Sillymodezeenith - ZEENITH !!!

Hello my friend, my name is Jaafar from North Gaza, I am 24 years old, and finally after waiting for a whole year of killing, displacement, hunger, massacres and genocide against us, the time for a ceasefire has come, thank God we are still alive after all the exhaustion, and during the next week we will return to our homes in North Gaza, which was completely destroyed, unfortunately our area was completely and brutally destroyed and we have nothing left, neither a home, nor property, nor furniture, nor clothes, nor any other clothes, I know that returning to the north will be very painful and difficult due to the lack of the necessities of life, and we will start building our lives from scratch, but we are happy for the war to end.

Please 🙏, donate to my campaign to save my family, even a small amount will help us stabilize ourselves a little, and buy some supplies 🥹, I hope that God will protect your family and friends, thank you 🥰🩵

✅️Vetted by @gazavetters, my number verified on the list is ( #299 )✅️

Chuffed

Help Jaafar Support His Family

Hi, my name is Elizabeth Barnes and I am a US citizen organizing this fundraiser on behalf of my friend Jaafar, who is fundraising to suppor

I also forgot to mention! The very obvious theme of motherhood here, especially when you look at Sarto’s other works, infants and mothers are very prevalent.

One of the first things I thought when I saw this piece for the first time was the way it feels to raise a child while being surrounded by violence. To nurture a child, but you cannot change what they’ll be exposed to.

Now that I’m looking for common threads between Sarto’s works, consumption and predation are both extremely relevant.

The framing of this piece COULD even be to suggest the woman and baby are also among the meat to be consumed, thus the name— they’re in the butcher-shop as another product, not as predators themselves.

I still don’t understand the frog symbolism, but that’s another frequent mention.

Esther Sarto. Butchershop Bliss. 2019. Watercolour and Gouache on 300gsm hotpressed Watercolour paper.

24 x 16 inches

I’ve been thinking about this piece for weeks. I keep coming back to it trying to figure it out. I’ve seen some discussion, but no interpretation has ever really resonated with me.

There’s nothing particularly uncanny about the woman or baby, the surroundings seem normal for them. The lighting is bright, the room is cluttered but not obscured. The meat frames them in, but I’m not sure if that feels like an oppressive force.

The surroundings are visceral, but not scary in any way. Despite the raw meat, there’s no blood in the room, It seems clean.

The only conclusion I can come to is it’s about survival, food, and eating. The baby breastfeeding vs the butchers room. That comes back to the title, though, which doesn’t make much sense to me in that context.

There’s also several feminist and class conscious readings you could do of this; but I’m still not sure.

Please help me figure it out, I’d love to hear other people’s thoughts on this piece!!!

Had to ban the phrase “tricky dick” from my classroom during watergate lesson because saying the word dick in front of 30 fifteen year olds is like lighting a bomb and throwing it through the doorway but now they’re just calling him Richard the Treacherous like they’re all medieval peasants. gonna lose it

Perhaps I’ll get in the practice of posting my art here since I’ve decided I hate instagram. Here’s the prettiest butch ever

frankly, the people whose kneejerk reaction to bisan asking for a global strike form the 21st-28th is to say that it takes years to organize a general strike are really unhelpful! no one is saying otherwise, but palestine will be a smoking crater if we all wait for years to do anything - bisan is asking us to do something now. Like are we only supposed to do something if we can do it perfectly??? At some point it’s a valid critique about the work that goes into social movement, and at another point I feel like some people are just trying to absolve themselves from not putting any effort into observing a week of economic inaction.

like idk! I get it, okay! People have bills to pay that don’t magically go away for a strike, we don’t have nearly enough social infrastructure in place to support people to fully stop going to work for a week. But fuck, dude! Stop immediately responding in such a defeatist way! Cut out unnecessary purchases! Try to shop local! Put more effort into promoting Palestinian voices online! Attend a protest, call a local rep, do something!

friendships end. relationships end. fictional man whos doing even worse than you is forever

me when sexualized design is appealing to me: I love being a pervert this is the correct way to be

me when sexualized design is not appealing to me: all of you are fucking lame and stupid get better taste

me when my heart is ripped off my torso by a dragon: oh fuck

Ppl on the Disco Elysium subreddit are going crazy after the mobile game was announced