Latest Posts by see-through-stars - Page 3

Want to learn something new in 2022??

Absolute beginner adult ballet series (fabulous beginning teacher)

40 piano lessons for beginners (some of the best explanations for piano I’ve ever seen)

Excellent basic crochet video series

Basic knitting (probably the best how to knit video out there)

Pre-Free Figure Skate Levels A-D guides and practice activities (each video builds up with exercises to the actual moves!)

How to draw character faces video (very funny, surprisingly instructive?)

Another drawing character faces video

Literally my favorite art pose hack

Tutorial of how to make a whole ass Stardew Valley esque farming game in Gamemaker Studios 2??

Introduction to flying small aircrafts

French/Dutch/Fishtail braiding

Playing the guitar for beginners (well paced and excellent instructor)

Playing the violin for beginners (really good practical tips mixed in)

Color theory in digital art (not of the children’s hospital variety)

Retake classes you hated but now there’s zero stakes:

Calculus 1 (full semester class)

Learn basic statistics (free textbook)

Introduction to college physics (free textbook)

Introduction to accounting (free textbook)

Learn a language:

Ancient Greek

Latin

Spanish

German

Japanese (grammar guide) (for dummies)

French

Russian (pretty good cyrillic guide!)

I love characters that are completely harmless until they finally unleash their power and then they’re TERRIFYING

I am still decompressing from the Arcane finale, and I will be for a very long time, but I just wanted to point out how important Arcane is as a show. Arcane is showing absolutely everyone just what happens when you put genuine care and attention into telling a story, and using the proper mediums to do so. In a media landscape that is saturated with lazy writing, endless parades of live-action remakes, bloated, uninspired CGI graphics, sexism, racism, misogyny, mindless, purposeless violence, hollow characters, weak or nonexistent character arcs, cliched backstories and tired tropes, Arcane has emerged as proof of what storytelling could be.

Arcane has already broken all of Netflix's records, both in the most-watched show on the platform, as well as the highest-rated, and that feels like all the proof we need of what audiences and individuals are starved for. It feels like a revelation of how all of our newfound media technology could and should be used. We don't want animation and CGI to be used just to recreate realism down to the fibers of a shirt or the individual hairs on someone's head. We want animation that is exploratory, revelatory, engaging - animation that shows us a new perspective, that breathes new life into the story it's telling - animation that tells a story in a way that no other form of media could. Beyond the animation, we want a story that means something. We want characters that have depth and nuance, that are morally fallible, even when they're trying to do what's right. We want heroes that are selfish and make mistakes, and we want villains that have a heart and an ocean's worth of depth behind all their villainy. We want stories that leave nothing behind, stories that care enough about the art of the telling that they follow every narrative thread, every character's journey, all the way to the end, bitter or otherwise. We want writers who fight for accurate and fulfilling representation.

And that's what Arcane has given us. I'm not exaggerating when I say I feel like this show has changed me as a person. Maybe that's a little dramatic, but I honestly think it's true. I am in total awe of what they've managed to do in just nine episodes. I am inspired and overwhelmed and hopeful that this is setting the precedent for what storytelling could look like in the future.

Made too many Jinx textpost memes and I don't know what to do with them so here you got, a compilation with all of them

my goal in life is to inspire the same level of fear in a man as beth harmon instills barely after introducing herself to a chess player:

“beth harmon”

“…shit.”

the best movie genre is heists where everything goes slightly wrong but in the last 10 minutes they show in flashbacks that actually everything was planned and they meant to break every bone in their body then go to prison or whatever

soft asks:

cherry - what is your sexuality?

lollipop - favorite makeup products?

daydreams - if you could be anything or anyone, who would you be?

october - what month were you born in?

caress - do you like to snuggle?

ivory - describe your pajamas?

golden - favorite stationary product?

freckles - most-worn article of clothing?

twilight - best friend?

silk - do you like k-pop?

poppy - favorite pastel color?

dimples - most attractive features of a person’s face?

sunkissed - autumn or spring?

buttery - favorite snack?

whisper - how much sleep do you get?

pencil - do you own a journal?

cupcake - are you a good cook?

honey - favorite term of endearment?

clouds - describe one of your favorite dreams?

velvet - who was your first crush?

paper - favorite children’s book?

peaches - do you have a skincare routine?

mochi - favorite studio ghibli film?

backyard - did you ever have an imaginary friend?

strawberry - favorite fruit?

kiss - have you ever kissed a friend?,

nightlight - do you read before bed?

shampoo - favorite scent?

skin - what distant relative are you closest to?

aphrodite - favorite actress/actor?

cuddles - do you have any pets?

lace - if you own any dresses, which is your favorite?

sheets - sanrio or san-x characters?

cream - frozen yogurt flavor?

watermelon - do films ever make you cry?

sapphos - favorite poet?

plush - how many stuffed animals do you still own?

roses - what flower do you find most beautiful?

sweetheart - favorite mug/cup?

sunset - what are your pronouns?

my hidden talents include overthinking, crying at every little inconvenience, romanticising everything and imagining myself in situations that will literally never exist

*giggles cutely* im going to snap

found family trope: ⭐️⭐️⭐️⭐️⭐️

found family trope but they’re misfits, outcasts, and criminals: ⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️

After watching Glaciator 2.0, we ought to revisit Hack-San, Rocketear, and Wishmaker after getting more context from this episode, because I really wanna talk about Adrien and Chat Noir’s characterizations as of late. Take a look at the scene from Hack-San as an example:

While there have been instances, such as in Oblivio and Troublemaker, where Adrien occasionally displays Chat Noir’s mischief and playfulness, you don’t usually see Adrien act out or be petty about anything. I don’t know about anyone else, but I don’t recall Adrien ever “acting out” like this in his civilian form in previous episodes. For the most part, this is the first time Adrien has shown any kind of emotional outburst (or immaturity, I guess?) in his civilian form. Adrien is usually portrayed as being"perfect" because he has to uphold his father’s brand. Most of Adrien’s emotional range is expressed through Chat Noir because Chat Noir is Adrien’s emotional outlet.

We don’t typically see Adrien act like this unless he’s Chat Noir. Because of this, I have always found it a bit challenging to see Adrien and Chat Noir as the same person. At first, I thought that the writers couldn’t make up their minds with his characterization, but now, especially after seeing Wishmaker, I think this disconnect between Adrien and Chat Noir was an intentional writing choice.

It’s so easy for the audience to see Adrien and Chat Noir as two separate characters because, in a way, they are. That’s certainly how Adrien views himself; he’s either this teenage heartthrob who’s constantly on his best behaviour, or he’s the goofy and mischievous Chat Noir. These two personality traits are seemingly at odds with each other, and yet Adrien somehow embodies them both. This contrast was made especially clear in the art room scene in Lies:

“There. This is really you.”

“Do you really think?”

“Yes. You’re… perfect.”

This scene honestly told us so much more about Adrien than I think most of us realize. A lot of people have analyzed this scene and said that Kagami is able to see Adrien for who he really is, but I don’t think that’s the case at all. Look at his reaction. If Adrien had a strong sense of self in the first place, then this interaction between him and Kagami wouldn’t be like this at all. Adrien would be happy, or at the very least flattered, that someone actually understood him and wanted to get to know the real him. Yet, look at Adrien’s face; he’s not scared or put off, but he’s definitely not happy nor relieved. He’s unsure. He’s confused. He doesn’t connect with Kagami because he doesn’t understand what Kagami means. Kagami only sees what she thinks is Adrien’s true self, but even Adrien has no clue what that even is.

This season, Adrien is starting to push back against his father, as we saw in Mega Leech, and that line between Adrien and Chat Noir is slowly starting to blur. This “perfect” facade that Adrien has to perform all the time is starting to dissipate. His flaws are starting to show as he’s being put in situations where he has to assert himself.

Now, before he can do all of that, Adrien is going to have to come to terms with that the fact that Ladybug isn’t interested in Chat Noir, and that the idea of them being together is completely off the table.

Some people might look at this and say “well, yeah, it’s about time. Adrien needs to learn about boundaries and stop projecting this fantasy onto Ladybug.” That’s true, yes, but a lot of people forget just how isolated Adrien is and just how desperate he is for some kind of deep emotional connection. Remember this scene in Glaciator?

“Perhaps Ladybug will love me someday. I mean, like I love her. I have to believe. In the meantime, her friendship is the best gift of all.”

Most of us overlooked this scene, but this was a crucial piece of characterization for Adrien, not to mention foreshadowing for Glaciator 2.0.

Of course, Adrien values Ladybug’s friendship, but he always had this hope that she was going to fall for him eventually. Whenever horrible things went on in his life, he always turned to Laybug to make him feel better. Even after defeating the akuma in Lies, despite being on rocky terms with Kagami, he doesn’t seem as bothered by it because Ladybug was still practically living in his head rent-free.

This is a heavy contrast to the way Marinette felt about her breakup with Luka, which left her devasted.

In Adrien’s case, he’s not just clinging onto this romantic fantasy, he’s become dependent on it for his emotional well-being, so much to the point where it clouds his better judgement. Now he’s experiencing emotional whiplash after being faced with the fact that his fantasy won’t ever become a reality. He can’t depend on this fantasy anymore, because now he has to face all of the loneliness and lack of control he has in his life and realize that he’s the only one that can change it.

This is the catalyst for Adrien’s character development, and it’s going to be intense.

adrien agreste & the body language of abuse

anybody who has seen even only one episode of miraculous ladybug can perfectly describe who chat noir is - he's brazen, he's fun, he's witty, he's flamboyant and overdramatic. he's the kind of hero who will preen confidently, give you a captivating wink and then he's off to save the world. but he's not chat noir all the time, or even half the time. most of the time, chat noir is adrien agreste - a quiet and exceedingly polite kid, who is likely to fade into the background despite his supermodel status. and sure, he knows how to be graceful and how to exude charisma, and he's still capable of being a drama queen (like slouching down a wall from being lovestruck).

but this post isn't about that.

because adrien is gabriel agreste's son all the time - a cold, careless, intimidating man, who will raise his voice to force others into submission, and who is depicted almost always with clenched fists.

what i've tried to do here is outline through images how gabriel's abuse has altered and influenced adrien's body language. because of tumblr's image limits (and the limits of my own patience), i have definitely missed some scenes, but i believe that i've managed to present with commentary the most important parts.

warning: image-heavy post.

chat noir is larger than life. adrien agreste tries to make himself as small as possible.

one of the biggest visual cues that the show gives us about adrien is that he has the tendency to wrap his arms around himself as a way of protection, whether because he's afraid of being vulnerable in front of others, or because he's self-soothing. he will do that even when there are other people around him that are offering comfort. adrien avoids bothering others with his feelings as much as possible, and putting his arms around his front serves as a replacement for the tender and warm touch he craves. he can also slouch, or put his knees up while sitting, creating a cocoon of sorts to feel safe. we also see him standing with his arms crossed in the rare times he tries to confront someone (his father or ladybug usually). whether he's sad, angry, guilty, disappointed, adrien will try to retreat to safety by forming a shield, so to speak.

there is an indisputable link between body and mind when it comes to trauma. adrien tries to not take much space not only with his physical presence, but by also almost never speaking up in class (unless to defend marinette), trying to be concise when communicating, and rarely making jokes. he's extremely reserved.

one of the scenes between gabriel and adrien that solidifies that adrien is terrified of his father happens in the first episode of season 2, when gabriel forbids adrien from attending school as a punishment for stealing and losing the grimoire. notice how gabriel is speaking with his back turned to his son, insinuating that adrien is not even worthy of being looked in the eyes. at one point he clenches his fist, as if to threaten his son. adrien is sitting on his computer chair with his hands in his lap, only lifting them defensively when he tries to explain himself. gabriel stands directly in front of him, as if shadowing adrien with his anger and contempt.

let's take a look at another episode - 'captain hardrock', in which gabriel and nathalie are listening to adrien play a piano piece. the screenshots in the upper half are from a moment when adrien hits a wrong note - notice the sheer fear and panic in his expression. he is immediately stopped, reprimanded for making a mistake, accused of being irresponsible and influenced by his rock band friends, and he's forbidden from attending his friends' concert. what's interesting about this moment isn't how he once again tries to make himself scarce physically - it's the terrified glance he gives his father when he plays the wrong key. you can just tell that adrien has internalized his father's reproaches and that his disapproving voice lives in his head, even when gabriel isn't there.

and can anyone judge him? take a look at these two screencaptures from 'stormy weather 2'. what happened is that adrien walked into his father's office, bright and enthusiastic, eager to tell him about the interesting idea behind his last photoshoot, and not only did he dare to interrupt gabriel's villainy, but he also accidentally called him 'dad' instead of 'father', as gabriel demands. a dirty look over the shoulder, two clenched fists, and adrien immediately apologizes and retreats.

adrien lives life on the defense. he has a naturally delicate and sensitive personality, which earns only eye rolls and accusations of put-on dramatism (there is also something to be said about how gabriel and adrien's relationship neatly corresponds to male and female gender roles, but that's yet another meta for another day).

notice the scene with ladybug in the image above - a rare time where adrien's trauma body language has bled into chat noir. he's insecure because 'nobody tells [him] how awesome [he] is', and he refuses to look ladybug or alix in the eyes while saying it. adrien is uncomfortable with looking at people during his most vulnerable moments.

'glaciator' is one of the episodes that can serve like a crash course on the way adrien carries himself under stress, this time because he's disappointed and heartbroken that the girl he loves didn't come to his surprise.

when around his father, if there's somebody else around he feels close to, adrien might lean on that other person, in order to feel stronger and braver.

now. not to be a conspiracy theorist about a cartoon or something, but. as miraculous is told from marinette's pov, we don't have a lot of episodes that focus on the agrestes, so we, the audience, often rely on guesswork and speculation. what was the relationship between emilie and gabriel? what was emilie really like? is she really as good as adrien claims, if he was strictly isolated the entire time she was alive? i do think that adrien's life has been mostly unexplored in canon (so far), and that includes his relationship with gabriel. i want to make it as clear as possible - adrien is brave to the point of stupidity, and not just as chat noir. let's not forget that he jumped from the top of a skyscraper, lead only by his faith that ladybug will save him, who, by the way, was busy being captured by gorizilla and screaming for help herself. if that's not crazy, i don't know what is.

adrien is afraid of his father. you don't get a child that so obviously displays trauma symptoms with a few cruel jabs. i very, very strongly feel that we haven't even seen the tip of the iceberg when it comes to gabriel's abuse. look at the screencaptures above from the episode 'simon says'. adrien is familiar with his father's insults, very much so. who else remembers how his father was nowhere to be found when he won a fencing tournament in 'chat blanc', but the day his technique is slipping, his father is waiting at the top of the stairs of the agreste mansion, ready to reprimand adrien? and speaking of 'chat blanc'...

these two moments might be the saddest. we don't know yet if adrien knows the true identity of hawk moth in 'ephemeral'. i'm leaning towards yes, because adrien is so courageous that he had no problems fighting what he assumed to be the real hawk moth with an umbrella in 'the puppeteer 2'.

in both situations, he's being cornered. adrien's moving slowly (hell, he's crawling in 'chat blanc), his face frozen in a mask of pure fear. look at adrien in 'chat blanc' - a boy who has the power to destroy everything he touches is now trying to surrender and is begging with one palm in the air. in both cases, right before getting akumatized by his father, adrien displays the trauma stress response known as 'freeze', instead of 'fight' or 'flight'. he's immobile and passive. a classic adrien line is 'i can't stand by and do nothing!', and yet here he is, thoughts completely shut off, unable to plan a way to get to safety or fight for his self-preservation.

ladybug has said that chat noir is braver than her. he is reckless, for sure. but when it comes to gabriel, adrien retreats to an almost womb-like state physically, instead of the openness and 'world is my oyster' attitude he displays as chat noir. he mistakenly believes that the less space he takes, the less he is heard and seen, and the less he asserts himself as someone with wants and needs, the less angry and disappointed will gabriel be. and that is adrien's biggest mental fallacy, since we're talking about the man who will readily make adrien suffer, only because adrien is getting into his way.

sticks and stones will break your bones but investing your heart in a book or a tv show will cause irreparable damage and you will not recover.

Give me Alex Rider’s politics teacher just being absolutely...astounded by the amount of knowledge this kid has on not only the socio-economic climate of literally every freaking country but the most freakishly good instincts of how each new politician that comes along is going to fare. It’s at the point he now has a secret cabinet of sticky notes on Alex’s off hand comments of each new public figure because God Dammit he always turns out to be right.

Give me Alex’s Riders politics teacher who stands up for him against others in the staff room because his essays provide the freshest viewpoints he’s seen in over 20 years. Ethics, politics, morality, social structures, negotiations, public figures, military influences and ulterior motivators; Alex Rider handles each topic with a grace and insight he hasn’t seen since university. Quite frankly he doesn’t know whether to be impressed or terrified. He settles on curious.

Give me Alex Rider’s politics teacher who’s family served in the army, who recognises the shadows of war in those dark brown eyes even if he can never understand why. The only one that seems to notice that seeing Alex’s controlled, efficient steps through a boisterous crowd of school children is like watching a ballet dancer glide through a swarm of drunk seagulls.

Give me Alex Rider’s politics teacher who let’s the poor kid take a nap in class or snack when he wants to (partly because 50% of the time he looks ready to drop) but mostly because deep down they both know there’s nothing that he can teach him here. Alex had an already pretty unusual and impressive grasp of foreign affairs before his uncle died and in the years since then? Well, he’s pretty sure Alex speaks more languages fluently than he has fingers.

Give me Alex Rider’s politics teacher whose subject gives him more of a glimpse into his talents than most people are allowed to see; who takes one good look at his extra little piece of the puzzle and thinks yeah. This kid is brilliant.

ok so there’s a game me and my friends play called “don’t get me started” and basically someone gives another person a random topic and they have to go on an angry rant about it and it’s the best thing that’s ever happened to us at parties and car rides so I highly recommend playing sometimes with your friends

me: wow i have so much work to do

me: *goes on tumblr*

me: *watches a movie*

me: *reads a novel*

me: *takes a nap*

me: *climbs a mountain*

me: *backpacks through europe*

me: why am i not getting anything done

“this is so romantic” and it’s two characters trying to kill each other

august is not summer august is when they turn the light back on in the cinema and you get knocked out of your trance and back to reality again

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AM I THE ONLY ONE GETTING ACHILLES AND PATROCLUS VIBES FROM NETFLIX'S YOUNG ROYALS?

it's just me? ok

not to be all [i love you till my breathing stops i love you till you call the cops on me] [it’s rotten work not to me not if it’s you] [i can take care of myself just fine. no. what do you mean no? no] [one word from you and i would jump off of this ledge i’m on baby] [i will do anything whatever she wants] [is that too much to expect? that i would name the stars for you?] [you want to die for love you always have] [love for you is not like the usual romantic love. it’s like a religion. it’s terrifying] but i want a love full of devotion

PETITION FOR THE AWFUL CW PPG LIVE ACTION TO BE COMPLETELY SCRAPPED AND REPLACED BY A LIVE ACTION OF SBJ'S "MORE THAN HUMAN"

What makes you fall in love?

consistency 

reciprocity

intimacy 

chemistry

humor

honesty

passion 

I have minimal memories of Powerpuff Girls and maybe three hours of consideration under my belt, let's see if I can put together a better PPG reboot than CW's atrocity.

It's twenty years later and the girls are all struggling to make their own ways in the world. It turns out a childhood of heroics and living with an eccentric inventor means they missed out on some important parts of being human. When the Professor is attacked, and most of his research stolen, the girls come back together to recover the research, shut down the abominations of science twisted from his work, and hopefully finish learning to be humans as well as heroes.

Blossom is partway through a masters' degree in political science. She was the sister who really understood the complexities of crime statistics, government corruption, and income inequality, and decided to go into a career in politics to fix things. When she's not at class she's organizing protests, speaking with politicians, or trying to dismantle the lobbyist industry. She hasn't had a free day in three years, but she insists she's fine, she's superhuman and can handle it. She's lying to herself more than her family.

Bubbles went into animal conservation. Her ability to talk with animals makes her perfect for it, and really, she always loved protecting animals. She's also heavily involved in activism, especially climate activism, and can be found at the front of every protest within flying distance, standing between protestors and the cops like a guardian angel. She's very well known because of it, and is using her fame to spread awareness however she can. She hides it well, but the constant trauma of facing the world's evils is slowly crushing her spirit.

Buttercup is a full-time superhero with the Society of Associated Puffketeers, formerly the Association of World Super Men, and the only one still actively doing hero work. She doesn't work with other heroes often, preferring to chase down more mundane criminals instead of making headlines fighting the latest supervillain. She's beat up a lot of domestic abusers, human traffickers, and the like. She enjoys it, enjoys the rush of a fight she knows is vindicated, but deep down she's afraid that she's not worth anything outside of her capacity for violence. She also doesn't know who she is outside of the ass-kicking superhero life.

can’t stop thinking about percy’s claiming scene now let me hold on a second.

we have this child, who has barely just escaped death by a hellhound, seemingly being healed by water. the girl who kinda-sort-of-hates-him knows full well what is happening. his wounds heal. she mutters about how she didn’t want this to happen. this could only mean one thing. poseidon, they whisper. and sure enough, just above his head, is a holographic figure of a trident.

ngl i have chiron’s line memorized by now lol.

“earthshaker, stormbringer, father of horses. hail perseus jackson, son of the sea god.”

and it’s just beautiful imagery, because everyone bows to him. everyone, as in, even the ares kids who had just tried to kill him. and it hits different if you think about how technically, percy jackson is a sea prince. it hits different when you realize that in canon, no other demigod got this treatment. maybe it was because few children of poseidon existed in comparison to zeus, or that poseidon is seen as a more elemental and primordial god, therefore is shown more respect. it hits different when you realize that percy becomes a figure of respect and dignity.

whatever the case, this scene FUCKS ME UP. annabeth bows down, chiron bows down, luke bows down, clarisse bows down…and meanwhile, the kid in question is scared out of his goddamn mind. he just thinks: why are they treating me this way? i don’t want this power. i don’t want this attention. i don’t want respect. because, here’s the thing—he’s not used to it.

but from then on…percy will be treated this way, like royalty, bc technically he is. his father is the ruler of the seas, and the ocean has always been feared, has always been respected and admired. and not only that, but he grows into that power. it’s so interesting to see this little boy who was just told, in the most dramatic way possible, who his father is—and then see a dramatic change in his character during botl when he wants more power as he cleans the horse stables in texas and realizes that the sea was inside of him all this time. that he is unrestrained. it’s so interesting to go from a little boy who wants nothing to do with his dad and his powers to a 16 year-old who sinks his sword into the williamsburg bridge and causes it to split in half. like his father did in athens. he commands armies, becomes his father’s son as he screams out when he realizes that michael yew is nowhere to be found, and so, with that scream, he makes the ground shake. he unleashes that power with titans, with gods, with monsters. and he cannot be stopped from then on, when he realizes that it’s inside him, that he has no choice but to want it. even if it scares him, at first.

so that claiming scene creates, in my mind, this domino effect on percy and his link to the ocean. to his father.

earthshaker, stormbringer…it all comes full circle. and the next time a group of demigods bow down to him, i can assure you that he’ll accept it, grimly. because what choice does he have? he is poseidon’s mortal son, and still he makes the ground shake and the seas rise to his command. he is the camp leader—but each day that his powers grow, everyone questions if he’s truly half human in the first place, or if he maybe belongs to the sea, as his father’s lieutenant like zeus had suggested in the first place.

and it all👏starts👏with👏that👏claiming👏scene

'shut up' but like flirtatiously.

Enemies to lovers romance is the journey from sweetheart (derogatory) to sweetheart (affectionate)

Making a Villain Richard III by William Shakespeare Look What You Made Me Do by Taylor Swift Shadow and Bone by Leigh Bardugo Tangled (2010) screenplay by Dan Fogelman No Good Deed (from Wicked the Musical) by Stephen Schwartz Untitled Poetry by Stephanie Bennett-Henry mad woman by Taylor Swift

ok so why am i such a hopeless romantic but at the same time, when something vaguely possibly romantic happens i'm like hell no, this is so weird please ignore me for the rest of your life