Character Flaws And Their Meanings

Other Words for "Look" + With meanings | List for writers

Many people create lists of synonyms for the word 'said,' but what about the word 'look'? Here are some synonyms that I enjoy using in my writing, along with their meanings for your reference. While all these words relate to 'look,' they each carry distinct meanings and nuances, so I thought it would be helpful to provide meanings for each one.

Gaze - To look steadily and intently, especially in admiration or thought.

Glance - A brief or hurried look.

Peek - A quick and typically secretive look.

Peer - To look with difficulty or concentration.

Scan - To look over quickly but thoroughly.

Observe - To watch carefully and attentively.

Inspect - To look at closely in order to assess condition or quality.

Stare - To look fixedly or vacantly at someone or something.

Glimpse - To see or perceive briefly or partially.

Eye - To look or stare at intently.

Peruse - To read or examine something with great care.

Scrutinize - To examine or inspect closely and thoroughly.

Behold - To see or observe a thing or person, especially a remarkable one.

Witness - To see something happen, typically a significant event.

Spot - To see, notice, or recognize someone or something.

Contemplate - To look thoughtfully for a long time at.

Sight - To suddenly or unexpectedly see something or someone.

Ogle - To stare at in a lecherous manner.

Leer - To look or gaze in an unpleasant, malicious way.

Gawk - To stare openly and stupidly.

Gape - To stare with one's mouth open wide, in amazement.

Squint - To look with eyes partially closed.

Regard - To consider or think of in a specified way.

Admire - To regard with pleasure, wonder, and approval.

Skim - To look through quickly to gain superficial knowledge.

Reconnoiter - To make a military observation of a region.

Flick - To look or move the eyes quickly.

Rake - To look through something rapidly and unsystematically.

Glare - To look angrily or fiercely.

Peep - To look quickly and secretly through an opening.

Focus - To concentrate one's visual effort on.

Discover - To find or realize something not clear before.

Spot-check - To examine something briefly or at random.

Devour - To look over with eager enthusiasm.

Examine - To inspect in detail to determine condition.

Feast one's eyes - To look at something with great enjoyment.

Catch sight of - To suddenly or unexpectedly see.

Clap eyes on - To suddenly see someone or something.

Set eyes on - To look at, especially for the first time.

Take a dekko - Colloquial for taking a look.

Leer at - To look or gaze in a suggestive manner.

Rubberneck - To stare at something in a foolish way.

Make out - To manage to see or read with difficulty.

Lay eyes on - To see or look at.

Pore over - To look at or read something intently.

Ogle at - To look at in a lecherous or predatory way.

Pry - To look or inquire into something in a determined manner.

Dart - To look quickly or furtively.

Drink in - To look at with great enjoyment or fascination.

Bask in - To look at or enjoy something for a period of time.

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Unhealed Wounds Your Character Pretends Are Just “Personality Traits”

These are the things your character claims are just “how they are” but really, they’re bleeding all over everyone and calling it a vibe.

╰ They say they're "independent." Translation: They don’t trust anyone to stay. They learned early that needing people = disappointment. So now they call it “being self-sufficient” like it’s some shiny badge of honor. (Mostly to cover up how lonely they are.)

╰ They say they're "laid-back." Translation: They stopped believing their wants mattered. They'll eat anywhere. Do anything. Agree with everyone. Not because they're chill, but because the fight got beaten out of them a long time ago.

╰ They say they're "a perfectionist." Translation: They believe mistakes make them unlovable. Every typo. Every bad hair day. Every misstep feels like proof that they’re worthless. So they polish and polish and polish... until there’s nothing real left.

╰ They say they're "private." Translation: They’re terrified of being judged—or worse, pitied. Walls on walls on walls. They joke about being “mysterious” while desperately hoping no one gets close enough to see the mess behind the curtain.

╰ They say they're "ambitious." Translation: They think achieving enough will finally make the emptiness go away. If they can just get the promotion, the award, the validation—then maybe they’ll finally outrun the feeling that they’re fundamentally broken. (It never works.)

╰ They say they're "good at moving on." Translation: They’re world-class at repression. They’ll cut people out. Bury heartbreak. Pretend it never happened. And then wonder why they wake up at 3 a.m. feeling like they're suffocating.

╰ They say they're "logical." Translation: They’re terrified of their own feelings. Emotions? Messy. Dangerous. Uncontrollable. So they intellectualize everything to avoid feeling anything real. They call it rationality. (It's fear.)

╰ They say they're "loyal to a fault." Translation: They mistake abandonment for loyalty. They stay too long. Forgive too much. Invest in people who treat them like an afterthought, because they think walking away makes them "just as bad."

╰ They say they're "resilient." Translation: They don't know how to ask for help without feeling like a burden. They wear every bruise like a trophy. They survive things they should never have had to survive. And they call it strength. (But really? It's exhaustion wearing a cape.)

the look of love (for writers)

"it's all in the eyes i was once told"

catching the stare of someone across a crowded room

subtle furrowing of eyebrows beyond a blank facade

coldness easing into warmth

a fond mothering gaze

corner of the lip nudged upward

forced glower/glare as they break underneath

batting their lashes, playful

a boisterous laugh

intrigue piercing the stoic

proud smugness at the other's success

lingering glances

a childish joy bursting through

pupils dilate

eyelids shut in a look of peace, calm and trust

look of longing/betrayal

"there was once a time when they were mine"

terseness

features fold into a scowl

an urgent flinching back

coldness returns (as though the warmth had never come)

lips part then purse

invasion of shock

slow stare at the floor

the ripple effect of a swallow

frustrated breath/sigh

bitter laugh in reminiscence

dread tearing through the seams of their composure

look of hatred

"darkness"

mean smirk- teeth bared grimace- scowl

dismissive gaze

gaze of contempt/impatience

threat lowering the voice

sardonic goading grins verging on manic

rolling one's eyes

flicker of irritation in the eyes

stares stubbornly ahead despite distraction

gritted teeth, clenched jaw

fierce biting remarks

even measured complexions betraying no thought

strangling oneself back from violence

utter apathy

murderous silence hanging in the stare

snobbish laughter

smiling at another's downfall

10 Traits That Make a Character Secretly Dangerous

❥ Disarming Humor. They’re the life of the party. Everyone’s laughing. No one’s noticing how much they aren’tsaying.

❥ Laser-Sharp Observation. They see everything. Who’s nervous. Who’s lying. Who would be easiest to break. And they don’t miss.

❥ Unsettling Calm. Even in chaos, they stay still. Smiling. Thinking. Calculating.

❥ Weaponized Empathy. They know how to make people trust them. Because they know exactly what people want to hear.

❥ Compartmentalization. They can do something brutal, then eat lunch like nothing happened.

❥ Controlling Niceness. The kind of kindness that’s sharp-edged. You feel guilty for not loving them.

❥ Mirroring Behavior. They become whatever the person in front of them needs. It's not flattery. It’s survival—or manipulation.

❥ Selective Vulnerability. They know how to spill just enough pain to make you drop your guard.

❥ History of “Bad Luck”. Ex-friends, ex-lovers, ex-colleagues… they all left under “unfortunate” circumstances. But the pattern says otherwise.

❥ Unshakeable Confidence in Their Morality. They don’t think they’re the villain. That makes them scarier.

How to Write Realistic Characters in Your Stories

Writing realistic characters can be challenging because there's a lot to consider. Even though I've touched on this subject before, it's a complex topic that requires vast knowledge to get it right. Here's a guide on what to consider when writing people in your stories:

1. Similarities to Real People: Just like in real life, your characters need to share traits with real people. This helps readers connect with your story and characters on a more personal level.

2. Negative Traits: It's important to explore your characters' negative traits to make them more believable. For example:

- People often think of themselves first because it's part of our DNA to protect and care for ourselves. Your characters should share these qualities.

- People pretend to be something they aren't or act differently in front of others due to fear of not being liked. This affects almost everyone at some point.

- People are easily distracted and often miss important lessons or moments that contribute to their growth.

- People are dishonest at times to protect themselves, making it hard to fully trust them.

3. Outside Influence: Your characters are also influenced by external factors, just like you are in real life. Consider these suggestions to help you along the way:

- People tell you what to think, feel, believe, and how to act. They often tell you that you're not good enough. These are common issues we go through as humans, making it important to your stories.

4. Realism vs. Idealism: While we sometimes want to write stories filled with fairy tales of a perfect world, sadly, that doesn't exist. There will always be someone who breaks your trust, and writing about this is important. You can take this information and practice cause, effect, and solutions to these situations to see what you come up with.

I hope this helps you on your writing journey. Happy writing!

Soooo maybe an oddly specific question. Could you recommend your favorite books about politics in the last decade? Or even in the last 20 years? My school sucked and I'm trying to learn about modern politics on my own but there's so much content available that I'm lost. And you're very smart and read a lot, so I'm hoping you have recommendations. Thanks!!!

Omg thank you, I do read a lot so I’m glad someone appreciates it. 

Here are my top 20 books on politics and related sociological issues. I included some of these in a list I made over Christmas but I'll add to it here, and most are from the last 20 years. 

This Town: Two Parties and a Funeral — plus plenty of valet parking! — in America’s Gilded Capital by Mark Leibovich

They Were Her Property: White Women as Slave Owners in the American South by Stephanie E. Jones-Rogers

The Destruction of Hillary Clinton by Susan Bordo (pair with What Happened by Hillary Rodham Clinton)

All the President's Men by Carl Bernstein

We Were Eight Years in Power: An American Tragedy by Ta-Nehisi Coates

Caste: The Origins of Our Discontents by Isabel Wilkerson

The Cruelty is the Point by Adam Serwer

Why We're Polarized by Ezra Klein

Women & Power: A Manifesto by Mary Beard

The Soul of America: The Battle for our Better Angels by Jon Meacham

This Will Not Pass: Trump, Biden, and the Battle for America's Future by Jonathan Martin and Alexander Burns

Political Fictions by Joan Didion

A Promised Land by Barack Obama

The Origins of Totalitarianism by Hannah Arendt

Team of Rivals: The Political Genius of Abraham Lincoln by Doris Kearns Goodwin

The Optimistic Leftist: Why the 21st Century Will Be Better Than You Think by Ruy Teixeira 

The Perils of “Privilege” by Phoebe Maltz Bovy

Both/And by Huma Abedin

Renegades by Barack Obama and Bruce Springsteen (usual recommendation to listen to their podcast)

Beautiful Things by Hunter Biden (As you can tell by the below excerpt, Hunter Biden is me fr fr)

Questions to Ask Yourself About Your Character

What is their relationship with their parents?

What is their favorite meal?

How do they identify?

What's their style?

Are they proud of themselves?

Are they patient or impatient?

Do they have siblings, and what's their relationship with them?

What are their standards?

Have they ever been in love?

When was the last time they felt loved?

Have they gotten their heart broken?

Do they know who they are?

What are their preferences?

What do they want?

What are their goals?

What would they do if they failed?

What would they save in a fire?

What's one childhood item they still love?

How to Write a Sick Character

╰ First of all — being sick is boring as hell

Nobody tells you that. You think it’s gonna be poetic and tragic and emotionally moving, maybe a few tears on the windowpane and a soft piano soundtrack? Wrong. It’s pacing in a waiting room for two hours to be told to come back next week. It’s reruns of trash TV because your brain fog is so bad you can't even process a podcast. It's Googling "why do my bones hate me" at 3 a.m. and finding nothing helpful, only vibes. So if you're writing a sick character and every scene is Deep and Heavy and Symbolic, I love you but no. Let them be bored. Let them be over it. Let them fall asleep halfway through someone’s big speech.

╰ Second — sickness is basically a toxic relationship with your own body

And wow, the drama is unmatched. One day your character wakes up and thinks, “Maybe today will be normal.” Their body: “Plot twist, bitch.” Now they’re sweating through a hoodie, canceling plans, and pretending they're “just tired” because explaining the truth is somehow more exhausting than the illness itself. Let your character hate their body sometimes. Let them feel betrayed by it. Let them mourn the version of themselves that used to just do things without needing a three-day nap after. But also—let them fight for their body, too. Advocate. Adapt. Try again. Because it’s not all despair. Sometimes it’s really freaking brave just to get out of bed and put on pants.

╰ Third — it’s not cute

Hollywood loves to write illness like it’s an aesthetic. Clean blankets, sad smiles, a gentle cough. Yeah… no. Sometimes it’s vomit in your hair. It’s medical tape pulling off skin. It’s being too tired to shower but still scrolling through memes like your life depends on it. Give us the gross stuff. The embarrassing stuff. The human stuff.

╰ Fourth — let them be funny

Sick people are hilarious. Mostly because we have to be. You’ve got two choices when your body is a disaster zone: laugh, or fully unravel. So we joke about our failing organs. We flirt with the nurse while on IV fluids. We name our medical devices. We send memes from the ER. Let your character joke. Let them be sharp, sarcastic, absurd. Not because they're “taking it well,” but because that’s their armor. Humor is one of the most honest forms of pain. Use it.

╰ Fifth — sick ≠ broken

Please hear this: your character is not less than. They are not just here to suffer and die and inspire others with their angelic perseverance. They’re a person. Maybe a chaos goblin. Maybe a genius. Maybe a mess. Maybe a lover, a fighter, a giant emotional raccoon with a heating pad. Let them live and have goals. Let them chase things. Let them screw up. Let them be loved and desired and complicated. Their illness is part of them, not all of them.

╰ Lastly — don’t wrap it up too clean

Recovery isn’t linear. Some illnesses don’t “end.” And that’s okay. You don’t need a miracle cure in the third act. Sometimes strength is just learning to exist in a different way. Sometimes it’s re-learning how to hope. Sometimes it’s finding a new rhythm instead of forcing the old one to work. Let your character find peace, not perfection. So yeah—if you’re writing a sick character, you’re doing something important. You’re making space for people whose stories rarely get told with truth and teeth and tenderness. Just promise me you won’t turn them into a symbol. Let them be a person. A funny, scared, strong, exhausted, hopeful person. Like the rest of us.

@katrein05 I Hope This Helps a little... :)