NOBODY CALL OR TEXT I AM TOO BUSY FIGHTING FOR MY LIFE

There's something so terrifyingly beautiful about mind control.

Just imagine- a Whumpee who knows about Whumper's ability. As soon as they end up alone with them and realize what's going to happen, they panic. They attempt to get away, to stay out of Whumper's reach, to fight.

When that fails, they resort to choked pleas, backing away though they know it's futile. Their eyes warily scan the grinning Whumper, who is walking towards them at a painfully slow pace, aware of the fact that they have them cornered. As their back presses against the cold wall, and Whumper's hand delicately makes its way towards their face, Whumpee freezes.

Whumper's fingers gently brush against their face, the cold touch causing them to shiver.

"Don't fight me."

Their voice is sweet as they speak, so much so that, if they didn't know better, Whumpee would think this was their medium. But as Whumper's hand settles on their cheek, and their mind starts becoming foggy, that idea is discarded.

"You'll feel so much better afterwards, you'll see. Just let me in."

Whumpee grimaces, desperately trying to hold onto their thoughts. their thoughts. their, their, THEIR-

"There we go."

As Whumpee's facial features relax, their breathing slows down, and their expression goes blank, Whumper knows they've won.

Whumpee's mind is theirs now.

YOU hates terfs

I don't think things should cost money

My beloved

Hozier’s temptation

And now a video of Hozier rolled up his sleeve to make your day better...

Credits : @ artziety (IG)

pls rb if you think cuddling doesn't have to be s3xual

im tryna prove a point to my bf's mother help me out

FROTHING!!

I have nothing normal to say

A lot of fiction these days reads as if—as I saw Peter Raleigh put it the other day, and as I’ve discussed it before—the author is trying to describe a video playing in their mind. Often there is little or no interiority. Scenes play out in “real time” without summary. First-person POV stories describe things the character can’t see, but a distant camera could. There’s an overemphasis on characters’ outfits and facial expressions, including my personal pet peeve: the “reaction shot round-up” in which we get a description of every character’s reaction to something as if a camera was cutting between sitcom actors.

When I talk with other creative writing professors, we all seem to agree that interiority is disappearing. Even in first-person POV stories, younger writers often skip describing their character’s hopes, dreams, fears, thoughts, memories, or reactions. This trend is hardly limited to young writers though. I was speaking to an editor yesterday who agreed interiority has largely vanished from commercial fiction, and I think you increasingly notice its absence even in works shelved as “literary fiction.” When interiority does appear on the page, it is often brief and redundant with the dialogue and action. All of this is a great shame. Interiority is perhaps the prime example of an advantage prose as a medium holds over other artforms.

fascinated by this article, "Turning Off the TV in Your Mind," about the influences of visual narratives on writing prose narratives. i def notice the two things i excerpted above in fanfic, which i guess makes even more sense as most of the fic i read is for tv and film. i will also be thinking about its discussion of time in prose - i think that's something i often struggle with and i will try to be more conscious of the differences between screen and page next time i'm writing.

the urge to bite while feeling overwhelming affection is completely normal. sorry if you don’t experience that but it’s not my business. get help