Pages From The Oldest Known Norwegian Svartebok ("black Book") Manuscript. Vinjeboka, C.1480-1520, Ms.8°

Linda Dalrymple Henderson, The Fourth Dimension and Non-Euclidian Geometry in Modern Art

David Allen Hulse, The Eastern Mysteries—An Encyclopedic Guide to the Sacred Languages & Magickal Systems of the World

The very notion of culture is an artifact created by bracketing Nature off. Cultures — different or universal — do not exist, any more than Nature does. There are only natures-cultures, and these offer the only possible basis for comparison. As soon as we take practices of mediation as well as practices of purification into account, we discover that the moderns do not separate humans from nonhumans any more than the totally superimpose signs and things.

[…] Absolute relativism presupposes cultures that are separate and incommensurable and cannot be ordered in any hierarchy; there is no use talking about it, since it brackets off Nature. As for cultural relativism, which is more subtle, Nature comes into play, but in order to exist it does not presuppose any scientific work, any society, any construction, any mobilization, any network.

—Bruno Latour, We Have Never Been Modern

Jack R. Strange, "A Search for the Sources of the Stream of Consciousness", The Stream of Consciousness: Scientific Investigations into the Flow of Human Experience

Petitot 1771

A transpersonal psyche with a collective unconscious composed of the sum of all of the archetypes as Jung’s model proposed would have features of a scale-free network structure. His methodology for approaching the unconscious, especially amplification, similarly can be seen to map and understand the psyche as such a network.

—Joseph Cambray, Synchronicity: Nature & Psyche in an Interconnected Universe

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Rosicrucian fundamentals by Plummer, George Winslow, 1876-1944

Carl Jung, The Structure and Dynamics of the Psyche (Collected Works, Volume 8)