Dog Days are Over by rubylaurus - Mordern AU where Neil is a successful actor and Todd is a intern writer for his show. It's adorable with a little bit of ambiguity in the end.
lick me like a flame by perksofbeingpoet - ANGST SO MUCH ANGST. THE BEST ANGST I'VE SEEN.
Let Me Wallow in Your Afterglow by Glittery_Bubbles - This could easily be the script of the 2nd movie if Neil hadn't died. LOVED the characterization and Keating's lessons.
I Read You for Some Kind of Poem by Glittery_Bubbles - A WIP but ADDICTED hello??? Like so sad, so so sad. Cry bitches
True Blue by PureCacophony - Another WIP which is updates pretty periodically. Very fluffy, very adorable. Mordern AU. Extremely well written. Mwah
I Crawl, an Animal to You by dirtbag_dyke - Amazing Characterization, it has smut.
how it is, how it was (how it has to be) by perksofbeingpoet - TEARS. ANDERPERRY BREAKUP. Phone call rituals. AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
Volta by suffragettecity - Neil meets Todd after med school.
White Walls and Blurry Eyes by lightswechase - four words - crown tattoo, ring finger
that’s right y’all i actually did it. tw/cw for mentions of Neil’s death, homophobia, reclaiming queer
Dead Poets Society; a beloved, slightly problematic staple of dark academic films. Since its release in 1989, it has gained a strong following over the years, and even more speculation. Fans of the film have long believed that the central characters, Todd and Neil, were in love. Furthermore, there are theories that not only were the main characters lovers, but major plotlines and themes possess metaphors of queerness. Debate has been made over the reality of these theories, and it’s pretty believable. This essay has no intention to change any thoughts on the matter, more like reading into the content and considering what the general opinion is.
Anyone who has seen the movie or even read a brief summary should be aware of the major theme of the story; tradition versus nonconformity. Mr. Keating made a point to challenge tradition, which, considering the patriarchal, conservative setting, was quite risky. It’s almost like queer people have been challenging tradition for centuries. ‘Tradition,’ or heteronormativity, against the ‘nonconventional’ is instead celebrated. The Dead Poets Society was all about defiance from societal norms and living authentically, in other words not having to hide.
“We all have a great need for acceptance, but you must trust that your beliefs are your own, unique, even though others may think them odd or unpopular. Even though the herd may go ‘that’s bad.’” - Keating
Deviating from tradition not only takes form in the Dead Poets Society being revived, but in the confrontation of supposed gender roles. A deep passion for theatre is connected with homosexuals and has roots in queer culture since at least the early 20th century, from the author’s knowledge. The group had taken a keen interest in poetry, as well being long associated with femininity or homosexuality, by reasons of toxic masculinity. With harmful intentions or not, poetry is still a staple of queer culture. Infamous queer poets like Sappho, Emily Dickinson, Oscar Wilde, and Walt Whitman have been influential in their works since the sixth century. Walt Whitman specifically is mentioned many times in this film. One of his more well-known poems, “Oh Captain, My Captain” is referenced various times. Out of all the poems to choose, why go with the poem written by a hypothesized gay man about a president who also may have been gay? To add to this, during the scene in which Todd chases Neil around while the latter reads his poetry, Neil has the gall to say “I’m being chased by Walt Whitman.” As if that scene wasn’t already one of their more emotionally charged moments that lead to this essay’s creation.
That is not where the references to queer culture stops. During the audience’s first introduction to English teacher John Keating, he is whistling the tune of ‘1812 Overture,’ composed by notoriously homosexual composer Tchaikovsky. In the cave, Charlie Dalton recites a line from Shakespeare’s ‘Sonnet 18,’ famously written about a feminine man, recognizable from the line: “Shall I compare thee to a summer’s day?” That sonnet created much skepticism over Shakespeare’s sexuality and some consider him to have been queer.
The thing with queer people indulging in these interests are both fine points in the queer identity and culture, as well as stereotypes against queer people in that aspect. What a fun time.
The symbolism and references are not the only evidence of this being a queer movie. There are the characters themselves. Most frequently discussed, is the case of Neil and Todd. Although Todd is new to the school and riddled with anxiety, he ends up quite close to Neil. Did it help that they were roommates? Certainly, but there is quite a bit more to it than that. Neil had developed the habit of being in Todd’s space quickly, and Todd got rather comfortable with Neil by the time the play auditions rolled around. Even more, Neil is very frequently seen looking at Todd in a way that friends don’t typically do. When Todd performed the improvised poem for the class, it had cut to Neil, looking positively enamored at Todd. The aforementioned Walt Whitman reference to Todd is to be taken into consideration as well. Todd’s reaction to Neil’s death too made quite the difference. It is normal to mourn for a lost friend, but was there a reason to show Todd in such a state of despair? Charlie had known Neil much longer, yet all seen in the final film, Todd showed the most aggravated grief. Yes, in the original script, Charlie had had a grieving moment, but why keep Todd’s? It might have been for character development, or it could have been much, much more personal.
Because of the fandom’s hope for canonical queer characters, former cast member Gale Hansen has graciously supplied some answers via Twitter on several occasions. He has said that he ships Todd and Neil and confirmed that Charlie could’ve been portrayed as nonbinary.
Besides the many references, metaphors, and instances of symbolism, there is still one more area that needs to be covered; the relation between the Dead Poets Society and being a queer person. Considering a very queer individual is writing this, this part may get a little long and personal. Throughout the film, Neil feels the worst pressure to conform to the life his father wants for him and struggles with it immensely. He feels hopeless and drained from every short conversation with his father, and it did end up killing him slowly. He despaired over who he was. He knew what he was, he enjoyed who he was, but faced criticism over being himself. Neil’s father hated the parts of Neil he couldn’t control and suppressed his son’s identity. Seeing Neil on stage was a turning part in the movie, as if Mr. Perry is seeing his son for the first time how he really is. He wasn’t hiding, he was out.
Yes, it is quite true that people just couldn’t live if their passion was taken away for a bleak existence. That could’ve been the case for Neil. Or, as this whole thing is about finding how this film mirrors queerness, he could not live knowing that he would be despised by his own father. It might just be the queer existence at it’s saddest state, but it certainly is understandable.
Taking in all of the reasons why this movie could be a piece of inexplicably queer media, there is just the fact that it might not be. It’s subjective some look at it and think ‘yeah, they are definitely gay’ whereas someone else might not look at it that way. This essay was just a way of proving some points, really. I analyzed the content based on my own view and took my thoughts into account. Keating did say that the reader’s opinion is one that matters.
....
Please please please don’t be mad. Remember how I told you that Hagrid had made a new friend? Well…
His new friend was a dragon and we had to help smuggle it out to Charlie (Ron’s brother) and we got caught by McGonagall and we lost 150 points and McGonagall said she’d have to write to our parents so I’m writing this really fast because I’m hoping you’ll get my letter first so that you don’t get too shocked when a Hogwarts owl comes through the wards.
Please don’t yell at me too much when you see me at the next Quidditch match. I won’t be doing it again, I swear on your mum’s portrait.
Love,
Harry
Dear Sirius,
Our new Defense teacher is just as much of a loony as you told me he’d be. And his robes make me wish I was completely blind. Can you send me another one of your old books? I really really don’t think I’ll be learning much of anything this year. At least anything of value (although if you want to know what Gilderoy Lockhart’s favorite colour is, I can let you know).
Love,
Harry
Dear Sirius,
I FORGOT MY SIGNED HOGSMEADE PERMISSION SLIP CAN YOU PLEASE SEND IT TO ME! URGENTLY! THANK YOU!
Also do you want any more Sugar Quills when I go to Honeydukes? I remember you were on your last one when I left.
Love,
Harry
Dear Sirius,
You probably already heard, but I can’t come home from Christmas this year. There’s going to be a stupid Yule Ball at the stupid school on Christmas day and I have to go because I’m a stupid champion and I have to find a stupid date because I have to open the stupid ball. And learn how to stupid dance!
I think I left my stupid dress robes in my closet. Can you send them to me? Also, how do I ask someone to come with me to the ball?
Missing you and your horrid Christmas decor.
Love,
Harry
Dear Sirius,
I know you told me to tell you if anything weird happens this year and I think something just did. The new Defense teacher is a witch from the Ministry-absolutely horrid woman. I had a detention with her (yes I know the term only just started and no you may not ask why) and she had me doing lines, only the quill she gave me was kind of strange? It didn’t use ink. It sorta… used my blood I think. Or at least the ink was red. Carved the words I was writing into the back of my hand. Healed right up though. No scars or anything.
Don’t lose your mind. I’m sure it’s fine. I’m just telling you now so that you can’t yell at me later for keeping “important information” from you like the whole Philosopher’s Stone Disaster of ‘92.
Hope to see you soon. Schoolwork is slowly killing me.
Love,
Harry
Mia’s Marauders Fanon Fact of the Day:
We Stan Hope Lupin.
There’s been a lot of debate over which of Remus’ parents were the muggle and which the witch/wizard, but we all agree that Hope was an absolute legend.
Personally I prefer to think of her as the muggle, and Lyall as the wizard, but it differs from person to person.
Lots of people also have the headcanon that Lyall worked for the ministry and did something to piss off Greyback, and that’s why Remus got bitten (as payback).
I like to think that Effie (who is also a boss bitch), Hope and Minnie would get together and have tea and talk about the boys, but that’s just me lol.
What do you think?
- Mia
yeaaaaaaah absolutely, idk much abt the last part, never thought abt it that way tbh but yeaah definitely, why not!!!!!
and i do agree with the fact that hope was a muggle and the entire lyall working for ministry theory.....abt the greyback part - i kinda like the genius mskingbean's take on that one, yk in atyd????!
so that's that.
thaaaanx for the update :))
poems I loved in december
Paruyr Sevak, "To Go Mad"
Anne Sexton, "December 18th"
Ted Hughes, "Lovesong"
Chris Abani, "Ritual is Journey"
Franz Wright, "Untitled"
Antoine de Saint-Exupéry, "A Prayer"
Willie Perdomo, "Maybe Under Some Other Sky"
Osip Mandelstam,'You took away all the oceans and all the room', (translated by Clarence Brown and W. S. Merwin)
Osip Mandelstam, "Tenderer than tender" transl. D. Smirnov-Sadovsky
Richard Siken, "Litany in Which Certain Things Are Crossed Out"
Michael Miller, "December"
Vladimir Mayakovsky, "A Cloud in Trousers"
Mohja Kahf, “Most Wanted”
Louise Glück, "Winter Recipes from the Collective"
Vladimir Mayakovsky, "Listen"
Fear, Czesław Miłosz, Robert Hass (translator)
Hope, Czesław Miłosz, Robert Hass (translator)
Charles Bukowski, "a vote for the gentle light"
Marina Tsvetaeva, "I Opened My Veins" (translated by Elaine Feinstein)
shit man i thought i was e-x-t-r-a-o-r-d-i-n-a-r-y!!!!
A very specific Sirius Black rec post for @v-a-l 😘
Always - Sirius (and Lily) being badasses in an AU where James and Harry died that night.
Stealing Harry - A classic Wolfstar raising Harry fic. Might be a bit too shippy for your tastes but I do love Sirius in this.
Contrariwise - This fic has me howling every time I read it. Sirius is so good and so in-character.
Dead Men Don't Bleed - Sirius & Harry centric, and an absolutely excellent fic.
The Unforgivables - I hate Snape but this has excellent Sirius (and Harry) characterization that I have a feeling you would like.
A Life More Ordinary - Another classic Wolfstar raising Harry fic with excellent Sirius characterization.
before the door of hell lamps burned - a very long Sirius-centric AU. His characterization is excellent here.
The Many Lives of Sirius Black - Sirius is so good in this series, especially Stronger At The Broken Places. Highly competent, badass, and in-character.
i agree, Sirius did suffer - A LOT, but then again Remus did too even tho he had Grant to depend on. Grant was his rock, but Sirius was the love of his life and i clearly remember that his last words were something along the lines of - 'it would be the same, even if you weren't here'
So, my point is, both of 'em suffered, in very different ways but they did suffer - A LOT!
It’s funny how everyone talks about “oh poor Remus, he must have felt so hurt when he found out that Sirius thought he was the traitor” but no one ever talks about the fact that Remus also thought Sirius was the traitor? And out of the both of them, Sirius was the one that suffered for it. Actually, it’s not funny. I don’t know why I said that.
i'm all the people i've ever loved
loseness lines over time by olivia de recat, @i-wrotethisforme, Kaveh Akbar, Olivie Blake