Nana Is An Evil Little Bitch

Chapter 9: Immortality and a Doomed Boy

Arthur’s grotesque and shocking presentation with Shinji’s severed head had undeniably sent profound shockwaves through the student body and the teaching staff. It had also, in its own horrific way, achieved one of his desperate objectives: Yūka Somezaki was broken, her necromantic Talent voluntarily renounced, and thus, she was no longer an immediate, practicing threat that Nana Hiiragi might feel compelled to eliminate. However, Arthur knew this act of desperate intervention wouldn’t stop Nana for long. She was a force of nature, a meticulously programmed killer, and she would simply recalibrate and move on to other names on her unseen list.

And so she did. Perhaps driven by a need to understand or neutralize one of the most overtly powerful Talents on the island, or maybe even by a flicker of genuine curiosity that occasionally surfaced beneath her assassin’s programming, Nana Hiiragi found herself accepting an unexpected invitation. Kyouya Onodera, the aloof, white-haired boy who had bluntly declared his immortality upon arrival, had invited her to his small, somewhat dilapidated house on the outskirts of the main school grounds. It was an unusual gesture from the solitary Kyouya, and Nana, ever watchful for an opportunity to assess a potential threat or gather intelligence, had agreed.

Arthur only learned of this visit later, through the island’s surprisingly efficient student rumour mill – whispers of Nana being seen heading towards Kyouya’s secluded cottage – and by his own grim piecing together of the explosive events that followed.

During Nana’s visit to Kyouya’s surprisingly cluttered and book-filled house, as she’d excused herself to use his small, old-fashioned bathroom, she was reportedly struck by an almost overwhelming olfactory assault – the cloying, combined scent of various strong, masculine toiletries: harsh antiseptic soaps, pine-scented shampoos, a bracingly powerful aftershave, all mingling in the small, poorly ventilated space. When she casually commented on the rather potent aroma, remarking that he must have a fondness for particularly fragrant products, Kyouya had merely looked blank, a slight frown of confusion on his face. He claimed, with apparent sincerity, that he didn’t smell anything particularly strong or out of the ordinary.

It was then, Arthur deduced, that Nana, with her razor-sharp observational skills and intuitive understanding of human tells, realized Kyouya Onodera suffered from anosmia – the partial or complete inability to smell. A critical weakness, hidden in plain sight.

This discovery, Arthur knew, would have immediately sparked a deadly, opportunistic idea in Nana’s cold, calculating mind. Kyouya’s older, somewhat neglected house, unlike the more modern dormitories, still utilized bottled gas for its heating and cooking appliances. Anosmia meant he wouldn’t detect a gas leak until it was far too late. It was a perfect, almost untraceable method of elimination for an otherwise unkillable target.

A day or two after Nana’s seemingly innocuous visit, a powerful, ground-shaking explosion ripped through the northern, more secluded part of the island, sending a roiling plume of black smoke billowing into the clear afternoon sky. Panic, a now familiar companion to the students, flared anew. Teachers, their faces pale with alarm, rushed towards the site of the blast. Arthur’s heart sank with a sickening thud; he knew immediately where it had occurred, what it signified. He could almost picture Nana, arriving at the scene with a carefully orchestrated display of shock and concern, perhaps even feigning an attempt to "rescue" Kyouya, all the while expecting to find his scattered, incinerated remains among the smouldering wreckage.

Instead, she would have witnessed the utterly impossible: Kyouya Onodera, emerging like a phantom from the smoking, demolished ruin of his home, his clothes scorched, his skin blackened, yet already regenerating before her very eyes. Cuts would have been sealing, burns fading to new pink skin, his white hair dishevelled but his body remaking itself with an unnerving, silent speed.

Later, Kyouya, with his characteristic, infuriating stoicism, would have calmly confirmed to a stunned, undoubtedly seething Nana that yes, he was, for all intents and purposes, immortal. Her meticulously planned assassination, exploiting a cleverly deduced hidden weakness, had failed spectacularly against a Talent that trumped even her lethal precision. For Nana, it must have been a deeply frustrating, almost insulting setback, another name she couldn’t cross off her list. For Arthur, hearing the fragmented, awed accounts of the explosion and Kyouya’s miraculous survival, it was another grim confirmation of the established script, a small island of terrible predictability in the chaotic, churning sea of his new reality. Kyouya Onodera was a problem Nana couldn’t easily solve.

While Nana was grappling with the Kyouya problem and the aftershocks of Arthur’s classroom stunt, another, quieter tragedy was inexorably unfolding, one that Arthur felt with a particular, poignant helplessness: the fading life of Touichirou Hoshino. Arthur remembered Hoshino vividly from the anime – a frail, gentle-faced boy with a shy smile and a Talent for cryokinesis, who was, by his own quiet admission to a few trusted classmates, slowly, inexorably dying of an aggressive, untreatable form of cancer. His time was short, regardless of Nana Hiiragi’s murderous intervention.

Arthur felt a particular, unexpected pang of sympathy for Hoshino. He knew the boy didn’t have long, and the thought of Nana callously cutting that already tragically short life even shorter, purely to meet some unseen, monstrous quota, filled him with a quiet, impotent rage. It struck too close to home, perhaps – the specter of mortality, the unfairness of a life curtailed. He’d tried, in his awkward, phone-assisted way, to find Hoshino during breaks in the days following the Yūka incident, hoping to offer some small, stilted comfort, perhaps even a vague, reassuring “prediction” of a peaceful passing to ease the boy’s final days. But Hoshino, increasingly weak, was often secluded in his room, resting, or had simply wandered off to find a quiet spot to be alone with his thoughts and his pain. He was proving difficult to find.

And then, Arthur was too late.

News, carefully managed and somberly delivered, filtered through the school via a visibly grieving Mr. Saito: Hoshino Touichirou had been found dead. The official story, corroborated by a “traumatized” but “brave” Nana Hiiragi, was that Hoshino, in a bout of melancholic restlessness, had wandered off from the main school grounds, seeking solitude in one of the island’s many natural caves. Nana, ever the caring class representative, had noticed his absence and, filled with concern, had gone looking for him. She’d found him deep within a dark, damp cave, just as they were suddenly, inexplicably attacked by shadowy, indistinct figures – the ubiquitous “Enemies of Humanity.” Hoshino, in a final, heroic act of self-sacrifice, had apparently tried to protect Nana with his ice Talent, but had been fatally stabbed in the struggle. Nana herself, she tearfully recounted, had sustained a “defensive wound” to her forearm – a shallow, suspiciously neat cut – while “bravely” fighting off the attackers before fleeing to report the terrible tragedy.

It was a neat, almost plausible story, playing perfectly into the prevailing atmosphere of fear and paranoia that the school authorities seemed keen to cultivate. But Arthur knew the sickening truth. Nana had found Hoshino alone in that cave, likely in his final, pain-wracked hours, and had murdered him with her poisoned pen-knife, a quick, “merciful” elimination to tick another name off Tsuruoka’s list. The self-inflicted wound was merely a theatrical prop, a cynical flourish to solidify her alibi and paint herself as both a heroine and a fellow victim.

Kyouya Onodera, who had also been present among the group of students and teachers to whom Nana recounted her harrowing tale, had listened with his usual unnerving, impassive expression. But Arthur, watching from the periphery of the shocked gathering, saw the almost imperceptible narrowing of Kyouya’s eyes, the way his gaze lingered for a fraction too long on Nana’s artfully bandaged “wound.” Kyouya was suspicious. He didn’t buy Nana’s overly dramatic, conveniently vague story, not entirely. The pieces weren’t fitting together neatly enough for his sharply analytical mind.

For Arthur, Hoshino’s death, and the fabricated narrative surrounding it, was another heavy, suffocating blow. He hadn’t even been able to offer a single kind word, a moment of shared humanity. He was a man who supposedly held disruptive glimpses of the future, yet he was constantly, frustratingly outmanoeuvred by the brutal, unfolding present. He retreated to the relative anonymity of his dorm room that evening, the phone idle in his hand, the English words of frustration, grief, and self-recrimination dammed up inside him, untranslatable by any app, comprehensible only to the silent, judgmental ghosts of his own conscience. He was an unwilling passenger on a ship of fools, sailing straight into a maelstrom, able to see the waves crashing ahead but with his hands bound, unable to steer clear of the jagged, waiting rocks. The weight of his terrible knowledge, and his profound, repeated inability to act effectively on all fronts, was becoming a leaden cloak, threatening to drag him down into the depths of despair.

Chapter 35: Unravelling Threads of a Told Tomorrow

The fire in the damp cave crackled, spitting a shower of orange sparks into the heavy, charged silence that followed Arthur Ainsworth’s almost whispered invitation. For a long moment, no one spoke. The only sound was the distant, ceaseless roar of the hidden waterfall, a monotonous, indifferent rush of water that seemed to echo the vast, empty chasm of disbelief his words had torn open in their reality. Nana Hiiragi stared at him, her expression a battlefield of warring emotions: shock, anger, a dawning, horrified comprehension, and beneath it all, a flicker of something else – a desperate, almost unwilling hope. Kyouya Onodera’s usually impassive features were tight with a focused, almost predatory intensity, his mind clearly working at furious speed to process, dissect, and analyze the impossible. Michiru Inukai looked pale and stricken, her gentle eyes wide with a mixture of fear and a deep, compassionate sorrow for the sheer, unbelievable weight Arthur must have been carrying. Even Jin Tachibana, his enigmatic calm usually an impenetrable shield, seemed to regard Arthur with a new, sharp, almost piercing alertness.

It was Kyouya who finally broke the spell, his voice preternaturally calm, yet with an underlying edge as sharp as the makeshift blade resting by his side. “Ainsworth-san,” he began, the use of Arthur’s true surname a deliberate, pointed acknowledgement of the new reality between them. “You claim this… ‘story’… this ‘Munō na Nana’… it accurately depicted events on the island, events involving us, with a specificity that allowed you to make your… ‘predictions.’ How can you be certain this wasn’t merely a series of astute observations on your part, perhaps amplified by a genuine, if limited, precognitive Talent you are now choosing to deny for reasons of your own?” It was a logical, almost lawyerly challenge, an attempt to find a more rational, if still extraordinary, explanation.

Arthur met his gaze squarely. “Because, Onodera-san,” he said, his voice weary but firm, his Japanese surprisingly steady, “the details were too specific. Not just the ‘who’ but often the ‘how,’ sometimes even snatches of dialogue, internal motivations of characters that I couldn’t possibly have guessed. The sequence of Nana-san’s targets in that first year, for example, the methods she employed… many were almost identical to what I remembered from this… this narrative.” He paused. “And believe me, if I actually possessed a genuine Talent for seeing the future, I would likely have managed this entire horrifying situation with considerably more competence and far fewer… casualties.” The self-deprecating bitterness in his tone was palpable.

Nana spoke next, her voice low, hoarse, almost raw. “This… ‘Nana’… in your story. You said she… she changed. That she started to… to save Talents? That she wanted to destroy Tsuruoka?” There was a desperate, almost hungry intensity in her eyes. “Did it say how? Did it show her succeeding? What else did it say about… about what I became?”

Arthur looked at her, his heart aching with a complex pity. “The story, as I said, was ongoing when I… left my time. It showed her making that profound shift, yes. Driven by… well, by events similar to what you yourself experienced, Nana-san. By betrayal, by the realization of Tsuruoka’s true nature, by the influence of… of someone like Michiru-san.” He glanced at Michiru, who flushed slightly. “She became fiercely determined to dismantle everything Tsuruoka had built. As for how she went about it, or if she ultimately succeeded… those were parts of the story I never got to see. It was, as you might say, a continuing serial. I only had access to the ‘published volumes’ up to a certain point.” He hesitated. “It did show her becoming… incredibly ruthless in her pursuit of Tsuruoka. Almost as ruthless as she had been when serving him.”

“And my parents?” Nana pressed, her voice barely a whisper now. “The story… it truly said Tsuruoka arranged their murders? That they weren’t… my fault?”

“It was unequivocally clear on that point,” Arthur affirmed gently. “They were good people who opposed him. He had them eliminated and then, with sickening cruelty, manipulated you into believing you were responsible, to break you and bind you to him. That was a central, tragic element of your character’s backstory in the narrative.”

Nana closed her eyes, a single tear escaping and tracing a path through the grime on her cheek. The validation, however bizarre its source, seemed to offer a tiny, almost unbearable sliver of solace.

“What about the Committee?” Kyouya interjected, his focus shifting to more strategic concerns. “Did this narrative provide details about its internal structure? Its ultimate objectives beyond what you’ve already speculated? Were there insights into Tsuruoka’s specific long-term plans, or the identities of other key figures within the organization?”

Arthur sighed. “Frustratingly few concrete details, I’m afraid. Tsuruoka was always depicted as the primary antagonist, the mastermind. Other Committee members were shadowy, ill-defined figures. Their goals seemed to be about control, about manipulating society through fear of Talents, and perhaps, as I mentioned, about weaponizing those ‘Enemies of Humanity.’ But the intricate details of their hierarchy or their decades-long endgame… that was mostly left to speculation even within the story’s fanbase, as far as I can recall.” He paused. “Explaining a Japanese comic book that somehow predicted, or perhaps even influenced, their entire horrific existence… it felt like trying to summarize a particularly bizarre, convoluted dream to a skeptical psychiatrist. Or perhaps attempting to convince the local parish council back in Crawley – or for that matter, any sensible, rational person from Chichester to Land’s End – that their lives, their deepest pains and struggles, were nothing more than a work of popular fiction from another dimension. Utterly, certifiably mad.”

Michiru, who had been listening with a mixture of wide-eyed horror and profound sadness, finally spoke, her voice small and trembling. “Arthur-san… were… were other people we knew from the island… people like Nanao-kun, or Hoshino-kun, or Tachibana-kun… were they also… characters in this story? Did you know what was going to happen to them too, all along?”

Arthur looked at her gentle, troubled face, and the weight of his past inactions, his often-ineffectual interventions, pressed down on him anew. “Yes, Michiru-san,” he said softly. “Many of them were. And yes, I had… glimpses… of their fates. Sometimes clearer than others. As I tried to explain to Kyouya-san, my knowledge was often too little, too late, or too vague to act upon decisively without risking even greater catastrophe.”

“And what of me?” Jin Tachibana’s voice, smooth and cool as polished silk, cut through the charged atmosphere. He had remained silent throughout the exchange, his pale eyes fixed on Arthur, his expression unreadable. “This… ‘Rin’… Kyouya’s sister, who supposedly took on the identity of a boy named Jin Tachibana after a past tragedy. Was her specific role, her full story, also detailed in this… chronicle you remember so selectively, Ainsworth-san?” There was a subtle, almost imperceptible challenge in his tone.

Arthur met Jin’s gaze, choosing his words with extreme care. “The narrative I recall touched upon a character with a deeply tragic past, someone connected to Kyouya-san’s sister, yes. Someone who had been grievously harmed by the Committee’s system, who had lost their original identity, and who later operated from the shadows, with… complex and often ambiguous motivations.” He offered no more, sensing the dangerous, shifting currents beneath Jin’s calm façade. He knew he was treading on very thin ice.

“Why?” Nana asked suddenly, her voice raw with a new kind of pain. “Why didn’t you tell us all of this sooner, Arthur-san? From the very beginning?”

Arthur looked down at his hands, the hands of Kenji Tanaka, a boy whose life he had unwillingly usurped. “Would you have believed me?” he asked quietly. “If, on my first day, a strange boy speaking through a telephone had told you that your entire reality was a Japanese comic book from his world? You, Nana Hiiragi, trained assassin, would you have simply accepted that?” He shook his head. “You would have marked me for immediate elimination as a dangerous lunatic, and rightly so. I told you what I felt I could, when I felt I could, in ways I hoped might make a small difference, without getting myself killed in the process, or making things catastrophically worse. My ‘Talent depletion’ announcement after the escape… that was the first moment I felt it might be safe, or even necessary, to begin unravelling the true extent of the… absurdity of my situation.”

A long silence fell, filled only by the crackling of the fire and the distant, soothing roar of the waterfall. The survivors sat, each lost in their own thoughts, grappling with a truth that redefined their past, their present, and their utterly uncertain future. The world had not just been turned upside down; it had been revealed as a strange, distorted echo of a fiction from another dimension.

Finally, Kyouya spoke, his voice thoughtful, pragmatic. “This knowledge, however outlandish its origin, however unsettling its implications… it changes nothing about our immediate objectives. Tsuruoka is still out there. The Committee still operates. The threat to Talents, to all of us, remains.” He looked at Arthur. “But it does, perhaps, give us a new, if deeply unorthodox, perspective on our enemy. And on ourselves.”

Nana nodded slowly, a new, hard light dawning in her violet eyes, the earlier flicker of desperate hope now solidifying into something far more dangerous, more focused. “A story…” she murmured, almost to herself. “So Tsuruoka thought he was writing my story.” A small, chilling smile touched her lips. “Perhaps it’s time I started writing my own ending. And his.”

Arthur watched them, a strange sense of detachment settling over him. He had unburdened himself of his greatest secret. The pieces were now on the board, for all to see. His "one idea," the thought that had been coalescing in his mind since their escape, now felt more urgent, more necessary than ever. But first, they had to truly absorb this. They had to decide if they could even move forward together, now that the very foundations of their reality had been so profoundly, so utterly, shaken.

Chapter 28: Justice, Parole, and a Ghost from the Past

Nana Hiiragi’s fragile, newfound resolve to confront Commander Tsuruoka, precariously bolstered by Jin Tachibana’s enigmatic counsel and Arthur Ainsworth’s devastating revelations, was tragically, almost laughably, short-lived. She had woefully underestimated the speed, the reach, and the utter ruthlessness of her former handler. Just a few desperate days after her clandestine, rain-swept meeting with Jin, as she was cautiously, almost timidly, trying to gather meager resources and formulate even the most rudimentary plan of action from the squalid sanctuary of her tiny, anonymous apartment, Tsuruoka made his decisive, inevitable move. He contacted Detective Maeda, the outwardly respectable police officer to whom the earnest, unsuspecting Akari Hozumi had so trustingly entrusted her meticulously compiled dossier of damning evidence against Nana.

“Maeda,” Tsuruoka’s voice was cold, devoid of inflection, and utterly decisive over the secure, encrypted line, “it is time to officially activate the Hiiragi case file. I want a full-scale, highly publicized manhunt. And I want her found. Quickly. Public interest in this matter is… considerable.”

The well-oiled machinery of the law, its gears greased and subtly guided by Tsuruoka’s pervasive, unseen influence, ground into motion with terrifying, unstoppable efficiency. Within hours, Nana Hiiragi’s face – a younger, more innocent-looking photograph taken from her old school records – was plastered across national news broadcasts, online forums, and police bulletins. She was branded “The Island Schoolgirl Killer,” a teenage monster who had preyed on her unsuspecting classmates. Her carefully constructed anonymity evaporated like morning mist under a harsh sun. The city, once a sprawling, indifferent refuge, transformed overnight into a vast, tightening net. Within days, her desperate attempts to change her appearance, to melt into the urban sprawl, proved futile. She was cornered in a crowded, brightly lit suburban shopping mall by an alert off-duty police officer who recognized her from a wanted poster. Her frantic, desperate attempt to flee, to lose herself in the throng of shoppers, was short-lived and brutally curtailed. Nana Hiiragi, the Committee’s former star assassin, the girl Tsuruoka had molded into a perfect weapon, was apprehended, her brief, flickering hope of confronting her tormentor on her own terms extinguished.

Her trial was a media sensation, a lurid, captivating spectacle that fed the public’s morbid fascination with youthful depravity. The damning evidence Akari Hozumi had so meticulously gathered was laid bare for all to see: chilling witness testimonies from former island students (their own traumas carefully managed and selectively presented by the prosecution), Akari’s own unnervingly precise forensic reconstructions of multiple murder scenes, and Nana’s own fragmented, tearful, partial confession made by the lake on the island. The prosecution, led by a sharp, ambitious young lawyer, painted Nana as a cold, calculating, remorseless serial killer, a monstrous aberration who had systematically preyed on her innocent, unsuspecting fellow students. The public outcry was immense, a wave of revulsion and fear. The death penalty seemed not just a possibility, but an almost foregone conclusion.

But Nana’s court-appointed lawyer, a tenacious, fiercely idealistic, and surprisingly skilled older woman named Haruka Ito, fought tirelessly, passionately, against the overwhelming tide. Ito, with a quiet dignity that often wrong-footed the more aggressive prosecution, argued for diminished responsibility. She meticulously detailed Nana’s brutal, isolated upbringing, her systematic indoctrination from a young, impressionable age, and the extreme, undeniable psychological manipulation she had endured at the hands of a shadowy, unaccountable government organization. She portrayed Nana not as an inherent monster, but as a tragic, deeply damaged victim, a child soldier psychologically tortured and molded into a weapon in a covert war she hadn’t understood, couldn’t possibly have comprehended. Nana herself, during the long, agonizing trial, remained mostly silent, a pale, hollow-eyed ghost in the defendant’s box, her demeanor one of profound numbness, punctuated by occasional, barely perceptible flickers of remorse and a deep, soul-crushing weariness. Haruka Ito’s defense was compelling, deeply unsettling to the public narrative. While it could not exonerate Nana of the terrible acts she had committed, it cast enough doubt on her sole, unmitigated culpability. The death sentence was, to the shock and outrage of many, commuted. Nana Hiiragi was instead sentenced to a lengthy, indeterminate prison term for multiple counts of culpable homicide. She disappeared into the unforgiving, anonymous depths of the penal system, her name forever synonymous with betrayal, youthful monstrosity, and the dark, hidden secrets of the nation’s clandestine operations.

Three years later, in the mild, cherry-blossom-scented spring of late 2028, Arthur Ainsworth was expertly wiping down a small, Formica-topped table in “The Corner Nook,” the bustling, unpretentious restaurant in a quiet, residential Tokyo suburb where he now worked as a waiter. He was surprisingly, almost guiltily, content. The mundane, predictable rhythm of the work – taking orders, delivering food, clearing tables, the easy, unforced banter with the regular patrons – was a soothing balm to his once-tormented soul. His Japanese, honed by years of daily immersion and supplemented by diligent attendance at informal language exchange meetups, was now reasonably fluent, his English accent a minor, charming novelty that amused the customers and his co-workers alike. He had even, cautiously, begun to make a few tentative friendships.

The island, Tsuruoka, Nana Hiiragi – they were ghosts that still haunted the periphery of his thoughts, their sharp edges softened by the healing balm of time and distance, but their presence, their impact, was undeniable. Annually, on the grim anniversary of his inexplicable, violent arrival on that cursed shore, he would make a quiet pilgrimage to a large, peaceful, and entirely anonymous public cemetery on the outskirts of the city. He didn’t know where Nana’s victims were truly buried, or if their families had even been allowed the dignity of a grave. So, he would choose a weathered, unnamed, forgotten headstone at random, lay a single, pure white chrysanthemum at its base, and talk to them, to Michiru, to Nanao, to Hoshino, to Tachibana, to Habu, even to the foolish, cruel bullies, Etsuko and Marika. He would speak to them in quiet English, recounting their small, stolen lives as he remembered them, acknowledging their needless deaths. It was his private penance, his way of remembering, of shouldering the small share of responsibility he felt for their fates.

The world outside the comforting, predictable routine of his quiet restaurant, however, was growing increasingly, palpably uneasy. News reports, both mainstream and from more fringe online sources, spoke with alarming frequency of rising anti-Talent sentiment across Japan, often fueled by isolated, sensationalized incidents of Talents losing control of their abilities or, more disturbingly, using their unique powers for overtly criminal, even terroristic, acts. Whispers, then more overt discussions, of government-run “Protective Custody and Assessment Centers” – internment camps, Arthur knew them to be, his blood running cold at the familiar, chilling euphemism – for individuals with “problematic” or “unstable” Talents were becoming more frequent, more insistent, presented as a necessary measure for public safety. The seeds of fear and division Tsuruoka and the Committee had so carefully, so cynically, sown over the years were now bearing bitter, poisonous fruit.

It was on a cool, clear spring evening, as Arthur was meticulously cashing up for the night, the familiar scent of soy sauce and grilled fish still lingering in the air, that Nana Hiiragi walked, not back into his life, but back into the turbulent, unforgiving life of the world at large. She had been paroled, her release from prison quiet, unpublicized, almost surreptitious – likely another of Tsuruoka’s intricate, inscrutable machinations, Arthur suspected. Her first act as a conditionally free woman, her gaunt face hardened by three years in the brutal, dehumanizing environment of prison, her eyes still burning with a desperate, unquenched need for truth and retribution, was not to seek anonymity or a fragile peace, but to confront her primary tormentor, the architect of her ruined life.

She found Commander Tsuruoka, as she somehow knew she would, in his heavily fortified, opulently appointed private office deep within the Committee’s impenetrable headquarters. He received her with a chillingly calm, almost paternally amused demeanor, as if her unexpected appearance was an entirely predictable, mildly entertaining diversion from his important work. Nana, older now, her youthful softness almost entirely erased, her voice raspy from disuse but her resolve like tempered steel, demanded answers – about her parents, about the Committee’s lies, about the true nature of the “Enemies of Humanity,” about everything.

Tsuruoka deflected her every accusation, her every anguished question, with infuriating, condescending ease, his words a masterclass in psychological manipulation, twisting reality, subtly shifting blame, painting Nana herself as the architect of her own misfortunes, a flawed, inherently unstable instrument who had inevitably, disappointingly, broken under pressure. He smirked, a slight, dismissive, utterly contemptuous expression that finally, irrevocably, shattered Nana’s fragile, prison-honed composure.

Consumed by years of suppressed, impotent rage, by the fresh, agonizing grief of her remembered, manipulated past, Nana lunged, not for Tsuruoka himself, but for the heavy, ornate, antique silver letter opener lying innocuously on his vast, polished mahogany desk – a poor, desperate substitute for a real weapon, but the only thing immediately at hand. She tried to stab him, to silence his maddening, condescending voice, to inflict even a fraction of the pain he had caused her. At the last possible second, Tsuruoka’s ever-present, stoic, and utterly loyal adjutant, a career military man who had served him faithfully for over two decades, threw himself in front of his boss with a shout of warning. The sharp, pointed steel of the letter opener plunged deep into the adjutant’s chest. He collapsed with a surprised, gurgling grunt, a dark, rapidly spreading stain blooming on the crisp white front of his uniform.

Tsuruoka looked down dispassionately at his dying, devoted aide, then back at Nana, who stood frozen, horrified, the bloody letter opener dropping with a clatter from her trembling, suddenly nerveless hand. A slow, cold, almost predatory smile spread across Tsuruoka’s face. “Is that all you’ve got, Hiiragi?” he taunted, his voice soft, laced with a chilling amusement. “Still so… predictably emotional. So very… disappointing.” Panic, raw and absolute, seized Nana. She had just killed again, this time an innocent man, a man who had tried to protect his monstrous boss, right in front of her nemesis, the man who held all the power. She turned and fled, stumbling from the opulent office, Tsuruoka’s derisive, mocking laughter echoing in her ears, a soundtrack to her renewed, now doubly damned, fugitive status.

Chapter 23: Hunted and Haunted

The months that followed the chaotic "evacuation" at the end of the Second School Year had transformed the island into a place of profound, echoing silence for Michiru Inukai. After slipping away from the frenzied embarkation, she had retreated into the island's deep, overgrown interior, finding a precarious solitude in hidden coves and forgotten, crumbling outbuildings of the sprawling academy. She had survived, barely, on her knowledge of the few edible plants Kyouya had taught them to identify, on rainwater collected in broad leaves, and on a fierce, quiet resilience she hadn’t known she possessed. The island, stripped of its teeming, terrified student population and its menacing faculty, had become a different entity – still haunted by memories, but also imbued with a wild, untamed, almost melancholic beauty. She missed Arthur’s quiet, if awkward, companionship, Nana’s newfound, fierce protectiveness, and even Kyouya’s stoic, reassuring presence more than she could say. She often wondered where they had been taken, if they were safe.

Then, one cool, late summer morning, the unnatural silence that had become her constant companion was shattered. Faint at first, then growing steadily louder, came the unmistakable, deeply unsettling thrum of powerful marine engines, followed by the distant, mournful blare of a ship’s horn. Ferries. More than one. Michiru’s heart, which had settled into a rhythm dictated by the tides and the rustling leaves, now hammered against her ribs with a mixture of terror and a wild, desperate hope. New arrivals. The Committee was repopulating its monstrous school.

Clutching the sharpened stick that had become her primary tool and occasional weapon, Michiru Inukai, on hearing the undeniable sounds of pupils arriving once more, decided to forgo her hard-won isolation. Her loneliness, a constant ache, warred with her ingrained caution. She had to know. Were they among the returnees? Or was this a fresh batch of unsuspecting victims, doomed to endure the island’s horrors anew? With a surge of trepidation, she began to make her way, slowly and stealthily, through the dense undergrowth towards the distant, now reactivated docks, her senses on high alert.

For Arthur Ainsworth, the return to the island was a descent into a familiar, deeply dreaded circle of hell. Strapped into a hard plastic seat on the transport vessel, surrounded by silent, grim-faced Committee agents and a new cohort of bewildered, frightened teenage Talents, he felt a suffocating sense of despair. His brief, brutal interlude on the mainland – the back-breaking labor, the constant fear, his abduction, and the chilling pronouncements of Tsuruoka’s subordinate – had stripped him of any lingering illusions. He was a prisoner, a marked man, returned to this cursed place with a death sentence hanging over his head. Nana Hiiragi, he knew with a chilling certainty, would also be here, Tsuruoka’s orders to eliminate him no doubt ringing in her ears. This strange, unending, almost timeless progression of his life, from one bleak May in Crawley to this even bleaker, surreal late summer, felt like a cruel, cosmic joke.

As the ferry docked with a familiar, jarring thud against the weathered pier, Arthur was herded off with the other students, his gaze sweeping the familiar, yet now even more menacing, landscape. He saw Kyouya Onodera further down the pier, his expression as impassive and unreadable as ever, though Arthur thought he detected a new, harder glint in his pale eyes. Nana, too, was visible, a flash of incongruous pink hair amidst the drab uniforms, her face pale and drawn, her usual ebullience entirely absent. She avoided his gaze.

The new students, wide-eyed and apprehensive, were being marshalled by a fresh contingent of stern-faced teachers Arthur didn’t recognize. He felt a familiar wave of helpless anger towards these oblivious newcomers, lambs to the slaughter. His priority, he knew with a grim clarity, was survival. He had to evade Nana, to anticipate her moves, to find a way to neutralize her as a threat without becoming a killer himself. The thought was almost laughable in its impossibility.

Then, a small movement at the edge of the bustling, chaotic pier caught his eye. A figure, small and hesitant, emerged from the shadows of a stack of weathered cargo crates. Her white, fluffy hair, though matted and unkempt, was unmistakable.

Arthur’s breath caught in his throat. His heart seemed to stop. It couldn’t be.

“Michiru?” he whispered, the name a fragile, disbelieving prayer, his Japanese clumsy but heartfelt.

The figure turned, her wide, gentle eyes finding his. A slow, hesitant, almost incandescent smile spread across her dirt-smudged, gaunt face. “Tanaka-kun?” she breathed, her voice weak but clear.

Forgetting the guards, forgetting Nana, forgetting the new students, forgetting everything but the impossible, miraculous sight before him, Arthur stumbled forward. Nana, too, had seen her, her own face a mask of utter, stunned disbelief, her hand flying to her mouth. Kyouya Onodera, his usual stoicism momentarily fractured, actually stopped in his tracks, his eyes widening almost imperceptibly.

Michiru Inukai, who had chosen solitude over evacuation, who had somehow survived alone on this cursed island for months, had come to see who had returned. And in doing so, she had just irrevocably altered the deadly game that was about to begin anew.

The fragile, almost forgotten sense of hope Arthur had so carefully, so secretly, nurtured during his vigil over her seemingly lifeless, yet persistently warm, body now surged through him, potent and overwhelming. She was alive. Truly alive. And she was here.

The reunion was brief, cut short by the harsh commands of the guards ordering the students to move towards the school buildings. But as they were forced to separate, Michiru flashing him a quick, reassuring, if still weak, smile, Arthur felt a subtle shift within himself. He was still a target, still hunted. But he was no longer entirely alone in his knowledge, or in his desperate hope. Michiru’s presence, her impossible survival, was a testament to something beyond the Committee’s cruel calculations, beyond Tsuruoka’s monstrous designs. It was a spark. And perhaps, just perhaps, that spark could ignite something more.

Later that day, as the grim routine of the Third School Year began to settle over them, Arthur knew his primary task remained unchanged: survive Nana Hiiragi. He saw her watching him during the opening assembly, her expression unreadable, the conflict within her a palpable, dangerous force. He would use his knowledge of the island, his understanding of Nana’s methods, his sheer, stubborn will to live, to evade her. He would be a ghost, a shadow, always one step ahead. The cat-and-mouse game had resumed, but now, there was a new, unexpected piece on the board, a fluffy-haired girl whose very existence defied death itself, and whose presence might just change everything. The new students, chattering nervously amongst themselves, remained entirely oblivious to the complex, deadly currents swirling around their upperclassmen, unaware that their island academy was, once again, a hunting ground.

Chapter 7: The Necromancer's Secret and a Ghastly Plan

The swift, brutal efficiency of Ryouta Habu’s demise, following so closely on the heels of Arthur’s successful, if temporary, safeguarding of Nanao Nakajima, sent a chillingly clear message: Nana Hiiragi would not be easily deterred or gracefully outmanoeuvred. If one target became too difficult or inconvenient, she would simply pivot to another, or ruthlessly eliminate any immediate threats to her mission or her cover. Arthur knew, with a sickening certainty, that simply playing defence, reacting to her moves, was a losing strategy. He had to find a way to be proactive, to disrupt Nana’s rhythm, to sow confusion, perhaps even to expose one of the other potent Talents on the island before Nana could get to them. If he could muddy the waters, create other suspects, other focal points of fear and suspicion, it might just buy him, and others, more time.

His attention, with a grim sense of reluctant necessity, turned to Yūka Somezaki.

Arthur remembered her vividly from the anime – a quiet, almost morose girl with wide, haunted eyes and an unhealthy, possessive fixation on her supposedly deceased boyfriend, Shinji. Her Talent, necromancy, was one of the island’s more disturbing secrets. She was, he knew, reanimating Shinji’s corpse nightly, engaging in a macabre, delusional charade of continued romance. The circumstances of Shinji’s actual death – a house fire that had occurred shortly before this cohort of students arrived on the island – were deeply suspicious, almost certainly a case of arson committed by a jealous, enraged Yūka herself, though she had likely long since convinced herself, and perhaps others, that it was a tragic accident.

He began to observe Yūka more closely, his scrutiny carefully veiled. Her tendency to isolate herself from the other students, the way her gaze would occasionally, furtively, drift towards the northern, less frequented and more overgrown part of the island. The almost feverish, defensive intensity with which she spoke of "Shinji" if his name ever, however rarely, came up in conversation, as if he were still alive, merely temporarily absent. It all fit the disturbing profile he remembered.

His plan was audacious, morally dubious, and frankly, gruesome. It carried a significant risk of exposure for himself, and of further traumatizing an already unstable individual. But if it worked, it might unsettle Yūka profoundly, perhaps enough to make her stop her nightly rituals, or at the very least, expose her dangerous Talent in a way that didn’t directly involve Nana identifying and eliminating her. It was a desperate gamble, an attempt to preempt Nana by creating a different kind of chaos.

One quiet afternoon, during a sparsely attended optional study period in the school library, Arthur approached Yūka Somezaki’s secluded table. She was hunched over a thick textbook, though he noted her eyes weren’t actually moving across the page. She looked up as he approached, her eyes widening with a startled, almost hunted expression.

He placed his phone on the worn wooden table between them, the now-familiar ritual initiating his stilted communication. “Somezaki-san,” his translated voice said, pitched low and serious, designed to command attention. He paused, affecting the distant, unfocused look he used when invoking his “Chrono-Empathic Glimpse.” “My visions… they have been particularly troubled these past few days. I sense… a significant unrest. A dark activity, concentrated on the north side of the island.”

Yūka’s eyes widened almost imperceptibly, her knuckles whitening as she gripped her textbook. The north side. That was where the burnt-out, abandoned shell of Shinji’s former dwelling stood, a place she likely considered her private, desecrated shrine.

“I believe,” Arthur continued, his translated voice dropping to a conspiratorial whisper that nonetheless seemed to echo in the quiet library alcove, “that the so-called ‘Enemies of Humanity’ may be planning something there. Something… unholy. Perhaps even tonight, under the cover of darkness.” He leaned forward slightly. “I intend to investigate. It could be extremely dangerous, of course. Would you… consider assisting me, Somezaki-san? Your unique perspective, your sensitivity, might prove invaluable in uncovering their plot.”

He watched her carefully, observing the subtle play of fear and suspicion across her pale features. He was banking on her profound fear of exposure, her desperate desire to protect her terrible secret, outweighing any faint curiosity or misplaced sense of civic duty. The specific mention of the north side, and the insinuation of unholy activities, was the carefully baited hook.

Yūka paled visibly, a sheen of sweat appearing on her upper lip. Her hands clenched convulsively in her lap. “I… I can’t, Tanaka-kun,” she stammered, her voice barely audible, a thin, reedy whisper that the phone dutifully translated. “I… I haven’t been feeling at all well recently. All this… terrible upset about Habu-kun’s death… I think I just need to rest this evening. Perhaps another time?” She wouldn’t meet his eyes, her gaze fixed on a point somewhere past his shoulder.

“A great pity, Somezaki-san,” Arthur’s phone intoned, his own expression carefully neutral. “But entirely understandable, given the circumstances. Rest well.” He picked up his phone and walked away, leaving her to her rapidly escalating agitation. He’d achieved his first objective: she would be terrified, deeply unnerved by his seemingly specific “hunch,” and almost certainly wouldn’t venture anywhere near the north side of the island that night.

That evening, under the oppressive cloak of a moonless, heavily overcast sky, Arthur slipped out of the hushed dormitory. He had discreetly “borrowed” a sturdy canvas art satchel from a mostly unused supply closet and a heavy-duty utility knife that had, for some inexplicable and fortunate reason, been left amongst a jumble of tools in the common room’s lost-and-found box. The island was eerily quiet, the usual nocturnal chorus of cicadas and the distant, rhythmic sigh of the ocean seeming only to amplify the profound silence and his own thudding heartbeat.

He navigated by the hazy memory of the island map he’d once glimpsed and the faint, almost invisible glow of his phone screen, its brightness turned down to the absolute minimum. The path to the northern, more remote part of the island was poorly maintained, overgrown and treacherous in the pitch darkness. After nearly an hour of stumbling through dense, clinging undergrowth, his shins scraped and his nerves screaming, he finally found it: the charred, skeletal remains of a small, isolated shack, its blackened timbers stark against the dark sky, just as he remembered it from a brief, unsettling panning shot in the anime. The air here was heavy, still thick with the faint, acrid, ghostly smell of old smoke and damp decay.

He found a concealed spot within a dense thicket of bushes, downwind from the ruin, and settled in to wait. His heart pounded a nervous, unsteady rhythm against his ribs. This was, he told himself for the hundredth time, certifiably insane. He, Arthur Ainsworth, a fifty-one-year-old former paper-pusher from Crawley, a man whose greatest prior adventure involved misplacing his spectacles during a rather staid Thomas Cook package holiday to the Costa del Sol, was now lurking in the haunted wilderness of a deadly island, preparing to confront a reanimated corpse. The sheer, terrifying absurdity of it all threatened to overwhelm him.

Hours crawled by with agonizing slowness. The cold night air, damp and clinging, seeped into his bones, making him shiver uncontrollably. Doubt, a insidious, gnawing worm, began to eat at his resolve. What if he was wrong? What if Yūka, spooked by his earlier veiled threats, didn’t summon Shinji tonight? What if some other creature, one of the real Enemies of Humanity, if such things truly existed beyond the manipulative government propaganda and Tsuruoka’s monstrous fabrications, found him first? He clutched the utility knife, its cold, unforgiving metal a poor and insufficient comfort against the rising tide of his fear.

Just as the first, almost imperceptible hint of bruised grey began to lighten the eastern sky, dimming the stars, he heard it – a distinct, unnatural shuffling sound, the sharp snap of a dry twig under a clumsy footfall. He peered cautiously through the dense leaves, his breath catching in his throat. A figure was lurching out of the pre-dawn darkness, moving with an unsettling, jerky, puppet-like gait. It was vaguely human-shaped, its clothes tattered and mud-stained, its skin a mottled, unhealthy, almost phosphorescent hue in the gloom. Shinji. Or rather, what Yūka Somezaki’s dark Talent had made of him.

Arthur’s breath hitched. This was it. No turning back. He gripped the utility knife, its handle slick in his sweaty palm. He’d never considered himself a brave man, not by any stretch of the imagination. He wasn’t entirely sure he was one now. But a desperate, cold, almost inhuman resolve had settled over him, born of fear and a grim, overriding necessity.

He waited, every muscle tensed, until the shambling, reanimated corpse lurched past his hiding place, then he lunged.

The struggle was a nightmarish, clumsy, terrifying wrestle in the damp earth and decaying leaves. The creature, despite its decayed state, was surprisingly strong, its dead limbs animated by an unnatural, jerky power. It clawed at him with surprising force, its decaying flesh exuding a fetid, sweetish odour of grave dirt and rot that made Arthur gag and his stomach heave. It moaned, a low, guttural, inhuman sound that seemed to vibrate in his very bones. He dropped the utility knife in the initial, frantic scuffle but managed to bring the heavy canvas bag down hard on its head, stunning it for a precious, disorienting moment. Scrambling desperately in the dirt, his fingers closed around a hefty, sharp-edged rock.

He didn’t allow himself to think, to hesitate. He just acted, driven by a primal survival instinct and the grim, horrifying necessity of his insane plan. It was a brutal, sickening, desperate business. When it was finally, blessedly over, he was shaking uncontrollably, his clothes torn, his body covered in dirt and something he desperately hoped wasn’t zombie effluvia. Shinji’s reanimated form lay still, a grotesque parody of life extinguished.

With trembling, bloodied hands, he retrieved the utility knife. The next part, he knew, would be even worse. He had to force himself, fighting back waves of nausea and a rising tide of self-loathing, to complete the terrible task he had set himself. Finally, his heart pounding a mad tattoo against his ribs, his stomach churning with revulsion, he managed to secure the zombie’s severed head in the canvas satchel. The weight of it was obscene.

As the sun began its slow, indifferent ascent, casting a sickly yellow light over the gruesome, desecrated scene, Arthur Ainsworth, or rather, the boy known as Kenji Tanaka, stumbled back towards the distant, still-sleeping school. He was physically and emotionally wrecked, a hollow shell of a man. The thought of what he had to do next, of presenting this horrifying, violating trophy to a classroom of unsuspecting teenagers, filled him with a fresh, overwhelming wave of revulsion and despair. But it was necessary. He had to try and break Yūka Somezaki’s cycle of delusion and necromancy, and perhaps, just perhaps, save her from Nana Hiiragi in the process – even if it meant becoming a figure of profound terror and moral ambiguity himself. He was walking a very dark path, and he wasn't sure he'd ever find his way back.

Thank you @sku-te and everyone who got me to 5 reblogs!

Hej

posting nothing but ai and hate in main tags/on others posts isnt gonna get you very far on tumblr

That is a great question. But needless to say, it's nothing to care about.

Nana is a dislikable character - that's what this account is for.

Nana is an evil little bitch

Chapter 1: The Unwanted Journey

The absolute, unequivocal last sensation Arthur Ainsworth, fifty-one years, three months, and a dreary Tuesday into a life he often felt was on loan from a particularly uninspired mail-order catalogue, registered with any degree of certainty was the gritty, slightly abrasive texture of overly toasted wholemeal bread lodging uncomfortably between his teeth. The sharp, familiar, and frankly unwelcome tang of too-bitter, cheap chunky marmalade still coated his tongue. He’d been staring blankly out of his perpetually damp Crawley kitchen window, past the condensation fogging the lower pane, at the aggressively, almost offensively cheerful fuschia in Mrs. Henderson’s meticulously manicured, gnome-infested garden. He was contemplating, with a familiar sense of existential dread, the yawning, featureless abyss of another interminable Tuesday morning meeting about synergistic resource allocation and departmental overheads, when the very fabric of his mundane reality had simply… dissolved.

Not in a gentle, cinematic fade to black, but with a violent, nauseating, wrenching compression, as if he were being forcibly, painfully squeezed through the eye of a cosmic needle that was far too small for his middle-aged, slightly paunchy frame. A silent scream, a pure rictus of terror and disbelief, tore from lungs that, a horrifying microsecond later, felt alarmingly… undersized, tight, and distressingly inefficient.

He blinked. Once. Twice. His vision swam, a nauseating, disorienting blur like looking through a disturbed goldfish bowl that had been filled with murky water. The comforting, slightly musty, entirely familiar aroma of his own small kitchen – old tea towels needing a boil wash, the faint, lingering ghost of last night’s overcooked shepherd’s pie, the metallic tang of the ancient gas hob – was gone, brutally, inexplicably supplanted. Now, his nostrils flared against an aggressive, unwelcome olfactory assault: the sharp, briny sting of sea air, the unmistakable, oily reek of diesel fumes, and beneath it all, a cloying, faintly sweetish, almost chemical perfume he couldn’t quite identify – cheap cherry blossom air freshener, perhaps? It made his stomach roil with a sudden, violent wave of nausea.

He wasn’t standing, a half-eaten piece of toast clutched in his rapidly cooling hand. He was seated, or rather, vibrating, perched precariously on a ridiculously hard, unforgivingly cold plastic bench that thrummed with the powerful, rhythmic, almost hypnotic beat of a massive engine. The vibration resonated through his slight, unfamiliar frame, up his spine, and into his teeth, making them ache. His entire field of vision still swam, a nauseating blur that slowly, reluctantly, resolved into... a boat? No, this was larger, more substantial. A ferry, judging by its considerable size and the churning, slate-grey-green water visible through a salt-streaked, grimy window.

His hands. He stared down at his hands, which were resting, almost formally, on knees that felt strangely knobbly, pointed, and alarmingly close to his face. They were small, slender, the skin unnervingly smooth and pale, entirely unblemished. Gone were the familiar, comforting liver spots, the intricate network of fine wrinkles he’d painstakingly earned over fifty-one years of worry and indifferent skincare. Gone, most shockingly, was the faded, silvery-white scar on his left thumb, a cherished, almost nostalgic memento from a foolish, boyish attempt to whittle a stick with his father’s intimidatingly sharp penknife when he was barely ten. These were the hands of a boy, a complete stranger. A wave of pure, unadulterated vertigo, cold and terrifying, washed over him, making the already unsteady deck beneath his feet seem to tilt and sway even more alarmingly.

Panic, sharp, icy, and visceral as a shard of glass plunged into his chest, clawed its way up his throat, a silent, suffocating, desperate scream. He looked down further, a strangled, wheezing gasp escaping lips that felt thin, unfamiliar, and strangely unresponsive to his mental commands. A pristine, almost unnaturally dark-blue school uniform – a tailored blazer with an unfamiliar, elaborate embroidered crest on the breast pocket, a stark white, slightly stiff shirt, a neatly, tightly knotted tie that felt like a miniature noose around his suddenly slender neck, and sharply creased, unfamiliar trousers – encased a frame so lean, so light, it felt like inhabiting a fragile, empty birdcage. His comfortable, tea-stained cardigan, his worn, beloved corduroys, his trusty, down-at-heel slippers – all relegated to a life, a world, a self, that felt galaxies, lifetimes, away.

This isn't happening, the thought was a frantic, desperate, looping denial against the overwhelming, irrefutable sensory evidence. This is a stroke. A brain aneurysm. A complete psychotic breakdown. A ridiculously vivid, cheese-induced dream brought on by that questionable Stilton I had before bed. But the insistent, bone-jarring thrum of the powerful engine beneath him, the penetrating chill of the damp sea air seeping through the thin, unfamiliar fabric of the school uniform, the too-tight, starched collar chafing uncomfortably against his strangely youthful skin – it was all terrifyingly, undeniably, horribly concrete.

He was on a ferry. A modern, somewhat utilitarian vessel, judging by the functional, uncomfortable plastic seating and the smeary, salt-streaked windows that offered a bleak, uninviting view of the turbulent, grey-green water churning past under a bruised, weeping, overcast sky. In the middle distance, wreathed in a swirling, clinging mist that seemed to swallow the light, an island rose steeply, almost menacingly, from the restless sea, its slopes a dense, unbroken, unwelcoming carpet of dark green. It reminded him, vaguely, unsettlingly, of some of the starker, more dramatic parts of the south coast back home, but… wrong. Utterly, fundamentally wrong. The light was wrong, the air felt wrong, the very angle of the sun, when it briefly, weakly, pierced the oppressive cloud cover, seemed alien. What a dreadful, dreadful May this was turning out to be, he thought with a sudden, bizarrely specific pang of dislocated misery, before shaking his head to dispel the irrelevant, nonsensical thought.

Around him, other teenagers – actual, living, breathing teenagers, their faces a sea of youthful energy and incomprehensible expressions – chattered and laughed and scrolled through their phones, their voices a bewildering, overwhelming cacophony in a language that flowed around him like fast-moving water, every sibilant hiss, every sharp vowel, every lilting intonation entirely, utterly alien and incomprehensible. They all wore the same dark blue uniform, a depressing ocean of conformity. They were all, he noted with a fresh, sinking wave of despair, Japanese.

“Excuse me,” he tried, the English words feeling thick, clumsy, unnaturally foreign, and obscenely loud in this new, higher-pitched, unfamiliar voice. A few heads turned, their expressions ranging from mild curiosity to outright, disdainful indifference. Blank, uncomprehending eyes stared back at him for a moment before dismissively turning away. One girl, her hair an impossible, almost aggressive shade of bubblegum pink tied into ridiculously perky pigtails, giggled openly into her hand, then whispered something clearly amusing to her smirking friend, who also giggled. The isolation was immediate, profound, absolute. He was a foreigner in a land he didn’t recognize, in a body that wasn’t his own, speaking a language no one here apparently understood. He was, he realized with a sudden, sickening lurch of his stomach, utterly, terrifyingly alone.

His heart, this new, unfamiliar heart, hammered a frantic, panicked rhythm against ribs that felt alarmingly close to the surface of his skin. He patted the pockets of the unfamiliar school blazer, a desperate, fumbling, almost spastic search for something, anything, familiar, an anchor in this maelstrom of unreality. His worn leather wallet, with its comforting, familiar collection of well-thumbed loyalty cards, a few emergency pound coins, and that faded, creased photograph of his late, beloved spaniel, Buster? Gone. His house keys, his car keys, the comforting jingle they usually made in his pocket? Vanished. But then, his fingers, these new, slender, unnervingly smooth fingers, brushed against a familiar, solid rectangular outline in the blazer’s inside pocket.

His mobile phone. An older, slightly battered, but entirely reliable smartphone. His lifeline. With trembling, uncoordinated hands, he pulled it out, its familiar weight a small, almost insignificant comfort in this ocean of terrifying unfamiliarity. The screen flickered to life, displaying its usual, incongruously cheerful background of a slightly out-of-focus bluebell wood he’d photographed on a long-forgotten bank holiday walk. 27% battery. A fresh, sharp spike of pure, undiluted panic lanced through him, colder and more terrifying than the sea wind. Twenty-seven percent. How long would that last? Hours? Minutes? It was his only link to potential understanding, his only tool for navigating this waking nightmare.

He fumbled with the touchscreen, his larger, older man’s muscle memory struggling, fighting against the delicate, precise coordination required by these smaller, younger, entirely unfamiliar teenage hands. He found the voice translation app – a half-forgotten relic from a disastrous, sunburnt package holiday to Majorca with his ex-wife nearly a decade ago, an app he’d kept on his phone for reasons he couldn’t now fathom but was, in this moment, profoundly, desperately grateful for. He jabbed clumsily at the English-to-Japanese setting, his finger slipping twice on the smooth glass.

Clutching the phone like a drowning man grasping a flimsy piece of driftwood, he turned to a boy slumped apathetically beside him on the hard plastic bench. The boy was entirely, almost aggressively, engrossed in a sleek, brightly coloured handheld gaming device that emitted a series of tinny, irritatingly cheerful bleeps and bloops. “Excuse me,” Arthur said again, his voice shaking slightly as he spoke clearly and slowly into the phone’s microphone. The device chirped once, a small, tinny, almost hopeful sound, then emitted a short, polite, perfectly synthesized Japanese phrase.

The boy jumped as if he’d been poked with a sharp stick, startled, his game momentarily forgotten. He looked up, his eyes wide with surprise, then narrowed with suspicion as he took in Arthur’s clearly foreign, distressed appearance. He pointed a questioning finger at himself, then at Arthur. “Watashi? Anata?” (Me? You?)

Arthur nodded vigorously, a ridiculous, almost hysterical wave of relief washing over him at this tiny, fragile, almost insignificant flicker of basic human comprehension. He spoke urgently into the phone again, the question feeling utterly absurd, almost laughably inadequate, even as he voiced it. “Where are we going? Please, can you tell me where this ferry is going?”

The phone chirped. The boy listened, his expression still wary, then replied in a rapid, almost unintelligible stream of Japanese, gesturing vaguely with his free hand towards the misty, forbidding island looming ever closer on the grey horizon. The phone dutifully, if somewhat tinnily, translated back: “To the island. We are all going to the island. For the special school.”

“School?” Arthur croaked, the word catching in his throat like a fishbone. He repeated it into the phone, needing confirmation, needing something, anything, to make sense.

“Yes. The academy. For those with Talents.”

Talents? A sliver of icy, unwelcome unease, sharp as a shard of freshly broken glass, pierced through the thick fog of Arthur’s confusion and terror. The word echoed with a dark, half-forgotten, deeply unpleasant familiarity. The island. The special school. For the Talented. His mind, sluggish with shock, began to churn, to sift through old, discarded memories, searching for a connection, a terrifying, almost unthinkable recognition beginning to dawn.

The ferry docked with a gentle, almost anticlimactic bump against a solid, seaweed-stained concrete pier. The previously chattering students began to gather their bags, a river of dark blue uniforms flowing with a surprising, almost disciplined orderliness towards the disembarkation ramp. Arthur, feeling like a man walking to his own execution, followed them woodenly, his legs like leaden stilts, his mind a maelstrom of fear and dawning, horrifying comprehension. The island air, when he finally stepped onto solid, unmoving ground, was humid, heavy, carrying the cloying scent of pine needles, damp earth, and something else, something faintly metallic, like old blood. A few stern-faced adults, presumably teachers, their expressions uniformly unwelcoming, were directing the arriving students with curt, impatient gestures towards a narrow, winding path leading steeply upwards, into the island’s dense, shadowy, and deeply foreboding interior.

He walked as if in a trance, the phone clutched in his hand like a talisman against the encroaching darkness. This new, young body, this ‘Kenji Tanaka’ as his hastily discovered student ID card (found in another pocket of the unfamiliar blazer) proclaimed him to be, was a reluctant, terrified automaton, and he, Arthur Ainsworth, was its bewildered, unwilling, and increasingly horrified pilot.

Evening found him in a small, stark, sparsely furnished dormitory room, shared with another silent, sullen boy – his roommate, Suzuki, who had grunted a minimal, almost resentful greeting earlier before burying himself completely in a brightly coloured manga volume, effectively vanishing from Arthur’s immediate reality. The overwhelming, unrelenting newness of it all – the constant, bewildering barrage of the unfamiliar Japanese language assaulting his ears, the strange, unappetizing food he’d barely been able to touch at dinner (a slimy, unidentifiable fish and a bowl of disturbingly grey rice), the constant, terrifying, almost schizophrenic disconnect between his fifty-one-year-old mind and this unfamiliar, unwieldy teenage body – was crushing, suffocating.

He sat heavily on the edge of the narrow, unyielding bed, the phone’s battery indicator now a glaring, accusatory, terrifying red 15%. He needed to charge it. Urgently. Desperately. It was his only link to comprehension, his only tool for navigating this bewildering, hostile new reality. But the power sockets in the dorm room wall were a different, unfamiliar shape, and he hadn’t seen his own trusty charger since… well, since his own familiar, comforting kitchen in Crawley, a lifetime, an eternity, ago.

He had to think. He forced his panicked, reeling mind to focus. Talented. Island academy for the Talented. Snippets of disjointed conversation, hazy, half-recalled images from a garishly coloured, excessively violent animation his teenage nephew had been briefly, inexplicably obsessed with some years ago, flickered like faulty neon signs at the frayed edges of his memory. A pretty, innocent-looking girl with bright pink hair and an unnervingly sweet, almost predatory smile. A sullen, white-haired boy with an obsession with immortality and a penchant for asking inconvenient questions. Gruesome, inventive deaths, casually, almost gleefully, inflicted. Dark secrets. Government conspiracies.

Talentless Nana.

The name, the title, hit him with the force of a physical blow, knocking the last vestiges of air from his already constricted lungs. No. It couldn’t be. It simply couldn’t. That was fiction, a dark, twisted, nihilistic little piece of entertainment his sister had tutted disapprovingly about. He wasn’t in an anime. Such things didn’t happen. They couldn’t happen.

But the evidence, the terrible, mounting, undeniable evidence, was all around him. The isolated island, miles from any recognizable mainland. The special school, exclusively for "Talented" youth. The subtle, pervasive undercurrent of something… predatory, something dangerous, he’d sensed beneath the thin, fragile veneer of enforced institutional normalcy.

If this was true, if this waking nightmare was indeed his new reality, then he was in unimaginable, immediate, and quite possibly terminal danger. Everyone here was. And he, Arthur Ainsworth, a mild-mannered, unremarkable, fifty-one-year-old former accounts clerk from the peaceful, predictable suburbs of Crawley, was trapped, helpless and horrified, in the unfamiliar, ill-fitting body of a Japanese schoolboy named Kenji Tanaka, days, perhaps mere hours, from the inevitable arrival of a ruthless, highly trained, government-sanctioned teenage assassin.

The phone’s screen flickered ominously, then dimmed. 10%.

The raw, animalistic panic gave way, momentarily, to a desperate, pragmatic, almost cold urgency. He had to find a charger. A compatible one. And a socket that would accept it. Now. Without the phone, without his translator, without his only tenuous link to the world around him, he was deaf, dumb, defenceless, and almost certainly, irrecoverably, dead.

He scrambled to his feet, his earlier exhaustion forgotten, replaced by a surge of pure, undiluted adrenaline. He left his silent, manga-absorbed roommate without a word and ventured cautiously out into the dimly lit, echoing corridor. The dorm was quieting down for the night, most of the other students presumably already in their rooms. He found a common room at the end of the corridor, its lights still on, though it was deserted. It smelled faintly of stale noodles and cheap cleaning fluid. A few students were chatting quietly within, others were hunched over textbooks, already studying. His eyes, wild and desperate, scanned the walls, searching. There. A grimy, overloaded power strip, with a couple of tantalizingly vacant sockets. And discarded carelessly on a low, battered coffee table, amidst a scattering of empty snack wrappers, discarded manga volumes, and students’ textbooks, was a tangled, spaghetti-like mess of assorted charging cables. One of them, a generic-looking black one, looked promising, its micro-USB connector seemingly, blessedly, similar to his own phone’s charging port.

His heart pounding in his throat like a trapped bird, he darted forward and snatched it up. It was a cheap, no-name brand, but the connector looked right. He hurried back to the precious, vacant sockets in the power strip, his hands shaking so badly he could barely insert the plug. He then, with a silent, fervent prayer to any deity, any force, any cosmic entity that might conceivably be listening in this godforsaken corner of reality, connected the other end of the cable to his phone.

The charging icon appeared on the screen. 10%. Then, after an agonizing, heart-stopping pause, 11%.

A tiny, almost hysterical, choked laugh escaped him, a sound perilously close to a sob. One problem, at least, one immediate, life-threatening crisis, was temporarily, blessedly, solved. But as he slumped weakly against the cool, indifferent wall, watching the battery percentage slowly, painstakingly, begin to climb, the larger, more terrifying, more inescapable reality of his utterly impossible situation settled upon him with a crushing, suffocating, and unyielding weight. He was, without a shadow of a doubt, on Murder Island. And the deadly, bloody games, he knew with a certainty that chilled him to the very marrow of his new, young bones, were about to begin.