Everyone Crying Over Caitlyn Dictator This Caitlyn Fascist Arc That … Everyone Failed To Recognize

The brightness of the Sun will give me just enough

To bury my love in the Moondust

Just thinking about how Jinx never told Isha to stay back and always let her tag along despite the danger because she never wanted to do the same thing Vi did to her and make Isha feel left out/useless. But now she probably understands in the worst way why Vi did what she did.

I’m totally fine.

It really surprised me that Jinx didn't start fighting Vi even harder after she accidentally hit Isha. I know that it made her angry that Isha got hurt, but she ignored her own emotions to make sure that Isha was okay <3

when Isha remembers Jinx, when she thinks about the love that's about to inform her violence and sacrifice, and for brief glimpses we see Powder's blue eyes flicker again

just realised that jinx was the product of all three of them. she was raised by felicia, then vander, then silco. sounds like felicia, leads like vander, fights like silco. has her smile, his heart and his wits. has her braid and his scruff and his bangs. she's the best of them. i cant get over it

What if Tomura Shigaraki becomes a vestige and annoys Deku for all eternity, the comic

i think there is something to be said about the way a lot of popular western media (both within fiction and outside of it, now that i think about it) uses the pretense of nuance to obfuscate existing power dynamics.

the example i'm mulling over at the moment is netflix's Arcane, which depicts a pretty straightforward conflict between a brutally oppressive ruling class and an underclass that is out gunned, out manned, and lacks even the means to support its own population. despite this, the show takes a very even-handed "everybody's flawed" approach to how it portrays this conflict, one that seems to be increasingly popular in popular western media. this makes for a compelling story, the show takes the time to make sure we understand all the characters involved, their motivations, their flaws, their hopes, their dreams etc, but i think when people engage with that kind of narrative uncritically, they tend to miss the forest for the trees and get lost in pointless debates over which characters were more in the right or who's actions were more justified by their trauma etc. this kind of weightless, individualist approach seems to always lead to the same conclusion: that changing society is scary and traumatic and everybody is too flawed to be trusted with leading such a shift. how convenient that this always seems to benefit those already in power.

i'm thinking about this in regards to the reactions to the latest developments in the story of Arcane, which sees caitlyn supporting a military dictatorship, in part as a response to the trauma of losing her mother in jinx's terror attack. the reactions are pretty typical fandom discourse about whether or not her actions are understandable given what she's going through as a character, but what no one seems to be considering is that she's only able to undergo this change in the first place because of her class position, not just as a member of the wealthy elite of the overcity, but also as a respected member of the overcity's law enforcement. see, while the individual characters involved might be complex, the moral dimensions of the overall conflict really are not. one side has all the power and resources, as well as a vested interest in keeping the other side subjugated to maintain its dominant status quo. just because the dominant side is populated primarily with skinny attractive people a who're shown to be doing their best with the situation and the other are mostly grotesque caricatures of poverty stricken degenerates doesn't mean this is a difficult choice.

it remains to be seen how the actual show will play out, but i can't help but see it as continuing a trend of what i can only describe as a kind of smug liberal nihilism, crafting a brutal class conflict only to revel in the horrific spectacle of it all, basking in the complex moral greyness of its protagonists, uninterested in taking an actual stance. there's a point when nuance becomes a form of cowardice, imo

drops them in a gothic horror au