šŖ»springšŖ»
lets stare judgmentally with mama
Photo by Caleb Jack.
I finally watched the Rupert and the Frog song (We all Stand Together). I still see people (mostly older, mostly on Facebook) dunking on āthe frog chorusā and itās just so clearly an outdated notion for it to be lame for a musician to make content explicitly for children. Itās so common now for artists whoāve become parents to make something their kids will enjoy. Jack White sang a song with the muppets on Sesame Street because he loves his fucking kids. Itās so normal now.
I get where Mary Had a Little Lamb released as single by a rock band went down wrong .. but this is creative, whimsical content explicitly *for* kids. The SONG, in particular, is beautifully composed, imaginative. Lovely! I keep listening to it.
He was 20 years into his career. The Beatles were never Led Zeppelin. Itās hard for me to wrap my head around people still being so weird about this. He such a well rounded musician; itās all like an exploration in another part of his creativity. There are elements of the classical composing that would come later⦠and the playful, experimenter who made Robberās Ball (my beloved), McCartney II, the Fireman records.
But anyway, watching this today reminded me of this moment from Behind the Scenes of BBC Radio where someone presented Paul and Mike with their childhood Rupert book. The title page filled in by their parents reads āThis book belongs to Paul McCartney and Michael McCartneyā.
It was either Paul or Mike who said they didnāt get many gifts as kids and for Christmas theyād usually get one toy addressed to Paul and Michael from Father Christmas. It makes me really consider why this Rupert project was so important for him that he held onto it for 15 years, always sort of considering ideas for it. There were those RAM era songs that were specifically for the āRupert projectā. It comes up so much in the McCartney legacy book.
Then thereās the element of the frogs and his history with frogs, from growing the tadpoles in his own hand made frog pond in the backyard and checking on them every day until one day they were frogs that hopped away. Then there was the dark, frog killing episode that shocked his brother and he probably felt some shame about.
But here, in this story, there are guard frogs on duty protecting their mostly undisturbed world. Happy and content, itās the frogs that create this magical chorus.
Thereās even a father and son frog pair whoāve come to see this event that only happens every couple of hundred years.
The father is rather Jim McCartney-esque with his pipe and 1940s style hat and manner. Thereās a moment where the son inadvertently annoys his father and instantly recoils like heās about to get hit and momentarily it looks like the father is considering it but gets a hold of himself.
But later, wrapped up in the music together, the father hugs his son.
I donāt know what Iām saying exactly but I think thereās some exploration of his childhood here and something about Rupert and the frog chorus thatās particularly meaningful to him.
Maybe heās reconciling the dark, frog killing episode of childhood with the vegetarian, animal lover heād become by giving the frogs their own heroās story. Rupert, Jim, the threat of violence, the presence of love, the frogs he loved but also was violent toward.. and music at the center of everything. Unifying, healing. We all stand together.
For anyone interested, the full BBC clip is here
The full Rupert short is here
Iām sorry I usually rag on Beatles Reddit but this tale of Paul in the wild is sending me
by mariavannguyen