Songhunter - Aaaaoaooaoaoaaaoaooooooa

im absolutely euphoric looking at the lyrics of swingin' paroniria, it's like the cutest sweetest most fun sequel to forbidden rain. instead of a sad song about the monstrous singer pushing away their human lover for "their own good" and repressing their true feelings, it's a silly song about the monstrous singer accidentally catching (reciprocated) feelings for a fling to their increasing horror, wrapped in the extended metaphor of a neverending nightmare. what's more undead than that? adonis' last line being "You're absolutely terrifying... BEAUTIFUL" it's hilarious and heartwarming all at once. it seems the singer's lover is a bit of a monster themselves ❤️ they've come so far, and i'm so proud of them

Hi stephanie,

I hope this email finds you, as the search and rescue team is otherwise completely out of ideas

various silly details in swingin' paroniria

When rei sings "this love song between a human and a monster" adonis stands behind him and mimes the arms of a monster with claws on "monster" (and kaoru and koga do this super cute show-off move)

The camera angles make it hard to tell, but they do some interesting blocking in general during lines about a monster where one (or more) members will stand behind the other with arms outstretched. i think it's supposed to make the member in front look like they have more than 2 arms

Drum kit on stage has a skull and roses (wow, i wonder who picked that one out)

On the line "[every smile of yours] is like a stake piercing my fickle heart" they mime pulling out something from their heart instead of stabbing something in

more undead character lighting!

koga prom pic hover hand

the heart on the mannequin matches the heart on the jacket! this one's pretty obvious i just really love the way adonis looks in this screenshot

This ending pose is unique in that adonis and koga are in the middle -- usually rei and kaoru (or at the very least rei) take center stage. the exceptions are the event songs, but in these cases the two center positions at the end have always been the 5* and 4* characters. considering that rei is the 4* in this event, not koga, i think it's really sweet that the senpais gave the underclassmen a chance to shine! it feels like undead is on more equal footing in !!!-era ❤️

kohaku mimir........

i love my post apocalypse au so much u dont understand. i think about it every day. finally finished the art i was working on for a while :D (+ i did another format version to use as my phone lockscreen under the cut)

[Click for better quality. Reblogs are appreciated. I also do art commissions]

EDIT: also check out an accompanying drabble my friend wrote (very cool)

I know someone who calls herself a feminist, puts her pronouns in her work email signature, donates money to women’s empowerment funds, and thinks we should deport more refugees. I also know someone who calls people ‘pussies’ when he plays video games, who doesn’t know what a pronoun is, and, for his defence of low-wage women workers in a highly-exploited industry, is a better, more strident defender of the rights of working-class women than almost anyone else I know. Of these two people, I know who is on my team, and who I want on my team, yet the standard liberal feminist calculation would have me chose the woman who loves a little deportation over the man who is occasionally uncouth, solely because the woman knows to keep her language civil, and the man doesn’t. Liberal feminists get incredibly caught up in the politics of language, because language is all they have. They don’t have a revolutionary programme for overthrowing patriarchy, so they’re forced to tinker around the edges of it, quibbling over word choice and jargon instead of building the coalitions necessary for destroying patriarchy.

— We Should Not All Be Feminists by Frances Wright

Happy Maid Day! ft. Eichi

completely enamoured with this thread

ive gotten so much mileage out of this tweet. every time i see something on the internet that makes me mad i just think to myself "people in real life: hey man how's it going" and i keep it pushing