Diagrams From A Thirteenth-century Version Of The Ars Notoria.

“Distribution for 18 fingerprint pattern types + relative effect size (arrows) in the Big Five personality dimensions Neuroticism & Extraversion, plus derived tendencies for the four classic temperaments: Choleric, Melancholic, Phlegmatic & Sanguine; displayed percentages represent the lowest- and highest value observed among the 4 personality groups (N+, N-, E+ & E-).“

The Musica Universalis (Harmony of the Spheres) - Ratios of Orbital Distance and Orbital Periods. Musica Universalis (Music of the Spheres) is an Ancient Philosophical concept that regards Proportions in the movements of Celestial bodies of the Sun and Planets as a Form of Musica (the Medieval Latin name for Music). This “Music” is not literally Audible, but a Harmonic and Mathematical relationship between our Star and it’s Satellites. This design is inspired by theory and writings taken from Johannes Kepler’s “Mysterium Cosmographicum” (The Secret of the Universe) where he explored the relationships of Harmonies in our Solar System and sought to uncover the “Music” therein. In this graphic, the Circles represent Orbital Resonance, which occurs when two Planets have an Orbit that are a simple Integer Ratio of each other. For example, consider the Orbits of Earth and Venus (8 : 13), which means the two Planets arrive at almost the same position after 8 Earth Orbits and 13 Venus Orbits. The underlying Circles represent relationships of Orbital Distance as calculated from each Planets semi-minor Axis - which is the shortest length in a Planets elliptical Orbit around the Sun. What is most striking, is that the mirrored structure that arises in the semi-minor Axis between: - the first and last for Planets (both 4:1) - the last and first Planets (both 25 : 1) - and the fourth Planets as counted in from the 1st and last (25 : 4) - Mars from Mercury, and Saturn from Pluto In this view of the semi-minor and Orbital Resonaces overlaid, the whole Solar System takes on the appearance of a carefully Mathematically Balanced ballet of Harmonic Relationships and shared Proportions. In some instances the Ratios and Relationships depicted here are reputed to be very accurate (in terms of Cosmological distances which are vast) coming close to 99.8%.

biblically accurate angels • tip jar

Place: the Harmonic Palace, a Bardic College research facility

The hermeneutic circle describes the process of understanding a text hermeneutically. It refers to the idea that one’s understanding of the text as a whole is established by reference to the individual parts and one’s understanding of each individual part by reference to the whole. Neither the whole text nor any individual part can be understood without reference to one another, and hence, it is a circle. However, this circular character of interpretation does not make it impossible to interpret a text; rather, it stresses that the meaning of a text must be found within its cultural, historical, and literary context.

Emmanuel Swedenborg, the Swedish scientist and mystic, held that the soul of a man was a 'spiritual fluid' diffused throughout the body, and that the medium for its diffusion was the blood, which was thus imbued with power from the divine source. On the other hand the French occultist Eliphas Levi spoke of blood as 'the astral light made manifest in matter', the astral light in this context being the vital principle of the etheric world.

Blood was regarded by all peoples throughout history as a magic substance of tremendous psychic potency and was therefore universally hedged in by taboos. It was the sign of supreme sacrifice; it sealed covenants; it betokened both maidenly virtue and the magic power of virgins. If split on the earth blood cried aloud for vengeance...'There is scarcely any natural object with so profoundly emotional an effect as blood'.

Benjamin Walker, Beyond the Body: The Human Double and the Astral Planes

Eugene Thacker, After Life

Gloves worn by sightless deaf people that allow them to communicate. Talking gloves for the deaf and blind; their value to men injured in the present war. 1917. 

Bronze hand used in the worship of Sabazios. Hands decorated with religious symbols were designed to stand in sanctuaries or, like this one, were attached to poles for processional use.

Date: Roman 1st–2nd century AD. Collection: British Museum.