When the boundaries between the inner and the outer dissipate, the ego returns home, back into its original unity. In imagination—phantasy—the thin line between the inner and the outer begins to fade: the I of the abyss is the silent dialogue the soul has with itself. The same is true for the dreaming soul, asleep within its original lost unity, recovered, reconstituted—even if only for a moment—a confluence between the inner and outer is subsumed within the underworld. In imagination—the artist of the dream—there is a contraction of the ego back into its interior, bringing the wealth of its experiences to bear upon the soul.
Jon Mills, The Unconscious Abyss: Hegel’s Anticipation of Psychoanalysis
"Burning Rhapsody"
Vampire Night (Namco/Sega/WOW Entertainment - PS2 - 2001)
David Allen Hulse, The Eastern Mysteries—An Encyclopedic Guide to the Sacred Languages & Magickal Systems of the World
Alchemical drawings from Sapientia veterum philosophorum, sive doctrina eorumdem de summa et universali medicina (18th c.) BnF
Hildegard von Bingen’s 23 litterae ignotae, letters for her constructed mystical language Lingua Ignota, ca. 1200.
“There is a harmonic relationship that resonates between all the spheres of space, from the smallest to the largest. Think of all the protons vibrating and resonating with each other. Think of all the electrons vibrating and resonating with each other. Then think of all the planets, all the solar systems, all the stars, the galaxies, the superclusters that vibrate and resonate with each other in the universe. Imagine then the number of octaves existing between the proton and the universe. We are very clearly bathed in the music of the spheres.”
Nassim Haramein