Latest Posts by schaferhunde-blog - Page 2

Kia Trolls Tesla With Anti-Elon Ads

https://insideevs.com/news/753045/tesla-kia-anti-elon-ads/

I love my Kia EV6, but love the company more after seeing this.

This image of an 1800’s “vardo” has been circulating on Facebook….

Now this is the real image:

We DO NOT need to photoshop traditional vardos to make them more appeasing, both are gorgeous, historical, and hold so many memories and weight.

Let’s stop trying to make Romani culture into an ancient aesthetic and accept it for what it is 👏 !

Cathy O'Donnell working on her poetry in her room at LaQuinta

Martha Holmes, Life, Dec 1945

Simple demonstration of an extremely rare 1953 music typewriter

"Absolutely no one comes to save us but us."

Ismatu Gwendolyn, "you've been traumatized into hating reading (and it makes you easier to oppress)", from Threadings, on Substack [ID'd]

v lázních (at the spa), Marie Šechtlová, 1955-1968

Tullea with little Fulgrim 🌱

Behold my husband's latest hyperfixation:

Manual typewriters

Okay, technically the one at the bottom right is an adding machine, but the rest are typewriters. And this isn't even all of them.

The oldest we have is hard to pinpoint, as he hasn't been able to date the ones on the lowest left shelf yet. But so far the oldest are the Underwoods (middle left shelf) which are both from 1928.

He used to collect old bikes (like from the 30s and 40s) and those were space hogs, expensive, and a bitch to work on. These are at least smaller, a lot cheaper, much easier to clean and restore, and are more useful.

My personal favorites are the larger Underwood and the blue Royal right above it on the left.

We're a normalcy deprived family.

Edit:

Oh, he just sent me a breakdown of them:

In the late 19th century, caravans symbolized more than just travel—they represented a lifestyle intertwined with exploration and resilience. Caravans, often associated with Romani communities, were also widely adopted by traveling performers, merchants, and adventurers seeking freedom from the constraints of urban life. These homes-on-wheels embodied a spirit of independence during an era dominated by industrial expansion.

By the 1800s, the Victorian fascination with exploration and leisure sparked a growing trend in caravanning, particularly among the wealthy. Caravans of this period were richly adorned with intricate woodwork and ornate interiors, blending practicality with elegance. They offered a mobile retreat, allowing travelers to explore rural landscapes far from the crowded, polluted cities shaped by industrialization.

The Romani people, long associated with caravans, had a profound influence on their design and cultural significance. These vibrant wagons, known as "vardos," became iconic symbols of their nomadic traditions. Painted with bright colors and adorned with floral motifs, they reflected a deep connection to art, nature, and freedom. Despite facing widespread discrimination, Romani communities maintained a strong cultural identity, passing down stories, music, and craftsmanship through generations.

Caravans also played a crucial role in trade and commerce. Merchants would traverse vast distances, bringing goods and news to remote villages. In some cases, these traveling wagons served as mobile theaters, showcasing entertainment such as magic shows and storytelling sessions, often to wide-eyed children and curious adults.

As the Victorian era progressed into the 20th century, the advent of motor vehicles began to replace traditional horse-drawn caravans. Yet, the nostalgic charm of these rolling homes persists, inspiring modern interpretations in both art and design.

This legacy of caravans, rooted in resilience and wanderlust, continues to evoke a sense of timeless adventure.

Credit Goes To The Respective Owner

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