"They made each other better."
this literally made my day! :))
The way that they’re literally Wolfstar
Dark haired and sarcastic wizard and black sheep of the family
Brown haired and charming British werewolf
this poem lives rent free in my mind
Zoozve, my beloved
i want to talk about this while there isn't a current upsurge in the discourse
Lily Evans Potter is introduced to us as Lily Potter, the dead mother of Harry Potter. Lily and James potter, dead, leaving their poor, miraculous son to live with the dull, horrible Durselys. We only ever see her through, with the exception of her sister, the memory of men.
I've said before that I believe James and Lily are the ideal masculine and ideal feminine, both to Harry and in a metatextual way. parents are our introduction into gender roles, the "correct" way to be a man and woman. since Lily is dead she cannot disappoint Harry. she can be imagined as the perfect woman, which is, of course, a wife and mother. the dream girl!
Lily's death makes her a silent, ever-loving, beautiful young mother, for both Harry and the reader. James is slightly deconstructed in SWM, but Lily is not. She is a fierce protector, brave, clever, and only emotional (angry) once James, her future husband, provokes her enough.
in the text Lily is not truly presented as flawed in a meaningful way. the moral choices she makes: to build a relationship with Severus, to defend Severus, to break their relationship when he refuses to reject bigotry, to join the Order, to die for her child, are all the correct moral choices. these are the choices the narrative is telling us to respect.
women have, for the past 200 years or so, been conceived of as the moral center of the family.* Lily Evans Potter is the moral center of the series. her choice to die is mirrored by the main character, Harry, and sparks the beginning of victory. Harry's sacrifice is enabled by another mother, Narcissa, making the correct moral choice because the power of her maternal love urges her to this choice. finally, Voldemort's most powerful follower, Bellatrix, is killed by a housewife and mother, Molly, in a maternal rage at the idea of her daughter being murdered.
Lily's sacrifice and the emotions behind it are mirrored multiple times in the final battle because it and she are the moral center of the series.
that Harry is frequently told he has his mother's eyes, and that Dumbledore points out how his essential nature mirrors his mother's, further highlights Lily's character and her choices as implicitly good.
women, especially mothers, as our moral authorities, is an unconscious cultural belief we can see play out in the fandom and subfandoms that Lily is discussed in. we can all recall the characterization of Lily as the goody-two shoes that James has to change for, the characterization of Lily as "not like other girls", the BAMF characterization, the current near mommy dom to James characterization.
the characterization of Lily changes with our view of the best kind of woman. but she is, always, demonstrating a most "correct" way to be. maybe it's 2007 and she's telling James off—not fun, but right. or it's 2012 and she's not preoccupied with boys like her classmates. or it's 2019 and she always knows the right thing to say to Remus when he's down on himself. or it's 2025 and James is trailing after her like a puppy while she contemplates what size strap to use on him after she beats up a bigot.
We don't see a lot of moderate views on Lily. Above, I've discussed how Lily lovers tend to portray her. Lily haters, a smaller group from what I can tell, do not utilize these common fanon characterizations. They disparage her as an immoral, selfish, bad woman. The wholesale rejection of Lily as the moral center based on her perceived immorality is the other side of the coin.
I'll refer to people with this perspective as "Lily haters" though I am aware there are people who dislike her outside of the topics I'm discussing.
I rarely engage with Lily haters, though I am aware of their arguments that Lily was a bad friend to Severus, a social climber, a gold digger, or boring. All grave sins for the woman who's supposed to save everyone.
This perspective doesn't reject Lily as the moral center or the perfect woman, it is an argument that she's not fulfilling her role correctly. Her unwillingness to give Severus more chances is selfish, stuck-up, classist. Her desire for James is an further betrayal of Severus.
She's supposed to be the Madonna, why is she being a whore?
I believe Lily hate comes from a belief she failed at being the perfect woman/mother, and therefore she is worthless. A bitch. Weak willed. Oversexed. even by haters her role as the moral center is not questioned.
in both the og text and in the fandom supertext Lily is the moral center because of her role as mother. her status as the moral center is inextricably tied to her motherhood. since Lily being a mother is the point of her character, divorcing her from her motherhood often changes the foundation of her character.**
when her literal motherhood is removed from a depiction of her character, her metaphorical status as the perfect woman/mother is often still intact. this is seen in the characterizations I described earlier, and, I argue, in the belief that she's too good for James when it is used as a "justification" for shipping James with someone else.*** thereby, she is further purified, not even having been touched by a man. she's put on a pedestal, where she can't be touched, and is rarely noticed.
it is also frequently seen when she is written as a side character in a relationship with James, and the pair become the dual moral guides for the main couple.
this reflects James and Lily as the ideal masculine and feminine, as they are a perfectly harmonious couple when a side pairing. their implicit canonical roles are subconsciously reflected in fanon with little critique or commentary on the canon text.
Lily's entire character is crafted to be The Perfect Mother™️. whether she is literally a mother in her fanon depiction or not, she is still The Perfect Woman™️—and is still affected by the biases our culture has towards women and mothers.
thus, Lily is the dream girl in the text, the moral center only seen through a nostalgic veil, and a dream girl in fan spaces, as the moral guide for the men in her life who pegs her husband or is too pure for the touch of a man.
for more on gender in the wizarding world, based on gender in early modern england (pre the cult of domesticity) see this post
*see the cult of domesticity if you'd rather not read the article
**please like fucking do not fucking act like I'm saying you cannot do this. I swear to fucking god
***you don't need to justify your ships
kids remind me, often, of the things i've taught myself out of.
i have a big dog. he looks like a deer. he is taller than most young children. while we were on a trail the other day, a boy coming our direction saw us and froze. he took a step back and said: "i'm feeling nervous. your - your dog is kind of big."
goblin and i both stopped walking immediately. "he is kind of a big dog," i admitted. "he's called a greyhound. they are gentle but they are pretty tall, which is kind of scary, you're right. their legs are so long because they are made for running fast. i am sorry we scared you. would you like us to stand still while you move past us, or would you feel more safe in your body if we move and you stay still?'
"oh. i didn't know that about - greyhounds. i think i ... i want to stay still," he said. at this point, his adult had caught up to us. "i'm nervous about the dog," he told her, "so i'm - i'm gonna stay still." she didn't argue. she didn't make fun of him. she just smiled at him and at me and held his hand while goblin and i, with as wide of a berth as we could make, crept our way through.
behind us, i heard him exhale a deep breath and kind of laugh - "he was really big, huh? she said it's because greyhounds have to go fast."
"he was big," she said. "i understand why that could have made you a little scared."
"yeah. next time i - next time do you think i could maybe ask to touch him? when - i mean, next time, maybe, if i'm not nervous."
later, going to a work event, in the big city, i stood outside, trembling. my social anxiety as a caught bird in my chest. i took a deep breath and turned to my coworker. she's not even really my friend yet. i told her: "i feel nervous about this. i am not used to meeting new people, ever since covid."
she laughed, but not in a mean way. she said she was nervous too. she reached her hand out and held mine, and we both took another deep breath and walked in like that, interlinked. a few people asked us - together? - and i told the truth: i feel nervous, and she's helping. over and over i watched people relax too, admitting i feel really kind of shy lately actually, thank you for saying that.
the next time i go to an event, and i feel a little scared, i ask right away: wanna hold hands? this feels a little dangerous. i hesitate less. i don't hide it as much. i watch for other people who are also nervous and say - it's kinda hard, huh?
i know, logically, i'm not good at asking for help. but i am also not good at noticing when i need help. i've trained myself out of asking completely, but i've also trained myself to never accept my own fears or excuses. i have trained myself to tamp down every anxiety and just-push-through. i don't know what i'm protecting myself from - just that i never think to admit it to anyone.
but every person on earth occasionally needs comfort. every person on earth occasionally needs connection. many of us were taught independence is the same thing as never needing anything.
each of us should have had an adult who heard - i feel nervous and held our hand and asked us how we could be helped to feel safe. no judgement, and no chiding. many of us did not. many of us were punished for the ways that we seemed "weak".
but here is something: i am an adult now. and i get nervous a lot, actually. and if you are an adult and you are feeling a little nervous - come talk to me. we can hold hands and figure out what will help us feel safe in our bodies. and maybe, next time, if we're brave, we can pet the dog that's passing.
Robert Wood Lynn, "About the Phones", Mothman Apologia
fuck yeah!
red white and royal blue has some raw ass quotes that make me lose my ever loving mind such as:
“I thought, if someone like that ever loved me, it would set me on fire. And then I was a careless fool, and I fell in love with you anyway.”
and
“history, huh? bet we could make some.”
and
“on purpose. i love him on purpose.”
but it also has:
“bitch mcconnell”
and
cornbread the turkey
and
“Exploring your sexuality: Healthy, but does it have to be with the Prince of England?”
DONT. JUST DONT.
DONT play the part in making your child's life shit. home is supposed to feel safe, not a place a child cant wait to run away from as soon as they turn 18!!!!
it really does fuck with our life. so please JUST PLEASE STOP!
so i just kinda realized (now, after all these years) the scene where draco is supposed to kill dumbledore and snape is like pushes him away, dumbledore says a weak "please"! i just realised it was a permission, a permission for snape to go ahead and do the deed!
FUCK-!