Been thinking about Agent for a while and how he's really the character - character ever. I'm really enjoying what they're doing with his arc of survivors' guilt and vengeance.
His design is so extensively simple that it's a bit intimidating. Glued to his profession of business and fixated on his target, Chosen. He is as stern as he is anonymous as a person. And then it's with appeal that you note how he is in this position of authority between these new cast of animations - primarily the word of command and the follow up of Victim's line of leverage. With how gorgeous and elaborate the cast is, your eyes stay intrigued towards this one character. Despite the simplicity he pops up as unique.
It's rather how he's always the bold and center of the cast in every shot. Always held high with precision. He acts as the voice of control in the animations; a carrier. He has a strong passion for his ambitions. And then you get to his objective for Chosen, but with the longer the sequences carry on, it appears as more.. personal when referenced towards his role of precise profession. Especially in comparison to the rest of the group.
And of course; his abilities with the Adobe tools. He's fast, strategic, intelligential, and quite proud of his judgement. He pirouettes around combat with such ability - you can beg that he has much experience. All the animations have such uniqueness and natural abilities and quirks. And then you have Agent; who comes just as skilled in compliment despite the set of tools being just an add on towards his attire. His great combat makes up for the comparison. But with such a manner, why would Agent gain such a material, and how come him as this executive messenger and leader out of the cast? When factually compared to their abilities, he's left as the most.. uninspiring.
But then you get to the topic of his relationship with Victim, and suddenly the idea becomes much more clearer. Agent being this predecessor of delivery. How he is noticeably walking in the same accuracy as Victim; side by side. Everyone else but behind. And Victim allows it. He's moreso comfortable with Agent out of the entirety; directly giving him more flexibility, space, authority and commands. He trusts him and he treats him as though he's on the same level as him, because that's what he believes. Everyone else below their invisible barrier. Agent is very evident with what he's given. Hyperaware of his surroundings and with the implements and gear.
With such bounded delicacy it pushes scenarios and questions. Who is Agent without his occupation in mind, but as a person. What is he like? Or rather much, was he like? If you ask me, I think it's worth asking as much as it is cryptic in context.
And then it strikes you all too somber.
As a role of a security guard for Victim, Mitsi and their blooming business of quick and improved repairs - he's still so expressive. And surprising enough, he's so, so close towards the couple despite his working position. He truly admires and cares for the two. And it's mutually returned. It's so oddly affectionate when steaming from someone who you familiarize as so utterly closed off and precise.
These strange origins passed off as he's stranded - downright frozen in fear from the terrorism and murder of Mitsi and hundreds (if not thousands) of others. Only looking up when it's directed towards the source, Chosen. (From his perspective after all.) And despite being someone of a role who does nothing but help and protect; he's left so small and useless. All he can do is run.
Time and time again, memories replaying over and over again. It's this obsession. Everything that he could of done in a loop, everything that he didn't do lingering close by. And he won't be that same person who does nothing.
Even when it's not at all his fault. Far from it.
And then everything just.. clicks in a way, no? His odd relationship with Victim, Victim's utter trust in him, his personal introduction and conflict with Chosen, his strict combats, his weaponry?
When you think Agent would stem from a place of deep turmoil and lament and act out towards these, he proves you wrong. He's so utterly petty, cocky and a bit immoral when finally opposed to a scenario of karma. When you think he stepped an area of low, he goes lower. It's honestly quite humorous. In my opinion, Agent's greatest offense is Second.
Agent is relentless when it comes to irrational interference, it shows in how he handles Second. He has no basic compassion or regard for the poor kid, nor any sympathy to spare for him either. He's ruthless. There was no other reason to humiliate and tease Second the way he does other than it being for his own satisfaction after finding out Chosen cares for him. And it's quite sad even.
And then, really? The huge, intimidating terrorist who was the source of sleepless nights, trauma, destruction and such influence is an irrational, confused fraud. His hazard reaction brings some odd amusement towards Agent.
An evident narrative callback is how Agent looks up towards Chosen, frozen. Under his reign, he's powerless. And now when finally up against this source, he can only ever look down on him.
Sometimes I beg if Agent can bitterly empathize with Chosen. The only difference being how Chosen is strong willed and desensitized - willing to push bounds if it means he can protect a loved one. Something that Agent can reminisce with. Envy of the audacity, it really reeks. And he freezes him on spot; a bit similar to how he was that day. It doesn't feel good, now does it.
But at the same time he leaves it up for Victim. He really holds him valuable and prioritizes him. It wouldn't be much of a stretch to say it roots from a place of guilt of the downfall of the buisness, or Victim's utter change in demeanor, or the thousands of suffering animations from the tragedy. But I'm getting ahead of myself.
In this very small way, he's a bit like him.
ughhhh kills them
bonus ////// hell yeah
instrucciones no incluidas 2013
HOLY SHIT BABES WAKE UP MY FAULT 15 DROPPED
First part / Previous part / Next part
This is the series I've been obsessing over for the past 2 months. (1/?)
"what are your pronouns?" well im mixed, she/her on my mothers side and he/him on my fathers side, either works
OH NYGOSDD???
it’s actually insane to me in retrospect that viktor got the arc he did. I need to go back and count his screen time minutes, but it’s clear that he’s up there numerically, and his story has so much weight within the narrative outside of just numbers as well.
beyond that, though, is the fact that viktor's narrative is fundamentally one about internalized ableism and the systemic structures that encourage it.
(obligatory disclaimer #1 that I have a significant mobility disability and a progressive chronic illness, but I am only one disabled person.)
imagine this: you are a child. you are disabled. the world you live in is one where you cannot afford healthcare; no one is there to teach you how to even use your cane correctly. your world is inaccessible and, worse, even the people who would normally show class solidarity with you don't, because you are not even able to do what they expect from you. characters like vi, powder, claggor, ekko, and mylo are all shown care and solidarity that viktor isn't — because they are able-bodied and therefore able to "pull their own weight."
this, at least, is an environment that can probably be overcome or mitigated by age and meeting people in your community who do care about you. this is an environment comparable to that of many, many, many disabled people who manage to thrive in a deeply unfair and ableist world.
but then you encounter a man who sees that you have talent and tells you as much. he does not ask much of you and he does not care that you are disabled. all he asks is for some help, which you give, and in return he teaches you the things he knows. what comes of this, after all is said and done and your understanding of the world has been fundamentally changed, is that you do have something you can give to your community, to the world. you have a talent which you can use to make yourself useful. you're not strong or sturdy but you can make machines, and that is always in need.
but you can't skate by on being useful like a normal child. the onus is always on you to prove that you're worth the air you breathe and the space you take up, that it's worthwhile to keep you alive. and the place to go to make yourself the most useful, where the most change can be made, is not a place you have any traditional way of accessing. you, through tenacity and grit, manage to get there anyways. (the show doesn't depict this, but any way viktor would have managed to get to the academy would have involved significant difficulty and possibly deception).
and when you get there, to that towering city of bronze, you find that nothing you do actually matters all that much.
everyone looks at you and sees your disability. everyone looks at you and sees where you're from. no matter how smart or accomplished or helpful you are, your behavior will always be, in their eyes, representative of your people. you could handle the stares, the rejection. but their judgement is dangerous to you and your people.
so, in order to survive, you must be perfect. you must project confidence or at least indifference to their cruelty. you must do as you're told and accept meager promotions and toil away as an assistant. you might be the only disabled zaunite they'll ever meet, so you have to make it count. if you fail, if they decide everyone from the undercity is lazy and useless, it's your fault.
you tell yourself you won't let them get to you. you tell yourself that you believe in your abilities.
it's a convenient narrative, and it's wholly untrue.
you, after all, are only a human being. a lifetime of the chips stacked against you is nearly impossible to overcome.
and so the image you build of yourself is that of a man far more self-confident than you, one who is quiet and reserved but proud of his accomplishments. the man you actually are, though, is one desperate for acceptance. desperate to assimilate. you chase your dreams, yes, but you can't bear to take credit, can't bear to be the face of them. you don't let yourself get close to anyone except the man you've built all of this with, who you love more than anyone else. you don't let anyone touch you (except him) and you don't touch anyone. you convince yourself you don't deserve his love or anyone's, that you're not whole enough for that.
you take it so far that, when you finally have the technology you think can cure your terminal illness, the first thing you try to fix is your leg. not the thing eating at your lungs and cutting short the time you thought you had, but the leg which has marked you as Other your entire life. and even though it doesn't quite work, even though it still causes you pain with every step, you force yourself to run on it — faster and faster until you're outrunning the ships and screaming because you may have visibly "fixed" your leg but it still hurts the same.
and when the system is not only oppressive in the material sense but also set up to make you hate yourself, there is almost no escaping this cycle of self-hatred. throw in the fact that in season 2 viktor keeps getting tossed from resurrection to resurrection against his will and it's no wonder the man did the things he did. it doesn't excuse them by any means, but arcane is not interested in excuses — it's interested in what makes people do the things they do. everything that he did to the people in the commune was a reflection of his own self-hatred, both because he still possessed it after death but also because, since he was programming the hexcore to try and save his life but started with "fixing" his leg, it is designed to make people as physically "normal" as possible. the faceless, identical machine people are a metaphorical representation of the ideology viktor has bought into in his pursuit of self-hatred and internalized ableism. his whole arc across both seasons is a demonstration and condemnation of the ways that systems of oppression reinforce self-hatred in the people they are oppressing.
obligatory disclaimer #2 that I don't think arcane did everything right. I'm frustrated with the direction of season 2 away from the piltover/zaun class conflict and towards the broader league of legends universe. but I do think, as a disabled person with a very similar experience of my disability to viktor, that this arc is well-done and very compelling. in the end, what saves the world is viktor accepting that he is deserving of being loved. I'm going to be thinking about this one for a good long while.
I can't wait for the next episode 😭😭 (4/4)
16 años I rarely write & draw and it is admittedly not the best 🌸🎶🔵 not very active but I try my best to interact when I am!!
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