while you’re here i’d like to draw your attention to @alkliliyfamliy and their campaign! they’re only 11% to their goal, and even a little bit helps!
I know I sound like a broken record by now: repeating the same things others have said before but I think banality of it all is the point of my post. The fact that I have nothing new to say– not about the genocide in Gaza, not about the dwindling attention of allies, is HORRIFYING.
It has been 11 months of a genocide that the UN calls “war on children”. Malnutrition, diseases, lack of suitable medical care have caused Gazan children to lose their childhood; to lose their lives entirely!
There is no hope left for a future unmarked of pain and my friend Siraj Abudayeh ( @siraj2024 ) , who is father to three sons describes it as a “feeling of oppression”. He laments that his children have been forced away from their schools, hopes and dreams by colonizers and where before there were ambitions to excel in either studies or sports, all they know now is helplessness, fear and anger.
Siraj has told me how his children- Abed, Muhammad and Amir have confessed to their father about how they have begun to feel guilty for surviving at all now ; after having lost so many of their friends to the genocide they are experiencing survivor's guilt and it breaks my heart to hear that. Abed, the eldest son, is ONLY ELEVEN!! Can you imagine an eleven year old feeling guilty because he has managed to survive while his friends haven't ? And what kind of survival it is– Half starving, drinking unclean water, forced into tents where sand mites pester him throughout the day?
I am not sure what happened or why the engagement with fundraisers has dropped so drastically lately but there is nothing more atrocious, more horrible than apathy when children are suffering. It is so strange that we can quote James Baldwin so easily and yet have failed to understand what he meant when he said,
"The children are always ours, every single one of them, all over the globe; ...whoever is incapable of recognizing this may be incapable of morality. ”
We have the power that is not afforded to Gazans and therefore it is on us to be attentive no matter how repetitive these posts feel. It is ridiculous and dehumanizing that during a genocide one has to worry about making a post original enough to maintain attention. And yes I know that we won't be able to stop the horrifying banality of Israel’s evil in a day but WE CAN help provide FIVE families that are dependent on this fundraiser with a lifeline during times such as these.
Please we have managed to get this far after struggling for so long, it cannot be that we will fail Siraj when he is so close to the end goal of 82k !!
So DONATE AND BOOST. Find it in yourself to not just reblog but circulate the fundraiser among your colleagues, friends and family. Share it in your whatsapp chats and discord servers. Share it on any every other platform that you may have a reach on.
Vetting at 219
Please support Yassin (@/yassindraws on twitter) if you have an account there. He's an Egyptian artist who is a victim of the regime's crackdown on protestors. He posts a lot of beautiful paintings.
Here's a some of them documenting his trauma from his time in prison.
[ID: Responding to a tweet by @/MustafaHosny that reads: "ايه الدعاء اللي نفسك يتحقق في ليلة القدر؟", a quote retweet by @/yassindraws that reads: "خروج كل المحبوسين ظلم و يعيشوا حياتهم و ينسوا كل الأيام الحزينة و يكون عندهم ذكريات سعيدة زي ما بقى عندي دلوقتي".
Attached is a traditional painting, depicting a man peering through a tiny window in his jail cell door. He is wearing a white T-shirt that says "تحقيق" and is turned away from the viewer. While his torso is distinct, his bottom half melds into the background, which is a vague pattern of teal and brown hues, meant to represent the wall, but also overcomes parts of the prisoners himself and the cell door, and bleeds into their outlines.]
[Translation: Responding a tweet that reads "What prayer do you wish will come true on the night of destiny?", he tweets "The emancipation of all the unjustly imprisoned, and that they will be able to live fulfilling lives and forget these miserable days, and be able to make beautiful memories like I have now."
The word on his shirt in the painting is an Arabic word that could be translated to either "interrogation" or "realisation".
The night of destiny is the night where the full moon appears during the month of Ramadan.]
[ID: A tweet by @/yassindraws captioned "Memory". Attached is a traditional painting, depicting a dozen prisoners dressed all in blue, facing against the wall with their heads bowed. All of their hands are cuffed together behind their backs, save for the prisoner nearest to the viewer, whose hands are in front of him, exposing his back to a warden who is drawing back a whip. Another warden is pointing to the prisoner. All figures are abstracted and vaguely outlined, but especially the prisoners', whose faces are not outlined at all, and instead blend with the sepia-toned walls they are facing.]
[ID: A tweet by @/yassindraws that reads: في سجن وادي النطرون صياد عجوز من سيناء مسجون من اربع سنوات كل يوم وقت التهوية "التريض" قاعد في الطرقة قدام الزنازين بيصنع شبكة علشان عنده أمل انه يخرج و يصطاد سمك بيها. لوحة رسمتها في سجن وادي النطرون ١ سنة ٢٠١٨ في شهر رمضان".
Attached is a traditional painting depicting a man in his jail cell wearing a white tank top weaving a net in red, green, and blue stripes. Where his neck and head would be, instead spouts a collection of lilac, lavender, and pink colored flowers from his tank top. At his side is a water bottle, and above it, pinned to the wall is a paper that says "هذا الوقت سيمر."]
[Translation: The tweet says "In Wadi-Al-Natroun prison, an elderly fisherman from Sinai, every day during "excercise" time he would weave a net because he has hope he will get out and catch fish with it. I painted this in Wadi-Al-Natroun prison in 2018 during the month of Ramadan."
The paper on the wall in the painting says "This time will pass.]
[ID: A tweet by @/yassindraws that reads: مسجون كان معايا في سجن استقبال طرة زنزانة 1-4 كان محبوس لمدة 4 سنين في سجن العقرب و كان بيقول دايما انه لما جالنا بقى حاسس انه خرج من السجن من شدة قسوة ظروف السجن الاول".
Attached is a traditional painting of a man slumped over a folding chair, his arms folded around his chest. Where his head would be, a single rose sprouts from the neck of his blue sweater. It appears to be wilting.]
[Translation: The tweet says "He was imprisoned with me in Tora prison cell 4-1. He spent 4 years in Al-Aqrab prison prior, and always used to say that when he transferred to join us, he felt like he was emancipated because of how brutal his previous prison experience was.]
[ID: A tweet by @/yassindraws that reads: "رسمت اللوحة دي في زنزانة رقم ١٤ انفرادي في سجن استقبال طرة 2017 كنت عايش في زنزانة لوحدي طول الوقت مبتكلمش مع حد مفيش غير حيطان مبتشوفش شمس لان الزنزانة جوة عنبر معزول".
Attached is a monochromatic traditional painting depicting a prison cell from the point of view of its sole occupant. There is a pair of slippers on the floor, and a couple of bags hanging from the ceiling. The word "الله" is written on the cell door. The painting is done almost entirely in blue, except for small specks of magenta and yellow arranged close to the center.]
[Translation: The tweet says "I painted this in cell number 14 in solitary in Tora prison. I lived in this cell all by myself with nobody to speak to but walls that never see sunlight because the cell was inside an isolated ward."
Written on the door is the word "God".]
The 2011 Revolution:
[ID: A tweet by @/yassindraws posted on the 25th of January, 2024. It says: "لما كنا بنحب بعض"
Attached is a traditional painting depicting the events in Tahrir square in Cairo, Egypt, during the protests of January 25th, 2011. The median of the square is occupied with white and cyan tents set up by the protestors. The surrounding streets are flooded with masses of people, holding up signs. Some signs are abstracted, but some of them are legible, and they read: "حرية"، "سلمية"، and "الشعب يريد اسقاط النظام".
The masses of people are depicted abstractly by alternating patterns of black and white, but some of the heads in the crowd are splotched with streaks of bright red. Some red appears to be bleeding through some of the tents as well.
In tbe very center, among the tents, is a single yellow flower, painted at a scale larger than that of any item in the painting.]
[Translation: The tweet reads "When we loved each other". The signs read "Freedom", "Nonviolence", and "The people want to dismantle the regime".]
Mosque in Alexandria:
[ID: A tweet by @/yassindraws that says "صلاة التهجد النهاردة من مسجد القائد إبراهيم- الاسكندرية".
Attached is a dichromatic traditional painting depicting a mosque in Alexandria, Egypt. The painting is done with distinct vertical strokes representing the walls of the mosque, and horizontal strokes to represent the stairs. The figures of people praying and a tree by the stairs stand out as the most cohesive elements, represented by dark silhouettes. The painting is done with cyan as a base color, dark teal for the shadows, and bright yellow for the highlights.]
[Translation: The tweet says "Tahajjud prayers today at Al-Qaaed Ibrahim Mosque- Alexandria].
[ID: A traditional painting of a man sitting down on a step in a dimly lit room, sketching on a paper on his lap.]
[ID: A tweet by @/yassindraws that reads "و انا صغير كنت بستنى اخر شهر رمضان محلات البقالة لما تبدء تبيع العاب و بلالين اللي ينحط فيها حبوب ارز و تشخلل و نعمل ازعاج للناس و كورة و مسدسات بلاستيك و كانت طموحاتنا نخرج في العيد بعيد عن اهالينا و الناس اللي تعرفنا و ننبسط".
Attached is a traditional painting of a typical Egyptian street. The road is unpaved and lined with trees. Children are marching along away from the viewer. Closest to the viewer is a figure sitting down on a stool next to a tree.]
[Translation: The tweet says "When I was a child, I would always wait for the end of the month of Ramadan so that the grocers start selling toys and balloons that we would fill up with grains of rice that we would rattle to make noise and annoy people and balls and plastic guns and our ambitions were to go out on Eid and go far away from our families and everybody who knew us and be happy".]
[ID: A tweet by @/yassindraws that reads "I'm an Egyptian artist and I made this 🌻" (It ends with a sunflower emoji.)
Attached is a video of a young man with short cropped black hair and brown skin, dressed in light beige shorts that reveal a flower tattoo on his calf, and a navy blue short-sleeved t-shirt with a pattern of green and rose leaves. He is turned away from the viewer, holding a canvas that is slightly taller than him and approximately twice as wide as him.
He slowly turns around, smiling, revealing the painting on the canvas: a realistic sunflower on a sky-blue background.]
haven't had any motivation to make new art to post here However I've been playing a lot of animal jam again so you guys should look at my grown fantasy pets because I like them a lot
Sakiko: Another doll has appeared at the masquerade, her name is Importunis
Anon: I thought we agreed the name would be Anonis
Vetted by @gazavetters, my number verified on the list is ( #99 ) ✅
🌹🌹🌹🌹🌹🌹🌹
This is why it’s necessary to shut down weapons manufacturers and airports and governments. THIS IS WHY. The world cannot continue like this. Israel cannot exist. This needs to end NOW. Not just a ceasefire. There is NO redemption. There is no coming back from this. It’s free all of Palestine. All of it.
If this federal funding freeze continues, myself, my partner, and many many other people will lose access to food security through SNAP and WIC. I'm prepared to dumpster dive and hit up food banks again, but not everyone is so so able-bodied or has reliable access to food banks.
CALL your reps and VOICE your thoughts to help stall this fascist BS from the Feds. It was EXTREMELY painless (as someone with phone anxiety) and only took like 5 minutes tops.
It's not a full on solution but it's better than silent compliance.
people just say anything to me online
My favorite headset and the beautiful memories thatwe lived in this house, and here we are today, we spent 10months in this war and the suffering we live has not ended. Wehope that everyone will help us either by donating or publishing
and thank you all♥.
traditional and digital artist with the world's most inconsistent artstyle, mostly oc art, animal art and experimental stuff and sometimes fanart
242 posts