How to Write Dialogue That Doesn’t Sound Like a Script
Okay, so here's the thing. After years of trying to get dialogue right, I think I've finally cracked the code.
Read it aloud.
Yeah, you heard me. Just read your characters' lines out loud. You’ll be shocked at how quickly you can tell if something sounds natural or like you’re writing for a robot. If you’ve never said that line in your life, and if you’ve never heard someone say it in real life, it’s probably time for a change.
This simple trick has literally transformed my writing for the better. Dialogue that used to feel stiff and scripted now flows like a conversation between friends. Just try it. Your characters will thank you, and so will your readers.
Also, if you catch yourself saying “What?” after reading a line, that’s your cue. It’s gotta go.
Updated 9th September 2024 More writing tips, review tips & writing description notes
Facial Expressions
Masking Emotions
Smiles/Smirks/Grins
Eye Contact/Eye Movements
Blushing
Voice/Tone
Body Language/Idle Movement
Thoughts/Thinking/Focusing/Distracted
Silence
Memories
Happy/Content/Comforted
Love/Romance
Sadness/Crying/Hurt
Confidence/Determination/Hopeful
Surprised/Shocked
Guilt/Regret
Disgusted/Jealous
Uncertain/Doubtful/Worried
Anger/Rage
Laughter
Confused
Speechless/Tongue Tied
Fear/Terrified
Mental Pain
Physical Pain
Tired/Drowsy/Exhausted
Eating
Drinking
Warm/Hot
I have bookmarks saved for random, different, interesting topics that don’t really fit into any single category, so I decided to just put them all together in one list.
A list of resources on miscellaneous topics to help make your stories more interesting.
Writing Accurate Heist Scenes A tumblr thread that discusses accurate heist scenes for heist movies, and what it’s like to work as a security guard.
Friends, Not Love Interests Helpful advice for anyone who is writing two characters as friends (particularly when one is female and the other is male), in order to help minimize the chance of readers wanting them to fall in love.
The Writer’s Guide to Distinguishing Marks on Characters A basic guide on different types of distinguishing marks for characters, such as freckles, birthmarks, scars, and tattoos.
Don’t Use Specific Numbers in Your Story A tumblr thread that explains if your story doesn’t need a specific number for something (whether a date, age, span of time, etc.), then you don’t need to use a number. Includes helpful examples.
Pet Peeves in TV Shows and Movies A tumblr thread with different lists of things that people find annoying in TV shows and movies. Many of these things can also apply to situations in stories.
Types of Paperwork That Characters Could Do A tumblr thread that discusses how fanfiction writers often give their characters “large amounts of paperwork they hate doing,” but don’t describe the type of paperwork. Provides a list of different types of paperwork that characters could be working on.
In Time Travel Movies, When the Time Traveler Asks... A tumblr thread that discusses more realistic responses for when a time traveler asks what year it is or where they are, instead of people automatically thinking they are weird or crazy for asking.
Reasons for a Character’s Death Explains the reasons why you might kill off a character, and offers advice on how to make a character’s death meaningful.
Dialogue Responses to “I Thought You Were Dead!” A list of different responses that a character could give when someone else says, “I thought you were dead.”
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I’m a writer, poet, and editor. I share writing resources that I’ve collected over the years and found helpful for my own writing. If you like my blog, follow me for more resources! ♡
A very totally incredibly non-delulu list by Writerthreads
arm/shoulder/waist/SMALL OF THE BACK touches
HANDS BRUSHING, BUT TOO NERVOUS TO DO ANYTHING MORE
calling them by their name ("What's your opinion on this, X?") (they way they say their name makes their heart do funny things)
the way their voice goes heavy/breathy
CHIN RESTS ON THEIR SHOULDER
whispering into their ear and the way their breath tickles
non-affectionate nicknames just for them
recognising their laugh and trying to make them laugh just to hear it again
little private smirks/winks, watching their reaction when someone makes a joke
sniffing their hair/recognising their on their shampoo
eye contact so deep they feel like sinking
SMALL PECKS ON THE CORNER OF THEIR MOUTH/CHIN/FOREHEAD
recognising the sound of their footsteps
co-existing in the same space, acknowledging their presence and feeling safe
CARESSING THEIR CHEEK WITH THEIR THUMB
recognising their nervous ticks and comforting them, like putting a hand on their bouncing leg
tracing scars, freckles, moles, lines of their muscle, you name it (SCREAMS)
grinning when they blush
watching with pride as the other does a presentation/leads a mission/takes charge
making up private signals for each other
HAND KISSES
NECK KISSES
playing with their hair/brushing their hair/braiding their hair
Ah, love. That lingering warm, fuzzy feeling in your chest. I love love.
money is such an underrated accessibility option.
like people want to think any disabled person who is after money is morally suspect some way, because they're not asking for "treatments" or "accommodations" like a lot of our issues can be fixed way more easily with money. can't drive? paying for a taxi is often one of the more accessible alternatives. can't cook? you can pay more to have prepared food delivered to you. food restrictions? that food straight up costs more money. can't clean? you can pay for someone to do that. house inaccessible? having (lots) of money can help with that, you get the gist.
having money won't make us abled. it also won't stop our symptoms from being distressing, painful, or debilitating. but there's a huge gap in experience between the average poor disabled person and someone who's actually wealthy. you can buy your way out of some of the difficult situations most disabled people are left to rot in. wanting money, needing money, asking for money is pretty natural when it's such a useful tool. why get so weird about disabled people wanting money like i'm pretty sure everyone wants money anyway
* body language masterlist
* a translator that doesn’t eat ass like google translate does
* a reverse dictionary for when ur brain freezes
* 550 words to say instead of fuckin said
* 638 character traits for when ur brain freezes again
* some more body language help
(hope this helps some ppl)
There’s nothing worse than a forgettable villain. You know the type: cartoonishly evil for no reason, monologuing their master plan to no one in particular, and vanishing from memory the second you finish the book. A great villain, though? They haunt your thoughts, challenge your hero, and—sometimes—you catch yourself *agreeing with them*. If you want to level up your storytelling, here’s how to craft villains that stick.
Nobody wakes up one day and just decides to be evil (unless they’re in a Saturday morning cartoon). Real people are shaped by their pasts, fears, and desires—and your villains should be, too. Maybe they believe they’re saving the world, just in a way that costs too much. Maybe they were betrayed and now trust no one. Whatever the case, give them a *why*. Even better? Make your readers *understand* that why, even if they don’t agree with it.
Mustache twirling is out. Complexity is in. A villain who kicks puppies just to prove they’re the bad guy is boring. But a villain who feeds stray dogs while orchestrating a political coup? *That’s* compelling. The best antagonists aren’t evil—they’re driven. And when their goals put them in direct conflict with the hero, *that’s* where the tension comes from. Let them think they’re the hero of their own story.
Your villain shouldn’t just be a physical threat—they should challenge your hero’s beliefs, force them to make hard choices, and maybe even make them question themselves. When the antagonist represents a deeper, thematic opposite to the protagonist, you’ve got literary gold. Think of how The Joker unravels Batman’s moral code, or how Killmonger forces T’Challa to reconsider Wakanda’s isolationism. Conflict isn’t just punches—it’s philosophy.
Whether it’s a chilling line of dialogue, an eerie calmness, or a twisted sense of humor, give your villain something *distinct*. Personality matters. A unique voice, a specific mannerism, or an unexpected vulnerability can elevate your villain from “meh” to “iconic.” Think about what makes them tick—and what makes them *memorable*.
The scariest villains are the ones who are *almost* right. When a reader can see where they’re coming from—or even agree with some of their points—that’s powerful. It creates tension not just in the story, but in the reader’s own mind. And that’s exactly what a good villain should do: make you question, make you uncomfortable, and make the story impossible to forget.
What are some of your favorite villains in fiction? Drop your favs (or your own villain WIPs) in the tags or replies—I’d love to see them!
Edit: Some posts may be deleted
Character Arcs
Making Character Profiles
Character Development
Comic Relief Arc
Internal Conflict
Character Voices
Creating Distinct Characters
Creating Likeable Characters
Writing Strong Female Characters
Writing POC Characters
Building Tension
Writing Grumpy x Sunshine Tropes
Writing Sexuality & Gender
Writing Manipulative Characters
Writing Mature Young Characters
Intrigue in Storytelling
Enemies to Lovers
Alternatives to Killing Characters
Worldbuilding
Misdirection
Things to Consider Before Killing Characters
Foreshadowing
Emphasising the Stakes
Avoid Info-Dumping
Writing Without Dialogue
1st vs. 2nd vs. 3rd Perspective
Fight Scenes (+ More)
Transitions
Pacing
Writing Prologues
Dialogue Tips
Writing War
Writing Cheating
Writing Miscommunication
Writing Unrequited Love
Writing a Slow Burn Btwn Introverts
Writing Smut
Writing Admiration Without Attraction
Writing Dual POVs
Worldbuilding: Questions to Consider
Creating Laws/Rules in Fantasy Worlds
Connected vs. Stand-Alone Series
A & B Stories
Writing YouTube Channels, Podcasts, & Blogs
Online Writing Resources
Outlining/Writing/Editing Software
Translation Software for Writing
Losing Passion/Burnout
Overcoming Writer's Block
How To Name Fantasy Races (Step-by-Step)
Naming Elemental Races
Naming Fire-Related Races
How To Name Fantasy Places
Character Ask Game #1
Character Ask Game #2
Character Ask Game #3
Writing Tips
Writing Fantasy
Miscommunication Prompts
Variety in Sentence Structure (avoiding repetition)
I once saw someone say
There are two kinds of writers
One's an architect
And the other's a gardener
The architect plans each careful window
While the gardener simply plants a seed and watches it grow
"Which one am I?" I wondered
Then I thought, I planned a house, but I plant seeds in the foundation
The vines grow
Through the windows
And the foundations are riddled with roots
I had a plan but lo behold
The tree that grows through the roof
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