The Blondes, It's ALWAYS The Blondes

HTTYD 3 Theory

OK HEAR ME OUT:

We all know the Light Fury is a potential mate for Toothless and all the 'Hiccup-teaches-Toothless-to-flirt' thing will happen, but what he doesn't have to because of Grimdel.

Maybe he force the Light Fury to lure Toothless away from Hiccup. He did this so he can repopulate the species but have them to himself, to have an army of Night and Light Furies attack on his command.

And that's when Hiccup and the gang comes in, we still have those Hiccstrid moments and other ones, they will help Toothless AND the Light Fury out of Grimdel grasp.

*EPIC BATTLE SCENES*

And the final part is when Toothless make his decision if he wants to stay with Hiccup or with Light. And he did make his decision, by convincing the Light Fury to stat with them. If she agreed that's a win win; If not... then... booo😂😂 BUT THAT'S JUST A THEORY...

A FILM THEORY

Oh and maybe there will be a wedding or proposal of Hiccstrid, I hope...

Why do I hear my grandma saying this!?!?!

If this wasn't in the bloopers, Imma effing cry

This was all I could think of at first when we cut to Will tied to the chair

Wilford, blindfolded and tied to a chair, surrounded by knives and guns held towards him

Will: Hello?!

Will: …

*smiles slowly*

Will: Hold on, is this a Febreze commercial-

It works both ways

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“It’s me again. I need someone to be my friend. Maybe send me an Angel. The nicest Angel you have…”

Things I’m glad the Good Omens TV show gave us

-A full 2 minute theme song with a rock ‘n roll guitar version

-A script written by Neil Gaiman the Nocturnal Man™️ himself

-Michael Sheen aka the biggest Aziraphale/Crowley shipper ever to walk the surface of this Earth

-David Tennant aka Hips for Days™️

-YOU’LLLLL BELIEVE GOOOOOD IS A WOOOOOOMAN

-Michael Sheen dancing the gavotte (and david’s terrible disco omg)

-“We can go off together” and the sequel “We can run away together”

-The three (3) times people assumed Aziraphale and Crowley were a couple and the zero (0) times they corrected them

-Crowley making a dramatic gay exit from the flaming remains of Aziraphale’s bookshop while “Somebody to Love” blasts in the background

-Queen Queen so much Queen

-Crowley sobbing over aziraphale while wasted in a bar (“I lost my best friend”)

-“Uh... Okay, so, uh... in the beginning, in the Garden, there was.... Well, he was a... wily old serpent, and I was.. technically on apple tree duty...” aka one of the most Married™️ scenes in Good Omens

-When Crowley stopped time simply because Aziraphale threatened to never talk to him again (mAn that scene was gOrgEOus omfG)

-A Benedryl Cambersnatch cameo

-Having a defined gender????? Don’t know her (@ Crowley, Pollution, Beelzebub, the Angels, ect)

-The body swap

-“To the world” aka the SOFTEST scene go ahead and @ me on this one

-Tori Amos with “A Nightingale Sang in Berkeley Square”

This^

I love when u love the villain but also don't excuse their actions so you're just "ah yes bastard burn in hell also I love you"

Moods

The Holy Trinity.

10 ways in which fans rewrite their favourite television shows:

1) Recontextualization - the production of vignettes, short stories, and novels that seek to fill in the gaps in broadcast narratives and suggest additional explanations for particular actions.

2) Expanding the series timeline - the production of vignettes, short stories, novels that provide background history of characters, etc., not explored in broadcast narratives or suggestions for future developments beyond the period covered by the broadcast narrative.

3) Refocalization - this occurs when fan writers move the focus of attention from the main protagonists to secondary figures. For example, female or black characters are taken from the margins of a text and given centre stage.

4) Moral realignment - a version of refocalization in which the moral order of the broadcast narrative is inverted (the villains become the good guys). In some versions the moral order remains the same but the story is now told from the point of view of the villains.

5) Genre shifting - characters from broadcast science fiction narratives, say, are relocated in the realms of romance or the Western, for example.

6) Cross-Overs - characters from one television programme are introduced into another. For example, characters from Doctor Who may appear in the same narrative as characters from Star Wars.

7) Character dislocation - characters are relocated in new narrative situations, with new names and new identities. 

8) Personalization - the inserted of the writer into a version of their favourite television programme. For example, I could write a short story in which I am recruited by the Doctor to travel with him in the TARDIS on a mission to explore what has become of the Manchester United in the twenty-fourth century. (However, as Jenkins points out, many in the fan culture discourage this subgenre of fan writing.)

9) Emotional intensification - the production of what are called “hurt-comfort” stories in which favourite characters, for example, experience emotional crisis.

10) Eroticization - stories that explore the erotic side of a character’s life. Perhaps the best known of this subgenre of fan writing is “slash” fiction, so called because it depicts same-sex relationships (as in Kirk/Spock,etc.)

- Henry Jenkins Textual Poachers pg 162-177