her world will bring her hate, even her own self-hatred.

She is what a post-modern mage would call “The Left Hand Path”

(I hope I can go and add more to this post in the future!)

The Duties of a Magical Girl

A few people have asked me what I would consider to be valid work for a magical girl. In a similar vein, I’ve seen a lot of folks here struggle with the idea of ‘concepts’ and feeling that they need to conform to a preconceived notion of what magical heroes do.

This post has been a long time coming but I think I’m finally feeling confident about what I want to convey here. If you’ve been waiting on this, thank you so much for your patience and I hope it helps you in your journey!

This post is part of my Magi Praxis series. If you have any suggestions for future topics, or you have attempted anything I have shared and want you share your experiences, please send me a message! I am always happy to go back and provide further explanation as well. ☆

While tasks like tracking down Labyrinths and vanquishing evil entities seem to be almost standard for many magical girls, these by no means define what it means to be a magical hero. I would also go so far as to say that you do not need to transform, whether that would be physically or astrally, to be a magical girl.

Our jobs boil down to a simple idea: to make the world a better place. How we then decide to go about that is what ultimately makes our individual approaches and practices unique.

While a statement like ‘making the world a better place’ can seem grandiose and unachievable, we can decide to start smaller or on a more personal level. Realistically, it may be more feasible and responsible to approach your work in a way that makes the world better for you, your friends and family, or your communities.

We do not all need to tackle big, existential problems through our magical duties—especially if you’re just starting out on your journey. Focus on making the world happier, more welcoming, and more habitable for you. This may take the form of self-care, confidence boosting, or glamours through the use of magia. You can also do this through volunteer work, community building, and mutual aid; I often find that helping others helps me with my complicated feelings of confidence and self-worth.

This is not to say that the astral battles and the like aren’t worthwhile, but they should be done with the goal of making our world and communities better—however you envision that to be.

"omg, magical heroes r so cute n kawaii !!!!! they love cutecore n frills and hearts and pink !!!!"

me, a punk guy covered in scars who listens to music that would kill a victorian child, loves red and black, regularly makes sexual jokes, the only thing keeping him from being an alcoholic is the fact he doesnt have a regular supply of alcohol, and has done three hexes in his life: